In a 1994 interview with Guitar World, Trent Reznor confirmed the use of the Zoom 9002 by stating, "I also used some of the little Zoom 9002, the old one—the one that clips on your belt. I just used it straight. I like its sound sometimes."

https://www.musicradar.com/news/joe-satrianis-career-in-gear-dont-worry-about-peavey-vs-marshall-worry-about-what-sets-you-free

On page 6 of the Music Radar interview linked above, Joe Satriani says... “My song Cryin’ is a performance that was recorded live in one take through a Zoom handheld device. That was an unusual recording, for sure! If someone heard it on Spotify, they’d never think it was a live performance going into a handheld Zoom, through an RCA cable onto a 24-track machine.

“Why did we do it? We weren’t thinking… we were simply recording! The point I’m trying to make is that sometimes a $50,000 Dumble might not work, but a $150 Zoom thing could sound brilliant. It just comes down to your hands, musicianship and inspiration.”

From Musician magazine, October 1993 issue:

"Depeche Mode keeps things simple onstage: no amplifiers. Every sound, from keyboards to guitar to drums, runs through the P.A. system: a Brittania Pow Flashlight System. Dave Gahan and the backup singers use Samson Synth radio microphones with EU 757 capsules. Martin Gore plays a Roland A-50 and Alan Wilder plays an Akai MX1000, each controlling two Emulator Emax II samplers: Andrew Fletcher has another pair of Emaxes. Each pair is hooked up in parallel, so that if one were to malfunction, the other is ready. But 'I don't remember an instance when we had to go to a spare,' says Wob Roberts, the keyboard technician. Samples come from strange and sundry sources, including old analog equipment. The piano onstage is a Korg 01/W Pro X transplanted into a grand-piano body. For down-stage keyboards, Fletcher and Wilder use Philip Reese MIDI line drivers. A MicroLynx sends SMPTE time code to the video and film setups. Away from the keyboards, Gore plays either a Gretsch Country Gentleman or a copy of a Gretsch Anniversary guitar, strung with Gibson strings, from .010 to .046 gauge. Dick Knight copied Gore's original Gretsch for stage use, using Gretsch parts but adding more wood in the body to cut down feedback. The guitars run through a MESA/Boogie Tri-Axis preamp and a Zoom 9002 effects processor, with a Sennheiser UHF transmitter. Wilder's drums are mostly Yamahas: a 22" bass drum and 12", 13", 14" and 16" tom-toms. He uses Noble and Cooley piccolo and 7" snare drums and Zildjian K cymbals: a 22" ride, an 18" China, 16" and 18" crashes, a 6" splash and 13" hi-hats. And don't forget the tapes: two Sony 3324s, one of them a spare. Of the 24 tracks, Depeche Mode uses only 14, because many of the songs were dubbed from a 16-track Tascam that used 12 tracks for sound and four for sync. 'As soon as anyone sees the size of the machines, they think the whole show is on tape,' says Roberts. 'But it's just bass and drum parts and a couple of sequences. This band does not mime.'"

From JamTrackCentral

"So it's been a while now and I guess is time to tell the truth. It's been two wonderful years with Marco De Virgilis and the good guys at DV Mark, they pushed me like nobody did before and I'll be always grateful for the good times spent laughing, talking amps and life, late night shenanigans and whatnot (plus all the new friend and long time heroes that I had the chance to meet during this time). But for me as a professional, whether in the studio or live having more tools is essential to get the job done as quickly as possible. I'll continue using their Multiamp where possible as well as all my digital studio gear like the Axe FX or the Kemper (yes, I got a Kemper as well) and whatever would make my job easier (used a cheap and small Zoom 9002 for years and on countless recordings as well, can you believe it?). This said, I'm extremely proud about revealing that I'm now a Victory Amps endorser and that the V30 (the small lunchbox amp with a killer tone) will be my main live amp from now on. Thanks to Lee Captain Anderton and Martin Kidd for this opportunity, can't wait to let you hear what this amp can delivery! Please avoid any unnecessary comment or "this vs. this" thread because it will only led me to delete the posts. Sincerely The Bald Guy"

This article lists Jakko’s gear in his Silesia Sound Studios, including this one.

Dean Garcia used to have one of these when he was the guitarist and songwriter in the band Curve with Toni Halliday.