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Average Price: $75

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$50

$201+

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Description

The DBX 166A Comp/Limiter is a trusted tool for guitarists seeking superior sound control and dynamic range management. Known for its reliability and precision, this compressor effects pedal delivers exceptional performance by ensuring every note is clear and consistent, regardless of the playing style. Whether you're looking to smooth out your tone during live performances or add polish in the studio, the 166A is designed to meet the demands of both environments.

One of the defining characteristics of the DBX 166A is its dual-channel operation, which allows for versatile setup configurations, making it ideal for multi-instrumentalists or complex pedalboards. The advanced compression circuitry provides a natural sound, avoiding any unwanted coloring of your original tone, while the limiter function effectively prevents distortion caused by signal peaks.

Ease of use is another hallmark of the DBX 166A. Intuitive controls, including threshold, ratio, and output gain, enable quick and precise adjustments. The inclusion of a side chain insert further enhances its functionality, allowing for more creative sound shaping. This makes the DBX 166A an invaluable asset for musicians who demand flexibility and control over their sound.

Key Features:

  • Dual-channel compressor/limiter for versatile use
  • Advanced compression circuitry for natural sound
  • Side chain insert for creative sound shaping
  • Intuitive controls for easy adjustments
  • Ideal for both live performance and studio recording

Product specs

Brand dbx
Model 166A 2-Channel Compressor/Limiter
Finish Black
Year 2010s
Categories Compressors and Limiters

FAQs

What are the main features of the DBX 166A Comp/Limiter?

The DBX 166A is a 2-channel compressor/limiter featuring OverEasy® and Hard Knee compression modes, program-dependent attack times, and a variable compression ratio. It's designed to manage dynamic range and prevent audio distortion.

Can the DBX 166A be used for live sound applications?

Yes, the DBX 166A is suitable for live sound applications, providing reliable compression and limiting to control dynamic range and prevent audio clipping during performances.

Does the DBX 166A have separate controls for attack and release times?

The DBX 166A uses a program-dependent approach for attack times and features a "slow/fast" switch for release times, making it less customizable than models with separate attack and release controls.

Is the DBX 166A suitable for studio recording?

Yes, the DBX 166A is well-suited for studio recording, offering precise dynamic control that enhances audio quality and prevents distortion in recorded tracks.

Jaime Estevez

Jaime Estevez

dbx 166A Compresor - Introduccion y Prueba

Video thumbnail for dbx 166A Compresor - Introduccion y Prueba by Jaime Estevez

dbx 166A Compresor - Introduccion y Prueba

Jaime Estevez

Jaime Estevez

Video thumbnail for Dbx 166A made in usa by Sa Pro_audio & bus sumber agung

Dbx 166A made in usa

Sa Pro_audio & bus sumber agung

Sa Pro_audio & bus sumber agung

Reviews

PROS

  • Superb for exaggerated drum dynamics

  • Decimates noise in rigs effectively

  • Enhances low-end thickness in mixes

  • Almost zero noise addition

  • Built-in noise gate saves rack space

  • Ideal for beginners as a learning tool

CONS

  • Tends to chew up the bottom end

  • Slight drop in bass frequencies (-.5dB below 100Hz)

  • Recommended to upgrade for more advanced needs

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about DBX 166A Comp/Limiter.

Use cases and applications

  • The DBX 166A is effective for over-resonant kick drums and sloppy players, particularly useful as a parallel kick+snare gated-comp in live sound settings.

    Source
  • The 166A is frequently used with light compression for vocal tracking, valued by users familiar with its capabilities from budget-restricted setups.

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  • The DBX 166A requires significant gain adjustments to function properly in some FX loop setups, emphasizing its sensitivity to input signal levels.

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Features and functionality

  • The 166A operates as a feedforward compressor, making it suitable for applications requiring aggressive compression, such as parallel compression setups.

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  • When used in the SVT-4 FX loop, the DBX 166A doesn't receive a strong enough signal, even with the compressor threshold set as low as -20dB.

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  • Owners have noted that using the DBX 166A preamp input provides a hotter signal compared to the post-EQ FX loop output on the Ampeg SVT-4.

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Mods and upgrades

  • Some owners experiment with delaying the signal and feeding a dry signal to the sidechain to create lookahead in the DBX 166A, achieving interesting compression results.

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Comparisons

  • While some users find the 166A lacking in studio settings compared to higher-end models like the DBX 165, it's seen as an economical choice for live sound.

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  • Some consider the DBX 166A a foundational learning tool for hardware compression, distinct from the 160A, which is favored in larger setups.

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User experience

  • Owners have reported a love/hate relationship with the 166A, noting its tendency to overshoot and sound dark, yet praising its ability as a bus compressor.

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  • Owners with experience using the 166A for vocals express confidence in its performance, even when they have access to more expensive compressors.

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Value and pricing

  • The DBX 166A is often available around the $100 range, making it an accessible entry point for those exploring outboard gear.

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Setup and maintenance

  • Users have experienced issues using the DBX 166A in the Ampeg SVT-4 FX loop, noting it requires a DI box to boost the signal adequately.

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Critic Reviews

dbx 166, 166A, 166XL

ovnilab.com

The DBX 166A Comp/Limiter is a nuanced choice for musicians, offering potential vintage charm with caveats. While the older 166 models might provide more richness at certain settings, they come with noise issues and aging components. The 166A strikes a balance, possibly outperforming the XL model with slightly better sound and lower noise, though results can vary widely based on settings and unit condition. Despite its versatility and ruggedness, the 166A might require refurbishing, and its peak limiter is more of a distortion effect. Overall, it's a decent value if found at a good price, but not a standout without potential upgrades.

3.5 out of 5

Based on 1 Review and 2 Ratings

5 star
4 star
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1 star
domthedestroyer

Its good for the price

Its a cool little dual comp/limiter , Definitely ideal for beginners. I would recommend upgrading after learning on this guy. Ill rate it a 6/10 for quality.

Artist usage

Add artist
See how Glenn Tipton uses DBX 166A Comp/Limiter

Glenn Tipton

Guitarist, Keyboardist

Judas Priest

...
Verified via Glenntipton

Glenn Tipton uses the DBX 166A Comp/Limiter, as listed on his official website's equipment page.

See how DJ Mehdi uses DBX 166A Comp/Limiter

DJ Mehdi

Music Producer

...
Verified via Photo

DBX 166A can be seen regularly in the ARTE documentary "DJ Mehdi - Made in France".

The rack is easily recognizable with its white logo on the left with subtext and the arrangement of the diodes and knobs.

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use DBX 166A Comp/Limiter, it is most commonly used with the following gear.

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