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Average Price: $848
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$150
$501+
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Based on price data from 1 merchant for "RME Fireface UC USB Audio Interface". Prices shown reflect NEW condition. Tracking began Apr 3, 2026.
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Description
Two digitally controlled mic preamps, ultra-low latency, and up to 192kHz on all inputs and outputs.
The compact RME Fireface UC 36-Channel USB Interface is optimized for the highest possible performance under Windows and Mac OS. Based on the RME Hammerfall core, the ultra-low latency of the Fireface UC is nothing short of revolutionary, even with multiple channels. To remove the current restrictions of typical USB audio interfaces, the RME Fireface uses 2 firmware versions with different transfer methods for each platfrom. The interface's Win or Mac operating mode can be changed at any time. And, under Mac OS, the Fireface MIDI ports are class-compliant, enabling plug-and-play operation-no loading MIDI drivers.
The interface not only makes leading-edge RME Fireface technology available for PC and Mac, it also provides a unique, low-latency operating concept and high levels of performance and compatibility. Under both computer operating systems, the Fireface's latency performance is simply sensational. The smallest buffer offered under Windows has 48 samples, and under Mac OS X, 14 samples. The result is performance previously not available from typical USB audio interfaces, making the dream of the perfect and future-proof mobile pro audio recording solution come true.
The Fireface UC features all of the proven RME analog and digital circuitry. It is the only device in its class with active jitter suppression, enhanced standalone functionality, complete controllability from the front panel, highly flexible I/O in professional quality, and an unsurpassed 648-channel matrix router-at sample rates of up to 192 kHz.
Integrated DSP mixer
All inputs and outputs can be freely mixed, routed, and distributed with RME´s TotalMix software. Up to 9 independent stereo submixes can be set up. Each output and submix channel can be recorded directly and without external cable loops. DSP-based hardware calculates RMS and Peak levels for all channels without causing any significant CPU load. Plus, TotalMix can be completely remote controlled via MIDI.
Analog I/O
Eight analog inputs and outputs (all balanced, except outputs 7/8) with software controlled reference levels (-10 dBV, +4 dBu Lo-/Hi-Gain) ensure high dynamic range and fidelity. Inputs 5 thru 8 on the rear panel feature RME's proven level references. -10 dBV, +4 dBu and Lo Gain can be selected in the settings dialog, equivalent to +2dBV, +13dBu and +19dBu for digital full scale. The same applies to the balanced rear analog outputs 1 thru 6. The hi-power headphones output offers high volumes even with low-impedance headphones.
Preamps
The Fireface UC features 2 balanced microphone preamps with digitally controlled input stage, individually switchable 48V phantom power, and Neutrik Combo connectors for XLR and TRS. They can also be used as line inputs. With gain up to 65dB (adjustable in 1 dB-steps over a range of 55dB), exceptional EIN (Equivalent Input Noise) performance even at low settings, and extremely low THD+N (Total Harmonic Distortion + Noise), these preamps surpass many reference-level devices. All level settings are 100% reproducible and can also be adjusted via software. Inputs 3 and 4 are flexible universal balanced inputs that operate exactly like inputs 5 to 8 on the rear, and can be adjusted to accept standard studio input levels (+4dBu, lo-gain). The input impedance can be switched from line (10k ohm) to instrument (470k ohm), and offers an additional analog input amplification of up to 18dB in steps of 0.5dB.
Digital I/O
One ADAT I/O port provides digital connection to mixers and converters. The coaxial S/PDIF I/O (up to 192 kHz) is fully AES/EBU compatible. S/PDIF can also be accessed through the optical I/O.
Word Clock & MID
A Word Clock input and output plus two MIDI I/O ports (special breakout cable included) complete the list of features and turn the Fireface UC into a complete audio system of the highest quality.
Product specs
| Brand | RME |
| Model | Fireface UC USB Audio Interface |
| Finish | Black |
| Year | 2010s |
| Made In | Germany |
| Categories | Audio Interfaces |
| Bit Depth | 24-bit |
| Bus-Powered | No |
| Compatibility | Windows, macOS |
| Computer Connectivity | USB |
| Digital Input Format | ADAT/Optical, S/PIDF |
| Digital Output Format | ADAT/Optical, S/PIDF |
| Electronics | Analog, Digital, Solid State |
| Format | Half Rackmount |
| Number of Analog Inputs | 8 |
| Number of Analog Outputs | 6 |
| Number of Channels | 34 |
| Number of Digital Inputs | 10 |
| Number of Digital Outputs | 10 |
| Number of Headphone Outputs | 1 |
| Number of MIDI Inputs | 1 |
| Number of MIDI Outputs | 1 |
| Number of Mic Preamps | 2 |
| Sample Rate | 192 khz |
| Simultaneous I/O | 18 x 18 |
FAQs
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Is the RME Fireface UC compatible with both Windows and macOS?
