Pricing and availability
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Average Price: $94
Standard/Professional
$50
$201+
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Description
Experience a vintage touch to your guitar effects with the Boss CS-2 Compression Sustainer. This iconic pedal, dating back to the early 80s, offers a distinctive mix of compression and sustain that has remained a favorite among musicians even after three decades. Its robust build and smooth tone make it a reliable choice for those seeking an evenly responsive guitar effect. With its tried and tested performance, it's not just a pedal, but a piece of musical history that brings back the unforgettable sound of the golden era.
Key Features:
- Combines compression and sustain in one pedal
- Sought-after by musicians for its smooth tone
- Even response that's perfect for any genre
- Rugged and reliable, built to last
- A piece of vintage gear, dating back to 1981-1986
Product specs
| Brand | Boss |
| Model | CS-2 Compression Sustainer (Black Label) |
| Finish | Blue |
| Year | 1981 - 1986 |
| Made In | Japan |
| Categories | Compressor Pedals |
FAQs
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What does the Boss CS-2 Compression Sustainer pedal do for guitar tone?
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The Boss CS-2 Compression Sustainer evens out your guitar's volume by compressing loud signals and boosting softer ones, enhancing sustain and articulation. It adds a smooth, warm character to your sound, making it ideal for achieving a more polished, consistent tone.
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How does the Boss CS-2 compare to the CS-3 in terms of sound?
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The Boss CS-2 is known for its warm, vintage tone and simplicity, while the CS-3 offers more control with an additional Attack knob for tailored response. The CS-2 is often preferred for its classic sound and straightforward operation.
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Is the Boss CS-2 suitable for bass guitar?
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Yes, the Boss CS-2 is suitable for bass guitar and is favored by bass players for its ability to enhance tone, add sustain, and smooth out dynamics. It provides a warm, thick sound that complements bass frequencies well.
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What are the main controls on the Boss CS-2 Compression Sustainer?
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The Boss CS-2 features three main controls: Level, Tone, and Sustain. Level adjusts the output volume, Tone shapes the sound's brightness, and Sustain controls the amount of compression applied to your signal.
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Can the Boss CS-2 Compression Sustainer be used with other effects pedals?
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Yes, the Boss CS-2 can be effectively used with other effects pedals. It's often placed early in the signal chain to even out dynamics before modulation, delay, or reverb effects are applied, ensuring a consistent signal throughout.
Videos
Pedals and Effects
Boss CS-2: My Number One Pedal
Reviews
PROS
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Provides a classic, organic compression sound
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Versatile for both guitar and bass applications
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Simple, easy-to-use three-knob layout
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Can push amps into slight overdrive for desired tones
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Enhances playing dynamics with effective sustain
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Maintains clarity and preserves guitar tones
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Offers a range of compression from subtle to heavily squashed
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Preferred over other compressors like Keeley and Dynacomp for specific styles
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Some versions, especially the 1982 model, highly praised for superior quality
CONS
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May reduce bass frequencies more than some competitors
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Slightly noisy operation reported by some users
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Lacks the thickness in sound some other compressors provide
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Buffer quality could be improved
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Boss CS-2 Compression Sustainer.
Features and functionality
Comparisons
Value and pricing
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The CS-2 is often priced 3-4 times higher than the original cost due to its unique chip, making it a sought-after item.
Source
User experience
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Owners in Toronto report difficulty finding the CS-2 in good condition at reasonable prices, often encountering inflated costs or poor condition pedals.
Source
Other
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People who need the BA662a chip for their Juno synths sometimes gut the CS-2 pedals to source it, indicating its high demand in both guitar and synth communities.
Source
Critic Reviews
4.5 out of 5
Based on 7 Reviews and 43 Ratings
41029
thanks for the extra knob boss...
the CS-2 gives you an attack control on the front and it is probably the first comp pedal to do that... but I still prefer the sound of the dynacomp. If I played more country back when I owned both I probably would have kept the CS-2 though because it really did great country chickin' pickin' sounds through a fender amp... it could get a Gibson to sound country. Defintiely has more bass reduction going on than the dynacomp and all of its cousins.
232
Number one in my pedalboard
This is by far the best compressor in the world. It gives some kind of soft overdrive perfect for rock style, the compression it's pretty fast and responsive, finally the sustain it's 100% effective. My favorite pedal.
286
The classic compressor
A little bit noisy, but a subtle and warm compressor.
437
The Best of the Best
I bought it because Juan Alderete has it https://www.youtube.com/watch?v=5NczyGuRnl8
This review has been translated automatically into English. See original257
Artist usage
Add artist
Richard Coleman uses the Boss CS-2 Compression Sustainer, as seen on his Instagram post tagged #pedalboardoftheday.
Nigel Tufnel is seen using the Boss CS-3 Compression Sustainer on the first iteration of his pedal board in the studio, as depicted in the movie "Spinal Tap: The End Continues." This is evidenced by an image available on Equipboard.
On his website, Jim Matheos lists the Boss CS-2 Compression Sustainer among his gear, highlighting its role in shaping his guitar sound.
In an episode of "That Pedal Show" titled "Let’s Talk About Gibson Firebirds… With Dave Gregory!", the guitarist Dave Gregory is shown using a Boss CS-2 Compression Sustainer as part of his pedalboard setup.
Crispian Mills is shown using the Boss CS-2 Compression Sustainer in the recording list of PPA, as seen in a user-uploaded photo on this page: https://www.angelfire.com/blues2/electric_gypsy/CM/CMA.html.
In a screenshot from the "LVRMKS album teaser" on YouTube, Jonathan Hischke is shown using the Boss CS-2 Compression Sustainer, highlighting its role in his gear setup.
"The whole idea behind fretless (sorry Stanley Sheldon-you’re in a category all your own!) is to get that vibrato-y, “Brrroooowww”, singing quality, which I used to add chorusing and compression for (usually Boss CEB-3 and CS-2). These days, I look for basses that have a natural singing quality, so the pedals don’t have to compensate as much to get you there."
"An Astrobrite fan just sent an old magazine showing the rig rundown for Medicine, lovesliescruehing, Lilys, Half String and more. Prettttty neat!"
Dino Bardot uses the Boss CS-2 Compression Sustainer, as shown in a fan interaction image on Imgur.
Album Usage
The Boss CS-2 Compression Sustainer has been featured on the following albums:
The End Continues
Spinal Tap (2025)
Everything Will Be Alright In The End
Weezer (2014)
Spending Time On The Border Line
Ozma (2003)
Mud On The Tires
Brad Paisley (2003)
The Road to Hell Part II
Chris Rea (1999)
The Division Bell
Pink Floyd (1994)
Painful
Yo La Tengo (1993)
A Momentary Lapse of Reason
Pink Floyd (1987)
Stop Making Sense (Live)
Talking Heads (1984)
Rebel Yell
Billy Idol & Billy Idol (1983)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Boss CS-2 Compression Sustainer, it is most commonly used with the following gear.
Community setups
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