20th Anniversary Flagship Interface The Fireface UFX+ becomes the center of any multitrack studio because it is able to handle up to 94 channels I/O with ease. With unprecedented flexibility, compatibility, the inclusion of DURec (Direct USB Recording) and RME’s famous low latency hardware and driver designs, the Fireface UFX+ raises the bar to new heights.

Packed with features not found on its older sibling, including MADI I/O (188 channels of I/O, 128 channels more than the Fireface UFX), a more powerful DSP, USB 3.0, Thunderbolt™ technology, and a new optional remote control firmly places the RME Fireface UFX+ as the new reference in multitrack recording, mixing and monitoring.

You name it, you connect it Its flexibility in connectivity and expansion is unrivalled – Analog, ADAT, MADI, AES, SPDIF. USB 2, USB 3 and Thunderbolt technology are standard on the Fireface UFX+. The UFX+ has an impressive channel count: 12 analog + 16 ADAT + 2 AES + 64 MADI = 94 channels input plus output = 188 channels in total. Thunderbolt technology gives the Fireface UFX+ real PCI Express audio ­performance under Mac and Windows, with lowest latency, lowest system overhead and lowest CPU load. The Fireface UFX+ is fully Thunderbolt technology compatible under Windows, including hot-plugging.

All new AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range serves even the most critical recording situation and source trouble-free.

New low impedance Hi-Power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power as well as volume on any phones, high or low impedance.

ehensive MADI Connectivity The Fireface UFX+ opens the doors to a host of RME and 3rd party digital and analog I/O solutions. Expanding your analog channel count, the ability to route/mix within the digital domain through numerous sources presents many flexible options. Multiple external MADI devices can also be connected in series.

To further enhance MADI flexibility, the Fireface UFX+ boasts some typical RME-style features. For example in USB 2 mode, which is limited to 30 channels I/O (12 analog plus 16 ADAT plus AES), the MADI I/O is still available via RME’s integrated hardware mixer TotalMix FX. Word Clock I/O (BNC) can be switched to MADI I/O (coaxial), and a special split mode even supports the use of both MADI I/Os simultaneously, with 32 channel each on optical and coaxial.

Improved DURec (Direct USB Recording) DURec, which is available on the front of the Fireface UFX+, now offers second generation hardware with improved USB functionality and compatibility, providing greater reliability even with slower or multi-partitioned USB thumb drives.

The maximum number of recordable channels has been raised to 76, meaning all 12 analog inputs plus 64 MADI channels can be recorded simultaneously. An internal Realtime Clock (RTC) delivers time-stamped files, and playback now includes several advanced player functions previously unavailable.

ARC USB Remote Control - Plug’n Play Plus The ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.

The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX+. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX+.

TotalMix FX Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind.

With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete.

TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.

TotalMix FX for iPad™ App TotalMix FX for iPad™ adds full control over hardware mixer and DSP effects for Fireface UFX+, UFX, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad™

Technical Specifications Analog

AD, Line In 1-8, rear • Resolution AD: 24 bit • Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA • Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz • Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.8 kHz • Frequency response @ 192 kHz, -1 dB: 2 Hz – 92 kHz • THD: < -110 dB, < 0.00032 % • THD+N: < -104 dB, < 0.00063 % • Channel separation: > 110 dB • Maximum input level: +19 dBu • Input: 6.3 mm TRS jack, electronically balanced • Input impedance: 8 kOhm unbalanced, 12 kOhm balanced • Input sensitivity switchable to Lo Gain, +4 dBu • Input level for 0 dBFS @ Lo Gain: +19 dBu • Input level for 0 dBFS @ +4 dBu: +13 dBu • Variable gain: 0 to +12 dB • Minimum level for 0 dBFS: +1 dBu, -1.2 dBV

Microphone In 9-12, front As AD, but: • Input: XLR, electronically balanced • Input impedance: 3.4 kOhm • Signal to Noise ratio (SNR): 115 dB RMS unweighted, 118 dBA • Gain range: 75 dB • Maximum input level, Gain 0 dB: +18 dBu • Maximum input level, Gain 75 dB: -57 dBu • CLIP LED: 0 dBFS • SIG LED: -60 dBFS

Instrument In 9-12, front As AD, but: • Input: 6.3 mm TS jack, unbalanced • Input impedance: 1 MOhm • Signal to Noise ratio (SNR): 114 dB RMS unweighted, 118 dBA • Gain range: 42 dB • Maximum input level, Gain 8 dB: +21 dBu • Maximum input level, Gain 50 dB: -21 dBu

DA, Line Out 3-8, rear • Resolution: 24 bit • Dynamic range (DR): 115 dB RMS unweighted, 118 dBA • Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz – 20.8 kHz • Frequency response @ 96 kHz, -0.5 dB: 5 Hz – 45 kHz • Frequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz • THD: < -110 dB, < 0.00032 % • THD+N: < -104 dB, < 0.00063 % • Channel separation: > 110 dB • Maximum output level: +19 dBu • Output: 6.3 mm TRS jack, servo-balanced • Output impedance: 75 Ohm unbalanced, 150 Ohm balanced • Output level switchable Hi Gain, +4 dBu, -10 dBV • Output level at 0 dBFS @ Hi Gain: +19 dBu • Output level at 0 dBFS @ +4 dBu: +13 dBu • Output level at 0 dBFS @ -10 dBV: +2 dBV

