Mr. Rahman is working in the studio in this video. You can see these monitors behind.

Visible in this photo of Fatboy Slim's studio, from this Sound on Sound interview about "Praise You". It can be found on Slim's desk. He has used them since the production of Better Living Through Chemistry.

At this time, Cook was using a Soundcraft desk and monitoring through a pair of Auratones during the writing phase and Yamaha NS10s when it came to mixing. “I had four flatmates,” he remembers, “and you can’t work at any volume. So I worked on Auratones, the same pair of which I still use now, and you could feel when the bottom end was there, but it didn’t go through to other people’s bedrooms. Then when it came to mixdown, I would go onto NS10s. I would say to everyone, ‘Look, sorry, I’m mixing tonight, so I’ve got to actually play this at volume just to check the bottom end.’”

Listed among Wakeman's studio gear in this July 1999 Sound on Sound interview.

You see them several times in the video but you can see the NS-10's at the 10:14 in the attached video.

At 2:26 into his studio tour for Ultra Music, Cedric Gervais displays his Yamaha NS-10. "Then we have the Yamaha NS10..Gotta have that in the studio as reference".

In this video, Tocadisco is using Yamaha NS10 Studio Monitors while remixing a track in Sao Paulo's MOSH Studios. According to the MOSH website, Studio A, Studio D, and Studio VIP have Yamaha NS10s (http://www.mosh.com.br).

A pair of Yamaha NS10 Studio Monitors can be seen in this Instagram picture, uploaded by the artist himself.

Michael Woods uses the NS10 in his studio...

In this interview, Gavin Harrison says of his Yamaha NS10 Studio Monitors, "The theory is that if you can make a recording sound good on Yamaha NS10s, it'll sound good anywhere, and I tend to believe that to be true."

At 5:49 in this video, a pair of Yamaha NS-10s can be seen on top of NERO's sound board

Studio buffs tend to forget that modern recording studios are imposing and disorientating places for the average lay person. The technology seems to be surpassed in complexity only by military and space hardware, and Mark King's 'home' studio is certainly state of the art, as the above listing indicates. There's also a Macintosh SE30 with Performer software, an SRC SMPTE-to-MIDI convertor, Adams Smith Zeta 3, NS 10 and Tannoy DTM8 monitors, and two Otari MTR90 24-track recorders with 48 tracks of Dolby SR. Sound sources include a DX7, Roland D110 and 550, Yamaha TX816, Juno 60, Emu III and Emax, Casio CZ101, plus an Akai-Linn MPC60 workstation and a DDrum 2 drum sampler.

For nearfield work, Davidge has his Genelecs and a pair of ubiquitous Yamaha NS10s. He also likes playing with cheap and cheerful computer speakers so that he can tell how the track might sound when his audience plays it at home.