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Average Price: $384
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$300
$701+
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Description
Transport yourself back to the golden era of blues and rock with the Fender Blues Deville 4x10, a masterpiece that combines vintage charm with modern reliability. This 60-watt tube amplifier is a reimagining of Fender's iconic 1950s DeVille, designed for musicians who crave that warm, soulful tone that made the original a legend. Whether you're playing in a packed venue or a cozy studio, the Blues Deville delivers a rich, dynamic sound that's perfect for blues, rock, and country styles.
Equipped with four 10" blue Alnico-Magnet Eminence speakers, this amp ensures your sound is both powerful and detailed. With dual channels—Vintage and Drive—you have the flexibility to explore a range of tones, from crystal-clear cleans to a gritty, overdriven roar. The independent Gain and Master controls on the Drive channel give you precise control over your sound, while the built-in Fender Spring Reverb adds that extra touch of depth and dimension.
Aesthetically, the Blues Deville is a nod to the past, featuring a genuine cloth tweed covering, vintage-style chicken head knobs, and a classic chrome control panel. It's not just an amp; it's a piece of musical history ready to inspire your next performance.
Key Features:
- 60-watt, all-tube amplifier with four 10" blue Alnico-Magnet Eminence speakers
- Dual selectable channels: Vintage and Drive
- Independent Gain and Master controls in the Drive channel
- Bright Switch for enhanced lead tones
- Fender Spring Reverb for added depth
- Effects loop and 2-button footswitch for Drive select and Reverb on/off
- Vintage-inspired design with genuine cloth tweed and chrome panel
Videos
andy othling
Fender Blues Deville 4x10 Demo
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Fender Blues Deville 4x10.
Mods and upgrades
Features and functionality
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Using the second input reduces preamp crunch, allowing control over breakup tones by cranking the master volume.
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The amp's clean channel is highly regarded for taking pedals effectively, ideal for those crafting their sound with external effects.
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The reverb, when cranked, approaches a classic surf rock sound with a distinct "drippy" quality.
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Some users find the amp can sound muddy and seek shared settings to improve clarity.
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Use cases and applications
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The amp excels at delivering "buttery awesome sound" when combining amp reverb and delay in the effects loop, despite its high volume levels.
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Known for its "perfect 90s alt-rock sound," matching tones similar to bands like Gin Blossoms.
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The clean channel is sometimes described as sterile, requiring additional pedals or EQ adjustments for warmth.
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User experience
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A user reports no need for tech service after four years of extensive gigging, highlighting its reliability.
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Despite its tonal strengths, several users find the amp too loud for home use, often needing to keep volume below 2.
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Owners report long-term reliability, with one using the amp for 20 years without any issues.
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Build quality
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Original models can come with either Fender brown Eminence or blue Alnico speakers, impacting weight due to larger magnets in Alnicos.
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Critic Reviews
5.0 out of 5
Based on 1 Review and 4 Ratings
524
It deliveries an old school Fender sound
I use a USA made Fender Blues De Ville. 60 watts and four 10 inch speakers. It has a really sweet reverb and a drive channel, which I never use. I have pedals to take care of overdrive and distortion. It sounds like Chess Records from the 60's.
Artist usage
Add artist
Tom uses Fender De Ville (I think its USA edition) in pair with Roland jazz chorus amp, probably in stereo settings. Can be seen in KEXP live at Home performance
instagram photo soundgasltd.
Tony Joe White keeps it minimal - 65 Strat into his Whomperstomper (60s Maestro Boomerang wah and 69 Colorsound Tonebender), via Boss Blues Driver & Tremolo into an original 4x10 Fender Blues DeVille. Makes a glorious swampy noise.
matches another article: https://www.guitarplayer.com/technique/tony-joe-white
From Barry Cleveland article: “The guitarist’s distinctive vocal tone came from the bridge or bridge and middle pickups of a new, bright red Fender Stratocaster, with gold hardware, run through a t.c. electronic Sustainer/Equalizer, a pair of Boss Super Overdrives, a pair of Boss Digital Delays, and a Boss FV-50 volume pedal, into a Fender Twin Reverb and a 4×10 Fender Blues DeVille."
From the artists website: MY GEAR My beautiful 57 Hammond C3 (Clover Leaf) –> BK Butler TUBE DRIVER –> Leslie 145 Hohner d6 Clavinet fitted with the Castle Bar Whammy System –> Cry Baby Wah –> Harris Tremolo –> 4×10 Fender Devil
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Fender Blues Deville 4x10, it is most commonly used with the following gear.
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