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Average Price: $4,250

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$100

$401+

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Description

The AKG C414 EB is a legendary piece in the realm of studio recording gear, cherished by professionals for its remarkable versatility and rich tonal character. This iconic condenser microphone, a standout in the AKG C414 series, is revered for its authentic reproduction of sound, making it an essential tool in any recording studio. With its roots tracing back to some of the most prestigious microphones in history, the C414 EB features the coveted "Brass" CK12 capsule, celebrated for its intricate craftsmanship and unparalleled sound clarity.

Designed for adaptability, the AKG C414 EB offers a variety of polar patterns, allowing you to capture the nuances of any performance with precision. Whether you're recording vocals or instruments, its ability to handle high-pressure sound levels without distortion makes it a reliable choice for capturing the essence of your sound. The addition of a second pad position and multiple high-pass filter options further enhances its versatility, providing you with the control needed to tailor the microphone's response to your specific recording environment.

Key Features:

  • Equipped with the renowned "Brass" CK12 capsule for superior sound clarity
  • Multiple polar patterns for versatile recording applications
  • Second pad position (-20dB) for managing high sound pressure levels
  • Three high-pass filter options for enhanced control over low-frequency response
  • Ideal for capturing a wide range of sound sources, from vocals to orchestral instruments

Product specs

Brand AKG
Model C414 EB with Brass CK12 Capsule
Finish Silver
Year 1970s
Made In Austria
Categories Microphones
Electronics Analog, Solid State
Microphone Type Large-Diaphragm Condenser
Polar Pattern Multipattern
Wired/Wireless Wired

FAQs

What is the polar pattern of the AKG C414 EB microphone?

The AKG C414 EB features a multipattern polar pattern, allowing users to select from various options such as cardioid, omnidirectional, and figure-8, making it versatile for different recording applications.

Does the AKG C414 EB require phantom power?

Yes, the AKG C414 EB requires 48-volt phantom power to operate, which is commonly supplied by most professional audio interfaces and mixing consoles.

What makes the AKG C414 EB suitable for vocal recording?

The AKG C414 EB is renowned for its natural sound and ability to smooth out harsh vocal tones, thanks to its brass CK12 capsule, making it a popular choice for vocal recording.

Is the AKG C414 EB a good choice for recording instruments?

Yes, the AKG C414 EB is highly versatile and can be used to capture a wide range of instruments with clarity and detail, including strings, brass, and percussion.

What is the main construction material of the AKG C414 EB capsule?

The AKG C414 EB features a brass CK12 capsule, which contributes to its distinctive sound quality and durability, making it a sought-after microphone for professional recordings.

Sound On Sound magazine

Sound On Sound magazine

AKG C414 The Ultimate Comparison: XLS vs XLII vs B-ULS vs EB

Video thumbnail for AKG C414 The Ultimate Comparison: XLS vs XLII vs B-ULS vs EB by Sound On Sound magazine

AKG C414 The Ultimate Comparison: XLS vs XLII vs B-ULS vs EB

Sound On Sound magazine

Sound On Sound magazine

Video thumbnail for Test 27 AKG 414 EB the CK12 Capsule Found in the C12 Tube Microphone Guitarist Patrick Caldwell by Modern Mics

Test 27 AKG 414 EB the CK12 Capsule Found in the C12 Tube Microphone Guitarist Patrick Caldwell

Modern Mics

Modern Mics

Video thumbnail for Neumann U 87 Ai vs AKG C 414 EB by Ján Rau

Neumann U 87 Ai vs AKG C 414 EB

Ján Rau

Ján Rau

Video thumbnail for Original Vs. Reskinned Condenser Microphone Capsules by Cole Picks Vintage

Original Vs. Reskinned Condenser Microphone Capsules

Cole Picks Vintage

Cole Picks Vintage

Reviews

PROS

  • Exceptional sound quality with a rich, tube-like low end

  • Brass capsule delivers a delicate and balanced tonal range

  • Handles high-mid frequencies with a bright and natural saturation

  • Velvety brilliance in treble, suitable for both male and female vocals

  • Stands tall against other high-end microphones, including the revered 251

  • Exceeds expectations with smooth, silky sound characteristics

  • Provides a more powerful and detailed sound in guitar tracking

  • Balances well without bulging mid frequencies like some historic models

CONS

  • Some units require servicing due to component deterioration

  • Limited availability, making it a rare find

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about AKG C414 EB.

