"The effects returns on the SSL are pretty much hard-wired, and I would have used a selection of them. On the left side are the Elysia compressor, Fatso Jr tape simulator and compressor, Neve 33609 compressor, Ridge Farm Boiler compressor, Distressor, Dbx 160 compressor, AMS DMX150s delay, Eventide 2016 and H3500 effect units, and EMT plate reverb, and on the right the Drawmer compressor, Valley People Dynamite compressor, Marshall Time Modulator which is an '80s short delay and phaser, Delta Lab Effectron which is a very old digital delay, Thermionic Culture Vulture, Dbx 120 [subharmonic synthesizer] and Eventide H910 Harmonizer.”

David Rosenthal is confirmed to use the Eventide Clock Works H910 Harmonizer as part of his rig during Rainbow's 1982 performances. This information is directly sourced from David Rosenthal's official keyboard rig documentation.

he uses this pretty much everywhere, but this demo is the most obvious place where he does that https://youtu.be/MCMjcI1hS5c

Christian Bruhn once fetched Timm Thaler's multi-track tape from the shelf just for me to tell me the original instruments from the track plan, I almost passed out with "Unworthiness". He had Kristian Schultze (also a brilliant musician, unfortunately already in heaven) to record the synthesizers, who had recorded the tracks in his own studio and on his instruments, as well as the Captain Future Tracks. A SH-2000 was not there, if you listen carefully you can clearly see the Minimoog. As hard as it is, Schultze had used all the unaffordable super sound monsters for the two soundtracks. So, here is the original information from C. Bruhn from the track plan:

Prophet 5 (Schultze had a rev2), Roland Jupiter 4 (you can clearly hear that on Captain Future), Minimoog, unfortunately actually also a Yamaha CS-80 and a rare Wersi string machine, as well as an eventide h910 harmonizer, the cascading pitch -Effect can also be clearly heard, along with the tape echo flutter.

I hope this clears up a piece of audio history for all Captain and Thaler fans.

Of course, I was also at an appointment for Mr. Bruhn's cinema tour. At the end of the question and answer session he had a piano medley from Cptn for me. Future and Timm Thaler played. Dark hall, I stood wg. my question, everyone else was sitting and Mr. Bruhn was playing for me. I will never forget the moment, 1.5 minutes of complete trance ... Thank you very much, Mr. Bruhn!

Christian Bruhn once fetched Timm Thaler's multi-track tape from the shelf just for me to tell me the original instruments from the track plan, I almost passed out with "Unworthiness". He had Kristian Schultze (also a brilliant musician, unfortunately already in heaven) to record the synthesizers, who had recorded the tracks in his own studio and on his instruments, as well as the Captain Future Tracks. A SH-2000 was not there, if you listen carefully you can clearly see the Minimoog. As hard as it is, Schultze had used all the unaffordable super sound monsters for the two soundtracks. So, here is the original information from C. Bruhn from the track plan:

Prophet 5 (Schultze had a rev2), Roland Jupiter 4 (you can clearly hear that on Captain Future), Minimoog, unfortunately actually also a Yamaha CS-80 and a rare Wersi string machine, as well as an eventide h910 harmonizer, the cascading pitch -Effect can also be clearly heard, along with the tape echo flutter.

I hope this clears up a piece of audio history for all Captain and Thaler fans.

Of course, I was also at an appointment for Mr. Bruhn's cinema tour. At the end of the question and answer session he had a piano medley from Cptn for me. Future and Timm Thaler played. Dark hall, I stood wg. my question, everyone else was sitting and Mr. Bruhn was playing for me. I will never forget the moment, 1.5 minutes of complete trance ... Thank you very much, Mr. Bruhn!

"We used two harmonisers - the new Eventide H949 with the reverse switch on it, and also the H910 which was the first one Eventide brought out. I used the H910 on all of Simon Le Bon's vocals on the whole album - I actually recorded a harmoniser blended with his voice on every track. I think the band thought I was using it as a monitor track and not actually recording it. When they said 'can you take the harmoniser off' I said no - it suits Simon's voice I believe. For me, it gives a certain hardness to a voice that you can't achieve via EQ or anything else."

In this photo from an interview with Amazona.de, it is confirmed that Peter Schmidt uses the Eventide Clock Works H910 Harmonizer.