Pricing and availability

We compare 600+ stores and found this item at 6 stores. Prices updated .

Sweetwater
$1,999.00
Amazon
$1,999.00
Reverb
$1,817.11 7 available New
B&H
$1,999.00
Thomann
5.0 (1)
$1,659.00 $1,650.00 $9.00 · All time low
Vintage King
$1,999.00

Average Price: $1,911

High-end/Boutique

$150

$501+

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Standard

High-end

Price History

Based on price data from 4 merchants for "RME Digiface AES USB Audio Interface". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.

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Description

The RME Digiface AES USB Audio Interface is the ultimate portable solution for musicians and audio engineers seeking uncompromising sound quality and connectivity. This compact interface offers a 14-in/16-out configuration that seamlessly integrates with your studio or live setup. Equipped with RME's SteadyClock FS technology, it ensures pristine, jitter-free audio, making it a reliable choice for both recording and playback.

The interface features two high-performance mic/line preamps derived from the renowned Babyface Pro FS, boasting 75dB of gain with 1dB precision. Its extensive digital I/O includes AES/EBU, S/PDIF, ADAT, and MIDI, allowing for versatile connectivity. With its built-in sample rate converter, you can easily tackle different clocking scenarios, ensuring smooth operation across various digital audio formats.

TotalMix FX software enhances the Digiface AES, providing unparalleled routing and mixing flexibility. You can control this powerful digital mixer remotely via TotalMix Remote on your Mac, PC, or iOS device, offering you the freedom to manage your setup from anywhere in your studio.

Designed with portability in mind, this bus-powered interface offers standalone functionality, with intuitive front-panel controls and a high-resolution color display. Store up to six device configurations for rapid switching between setups, making it perfect for both studio and live environments.

Key Features:

  • 14-in/16-out USB 2.0 audio interface
  • 2 mic/line preamps with 75dB gain
  • Balanced analog outputs and headphone output
  • AES/EBU, S/PDIF, and ADAT digital connectivity
  • MIDI I/O and integrated sample rate converter
  • SteadyClock FS for jitter-free audio
  • TotalMix FX software for advanced routing and mixing
  • Bus-powered and portable with standalone operation
  • High-resolution color display and intuitive controls
  • Store up to six device configurations in internal memory
  • TotalMix Remote control via Mac, PC, or iOS
  • Includes DigiCheck software for audio analysis

Product specs

Computer Connectivity USB 2.0
Form Factor Desktop
Simultaneous I/O 14 x 16
Number of Preamps 2
Phantom Power Yes
A/D Resolution 24-bit/192kHz
Effects 3-band EQ, Low-cut Filter, Reverb, Compressor, Expander, Auto Level
Analog Inputs 2 x XLR-1/4" combo (mic/line), 1 x XLR (AES)
Analog Outputs 2 x XLR (analog), 1 x XLR (AES)
Digital Inputs 1 x Optical Toslink (ADAT), 1 x S/PDIF (Coax)
Digital Outputs 1 x Optical Toslink (ADAT), 1 x S/PDIF (Coax)
MIDI I/O In/Out
USB 1 x Type B
Bus Powered Yes
Power Supply 12V DC power supply (included)
Height 1.73"
Width 8.46"
Depth 5.1"
Weight 1.94 lbs.

FAQs

What are the main connectivity options for the RME Digiface AES USB Audio Interface?

The RME Digiface AES offers USB 2.0 connectivity with analog inputs via 2 XLR-1/4" combo jacks and 1 XLR AES input. It also includes digital inputs and outputs through Optical Toslink (ADAT) and S/PDIF (Coax), plus MIDI In/Out.

Is the RME Digiface AES compatible with bus power, or does it require an external power supply?

The RME Digiface AES is bus-powered, meaning it can operate using power from the USB connection. However, it also includes a 12V DC power supply for additional power needs.

Does the RME Digiface AES support high-resolution audio?

Yes, the RME Digiface AES supports high-resolution audio with an A/D resolution of 24-bit/192kHz, ensuring excellent audio quality for professional recording and playback.

What built-in effects does the RME Digiface AES offer?