Features and functionality

  • The AKG C414 EB with the brass capsule is frequently praised for its versatility and ability to handle multiple recording scenarios effectively.

    Source
  • The EB-P48 variant of the C414 accepts standard 48V phantom power and has a slightly darker tone than the CK12 EB.

    Source

Comparisons

  • The C414 XLII's presence boost makes it less of a "reference" mic compared to the XLS, which maintains a flatter, more natural sound across all polar patterns.

    Source
  • The TL-II is brighter than the B-ULS but remains transformerless, making it a good choice for vocals and drums.

    Source
  • The new XLS model is essentially the modern equivalent of the B-ULS, while the XLII is voiced brighter like the TL-II.

    Source
  • The newer C414 models emphasize the upper midrange more and have less emphasis in the lower mids compared to the EB model.

    Source

User experience

  • Owners note the C414 B-ULS is darker than newer models, and some prefer its sound over the brighter XLS and XLII models.

    Source
  • Owners note that the B-ULS offers a round tone with an upper-end roll-off, making it great for toms.

    Source
  • Owners stress the importance of having a local service center for repairs, especially for expensive mics like the C414, to address potential future issues.

    Source

Use cases and applications

  • The C414 EB is considered a reliable choice for various applications, including overheads, room mics, and acoustic guitars, due to its well-rounded performance.

    Source
  • The B-ULS is praised for tracking instruments, while the TL-II is recommended for vocal applications due to its bright character.

    Source
  • The C414 is recommended for recording both acoustic guitar and vocals, making it a versatile choice for composers focusing on these elements.

    Source

Build quality

  • Older C414 models, particularly the EB with a brass capsule, are harder to find in good condition and tend to be more expensive.

    Source

Value and pricing

  • Vintage 'brass ring' C414 models are very expensive and difficult to find in good condition, making new models an attractive alternative.

    Source
  • Used C414s are often priced similarly to new ones, making it challenging to decide without a direct comparison.

    Source
  • In India, the C414 is considered more cost-effective than the OC818, despite similar pricing in the US market.

    Source

Critic Reviews

AKG C414 The Ultimate Comparison: XLS vs XLII vs B-ULS vs EB

soundonsound.com

The AKG C414 EB shines as a versatile studio staple, celebrated for its classic sound and reliability. This comparison highlights its distinctive character, particularly on vocals and acoustic instruments, thanks to the revered CK-12 capsule. While newer models like the XLII offer a modern twist with enhanced high-end clarity, the EB remains a favorite for its warm, rich tones. However, some might find its vintage charm less suited for ultra-clean recordings compared to the XLS. Overall, the review paints a positive picture of the C414 EB, emphasizing its enduring appeal for those seeking a touch of analog warmth in their recordings.

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Artist usage

Add artist
See how Bruce Swedien uses AKG C414 EB

Bruce Swedien

Music Producer

...
Verified via Photo

https://youtu.be/GEXA9sOY9QU?t=740 Bruce Swedien can be seen showing his two consecutive serial number AKG C414 EB. He frquently uses it in bidirectional as an XY pair. He says that it is a wonderful microphone for piano recording using it as an XY pair.

See how Method Man uses AKG C414 EB

Method Man

Rapper

Wu-Tang Clan

...
Verified via Gearslutz

Used for Enter the Wu-Tang (36 Chambers), as stated by mix engineer Carlos Bess in this February 18, 2009 Gearslutz post.

The only microphone that was used was an AKG-C414 EB

See how GZA uses AKG C414 EB

GZA

Rapper

Wu-Tang Clan

...
Verified via Gearslutz

Used for Enter the Wu-Tang (36 Chambers), as stated by mix engineer Carlos Bess in this February 18, 2009 Gearslutz post.