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Yes, the RME Fireface UC USB Audio Interface is compatible with both Windows and macOS, ensuring flexibility for different studio setups.
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What are the main connectivity options for the RME Fireface UC?
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The RME Fireface UC offers USB connectivity and features analog, ADAT/Optical, and S/PDIF digital input and output formats.
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How many simultaneous input and output channels does the RME Fireface UC support?
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The RME Fireface UC supports up to 18 simultaneous input and output channels, providing extensive connectivity for complex recording setups.
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Does the RME Fireface UC require external power?
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Yes, the RME Fireface UC is not bus-powered and requires an external power source to operate.
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What is the maximum sample rate supported by the RME Fireface UC?
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The RME Fireface UC supports a maximum sample rate of 192 kHz, allowing for high-resolution audio recording and playback.
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How many mic preamps are included in the RME Fireface UC?
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The RME Fireface UC includes 2 high-quality mic preamps, suitable for capturing detailed audio recordings.
Videos
SpectreSoundStudios
Greatest Recording interface ever? RME Fireface UFX +
Reviews
PROS
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Extremely clean and noise-free audio quality up to 192kHz
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Compact design with extensive I/O options for its size
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TotalMix software offers zero latency monitoring and versatile routing
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Rock solid driver stability with regular updates from RME
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Simple installation process with reliable hardware recognition
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Operates via bus power on Firewire, adding flexibility
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High-quality build, durable and suitable for both studio and mobile use
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Compatible with a wide range of professional recording software
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Excellent integration with wordclock and lightpipe connections
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Offers multiple internal and external clock options
CONS
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Multipurpose front panel knob can be cumbersome for standalone use
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Requires external power supply when using USB
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Initial firmware update required through USB, even for Firewire use
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Lack of Ethernet or USB3 connectivity options
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Matrix view in TotalMix can be confusing and time-consuming to set up
Critic Reviews
5.0 out of 5
Based on 3 Reviews and 26 Ratings
257
Best interface at its price point
What can I say? It's RME. Reliability is practically in the name. Crystal clear sound, lots of inputs, very flexible digital interface, rock solid stable drivers and performance. And RME still pushes out updates for it, which is fantastic. My fireface comes with me all over the place, and it runs like a charm everywhere. Excellent interface.
Artist usage
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The RME Fireface UC USB Audio Interface can be seen mounted on a rack in Avicii's studio.
"We run an A/B system allowing for 100-percent redundancy, with the two sets of outputs from the RME Fireface interfaces controlled by a Radial SW8." - Trevor Dawkins (Ed Sheeran’s Guitar Tech).
In this picture you can see an XLR cable attatched to Suga's interface which looks like the RME Fireface UC series interfaces. It was spotted before with producer PDogg while recording Jin and JK for Tonight and Euphoria DJ swivel remix repectively
In a live performance photo of Paul Kalkbrenner, his setup includes the RME Fireface UC USB Audio Interface, positioned next to his Mackie mixer.
In the YouTube video "How To Make A - Legowelt - Track" by 180 Fact, Legowelt is shown using the RME Fireface UC USB Audio Interface.
At 2:46, an RME fireface UC is spotted connected to a Lewitt LCT640TS microphone
In this making of the DIVE Ep Ben shows off his Berlin studio space. He uses ABLETON live on an imac. His preffered interface is this small RME unit which he also uses for live performances. He uses a MOOG SLIM Phatty rack module for bass as well as a KORG Minilogue hardware synth. He uses U-he DIVA synth for ITB. Piano sounds come from a YAMAHA e-piano. he has a number of midi controllers such as the AKAI APC. All clearly cited and seen in the Youtube video.
In this Instagram photo, the RME Fireface UC USB audio interface is just to the right of the computer screen on the left of the photo. (It's immediately left of a dark-red mug.)
Album Usage
The RME Fireface UC USB Audio Interface has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use RME Fireface UC USB Audio Interface, it is most commonly used with the following gear.
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