The RME Digiface AES includes built-in effects such as a 3-band EQ, low-cut filter, reverb, compressor, expander, and auto level, enhancing audio processing capabilities directly within the interface.

How many preamps does the RME Digiface AES have, and do they provide phantom power?

The RME Digiface AES features 2 preamps, and it offers phantom power, making it suitable for powering condenser microphones and other devices requiring phantom power.

Synthax Audio UK

Synthax Audio UK

RME Digiface AES Overview - 30-Channel, Bus-Powered USB Interface With Digital Connectivity and SRC

Video thumbnail for RME Digiface AES Overview - 30-Channel, Bus-Powered USB Interface With Digital Connectivity and SRC by Synthax Audio UK

RME Digiface AES Overview - 30-Channel, Bus-Powered USB Interface With Digital Connectivity and SRC

Synthax Audio UK

Synthax Audio UK

Video thumbnail for ISE 2023: RME Audio Features Digiface AES Half-Sized USB Powered Audio Interface by rAVe [PUBS]

ISE 2023: RME Audio Features Digiface AES Half-Sized USB Powered Audio Interface

rAVe [PUBS]

rAVe [PUBS]

Reviews

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about RME Digiface AES USB Audio Interface.

Features and functionality

  • RME interfaces offer a virtual mixer with DSP, allowing monitoring outside the DAW with imperceptible latency, enhancing workflow efficiency.

    Source
  • The RME Digiface AES can function as a stand-alone MADI-Dante converter and includes a built-in Ethernet switch for enhanced connectivity options.

    Source
  • Multiclient drivers allow simultaneous use of ASIO for low latency and multiple WDM stereo channels for diverse routing needs, such as sending VLC to channels 59-60.

    Source
  • Users appreciate the Digiface AES for its bus-powered headphone output, which provides convenience and high-quality audio when working on music in portable settings like trains.

    Source

Software and compatibility

  • RME's proprietary drivers are praised for their reliability and low latency, making them a preferred choice for stable performance.

    Source
  • The RME Digiface AES lacks a class-compliant mode, requiring proprietary drivers, which can limit compatibility across different operating systems.

    Source

Comparisons

  • The Digiface series offers extensive digital connectivity compared to the Focusrite Scarlett series, which may be unnecessary for some users.

    Source
  • The Dante PCIe Accelerator offers better theoretical latency and supports 128 channels in/out over Dante, compared to Digiface’s 64/64 at 48kHz.

    Source
  • One user shifted from a Digiface AES to a Fireface UCX II, noting enhanced stability, sound quality, and routing options, but missed the Digiface for its portable headphone output.

    Source

User experience

  • Upgrading to RME has been described as a game changer due to the powerful virtual mixer and solid driver performance.

    Source
  • Despite theoretical latency differences, real-world latency for both RME Digiface and PCIe card is approximately 3 ms, with RME's drivers offering exceptional stability on Windows.

    Source
  • Owners frequently highlight the Digiface AES's robust driver performance, which surpasses other brands such as UAD Apollo in terms of stability and reliability during live DJ sets.

    Source

Use cases and applications

  • Ideal for setups requiring compatibility with MADI consoles, offering flexibility for both studio and live environments.

    Source
  • The Digiface AES is praised for its capability to integrate seamlessly with modular setups, Expert Sleepers modules, and ferrofish Pulse 16, offering versatile connectivity.

    Source

Critic Reviews

RME Digiface AES

soundonsound.com

The RME Digiface AES USB Audio Interface impresses with its comprehensive feature set, offering a unique mix of analog and digital I/O that bridges the gap between the Babyface Pro FS and UCX II. With excellent D-A performance, low latency, and bus-powered convenience, it stands out for its ability to mix non-synchronous digital sources. However, its price and lack of high-impedance instrument inputs may deter some users. Designed originally for a German broadcaster, this compact unit shines in specialized applications, proving its merit through robust build quality and versatile connectivity options. Despite overlapping features with other RME products, the Digiface AES presents a compelling choice for those prioritizing specific needs in a well-rounded audio interface.

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