The only microphone that was used was an AKG-C414 EB

See how Ol' Dirty Bastard uses AKG C414 EB

Ol' Dirty Bastard

Rapper, Music Producer

Wu-Tang Clan

...
Verified via Gearslutz

Used for Enter the Wu-Tang (36 Chambers), as stated by mix engineer Carlos Bess in this February 18, 2009 Gearslutz post.

The only microphone that was used was an AKG-C414 EB

See how Ghostface Killah uses AKG C414 EB

Ghostface Killah

Rapper

Wu-Tang Clan

...
Verified via Gearslutz

Used for Enter the Wu-Tang (36 Chambers), as stated by mix engineer Carlos Bess in this February 18, 2009 Gearslutz post.

The only microphone that was used was an AKG-C414 EB

See how Marc Perlman uses AKG C414 EB

Marc Perlman

Guitarist, Bassist

Jayhawks

...
Verified via Mixonline

Used for the acoustic guitar on XOXO, as stated by engineer Nick Tveitbakk in this October 28, 2020 Mix Online interview.

Acoustic guitars were miked with an AKG C414EB and a Coles 4038 side by side, and vocals went into Neumann U47 and Shure SM7 mics, also side by side, to provide a range of textures.

See how Raekwon uses AKG C414 EB

Raekwon

Rapper

Wu-Tang Clan

...
Verified via Gearslutz

Used for Enter the Wu-Tang (36 Chambers), as stated by mix engineer Carlos Bess in this February 18, 2009 Gearslutz post.

The only microphone that was used was an AKG-C414 EB

See how Jerry Galeries uses AKG C414 EB

Jerry Galeries

Singer, Keyboardist

...
Verified via Jerry Galeries

As seen on the sessions for "End of The Night" and futher confirmed with information provided on production's page.

See how Inspectah Deck uses AKG C414 EB

Inspectah Deck

Rapper

Wu-Tang Clan

...
Verified via Gearslutz

Used for Enter the Wu-Tang (36 Chambers), as stated by mix engineer Carlos Bess in this February 18, 2009 Gearslutz post.

The only microphone that was used was an AKG-C414 EB

See how U‐God uses AKG C414 EB

U‐God

Rapper

Wu-Tang Clan

...
Verified via Gearslutz

Used for Enter the Wu-Tang (36 Chambers), as stated by mix engineer Carlos Bess in this February 18, 2009 Gearslutz post.

The only microphone that was used was an AKG-C414 EB

See how Masta Killa uses AKG C414 EB

Masta Killa

Rapper

Wu-Tang Clan

...
Verified via Gearslutz

Used for Enter the Wu-Tang (36 Chambers), as stated by mix engineer Carlos Bess in this February 18, 2009 Gearslutz post.

The only microphone that was used was an AKG-C414 EB

T

Tim O'Reagan

Drummer

Jayhawks

...
Verified via Mixonline

Used for the acoustic guitar on XOXO, as stated by engineer Nick Tveitbakk in this October 28, 2020 Mix Online interview.

Acoustic guitars were miked with an AKG C414EB and a Coles 4038 side by side, and vocals went into Neumann U47 and Shure SM7 mics, also side by side, to provide a range of textures.

Used With

Based on how musicians on Equipboard use AKG C414 EB, it is most commonly used with the following gear.

Shure SM7
Shure SM7 Dynamic Microphones
3
Neumann M149 Tube
Neumann M149 Tube Condenser Microphones
3
Urei 1176 LN Revision H
Urei 1176 LN Revision H Effects Processors
3
Wunder Audio CM7
Wunder Audio CM7 Condenser Microphones
3
Neumann U47
Neumann U47 Condenser Microphones
3
AMS Neve 1066
AMS Neve 1066 Preamps & Channel Strips
3
Avid HD I/O
Avid HD I/O Audio Interfaces
3
Coles Electroacoustics 4038
3
AMS Neve 3104
AMS Neve 3104 Preamps & Channel Strips
2

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