DA - Stereo Monitor Output XLR (1-2) As DA, but: • Output: XLR, balanced • Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV • Output level at 0 dBFS @ 24 dBu: +24 dBu • Output level at 0 dBFS @ Hi Gain: +19 dBu • Output level at 0 dBFS @ +4 dBu: +13 dBu • Output level at 0 dBFS @ -10 dBV: +2 dBV

DA - Stereo Monitor Output Phones (9-12) As DA, but: • Output: 2 x 6.3 mm TRS stereo jack, unbalanced • Maximum output level at 0 dBFS, High: +19 dBu • Maximum output level at 0 dBFS, Low: +2 dBV • Output impedance: 2 Ohm • Max power per channel @ 32 Ohm load, 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu)

MIDI

• 2 x MIDI I/O via 5-pin DIN jacks • Galvanically isolated by optocoupled input • Hi-speed mode: Jitter and response time typically below 1 ms • Separate 128 byte FIFOs for input and output

• 1 x MIDI I/O via MADI • Invisible transmission via User bit of channel 56 (up to 48 kHz) • Invisible transmission via User bit of channel 28 (up to 96 kHz)

Digital

• Clocks: Internal, ADAT, AES, MADI, word clock • Low Jitter Design: < 1 ns in PLL mode, all inputs • Internal clock: 800 ps Jitter, Random Spread Spectrum • Jitter suppression of external clocks: > 30 dB (2.4 kHz) • Effective clock jitter influence on AD and DA conversion: near zero • PLL ensures zero dropout, even at more than 100 ns jitter • Digital Bitclock PLL for trouble-free varispeed ADAT operation • Supported sample rates: 28 kHz up to 200 kHz

Digital Inputs

MADI • Optical via FDDI duplex SC connector • 62.5/125 and 50/125 compatible • Coaxial via BNC (Word Clock input), 75 Ohm • High-sensitivity input stage (< 0.2 Vpp) • Accepts 56 channel and 64 channel mode, plus 96k Frame • Standard: up to 64 channels 24 bit 48 kHz • S/MUX: up to 32 channels 24 bit 96 kHz • S/MUX4: up to 16 channels 24 bit 192 kHz • Lock range: 25 kHz – 54 kHz • Jitter when synced to input signal: < 1 ns

AES/EBU • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 • High-sensitivity input stage (< 0.3 Vpp) • SPDIF compatible (IEC 60958) • Accepts Consumer and Professional format • Lock range: 27 kHz – 200 kHz • Jitter when synced to input signal: < 1 ns • Jitter suppression: > 30 dB (2.4 kHz)

ADAT Optical • 2 x TOSLINK, format according to Alesis specification • Standard: 2 x 8 channels 24 bit, up to 48 kHz • Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz • Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz • Bitclock PLL ensures perfect synchronisation even in varispeed operation • Lock range: 31.5 kHz – 50 kHz • Jitter when synced to input signal: < 1

SPDIF optical (ADAT2) • 1 x optical, according to IEC 60958 • Accepts Consumer and Professional format • Lock range: 27 kHz – 200 kHz • Jitter when synced to input signal: < 1 ns • Jitter suppression: > 30 dB (2.4 kHz)

Word Clock • BNC • Internal termination 75 Ohm switchable • Automatic Double/Quad Speed detection and internal conversion to Single Speed • SteadyClock guarantees super low jitter synchronization even in varispeed operation • Not affected by DC-offsets within the network • Signal Adaptation Circuit: signal refresh through auto-center and hysteresis • Overvoltage protection • Level range: 1.0 Vpp – 5.6 Vpp • Lock Range: 27 kHz – 200 kHz • Jitter when synced to input signal: < 1 ns • Jitter suppression: > 30 dB (2.4 kHz)

Digital Outputs

MADI • Optical via FDDI duplex SC connector • 62.5/125 and 50/125 compatible • Cable length: up to 2000 m • Coaxial via BNC, 75 Ohm • Output voltage 600 mVpp • Cable length: up to 100 m • Generates 56 channel and 64 channel mode, plus 96k Frame • Standard: up to 64 channels 24 bit 48 kHz • S/MUX / 96k Frame: up to 32 channels 24 bit 96 kHz • S/MUX4: up to 16 channels 24 bit 192 kHz

AES/EBU • XLR, transformer-balanced, galvanically isolated, according to AES3-1992 • Output level Professional 4.5 Vpp, Consumer 2.6 Vpp • Format Professional according to AES3-1992 Amendment 4 • Format Consumer (SPDIF) according to IEC 60958 • Single Wire mode, sample rate 28 kHz up to 200 kHz

ADAT • 2 x TOSLINK • Standard: 2 x 8 channels 24 bit, up to 48 kHz • Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz • Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz

SPDIF optical (ADAT2) • Format Consumer (SPDIF) according to IEC 60958 • Sample rate 28 kHz up to 200 kHz

Word Clock • BNC • Max. output voltage: 5 Vpp • Output voltage @ 75 Ohm termination: 4.0 Vpp • Output impedance: 10 Ohm • Frequency range: 27 kHz – 200 kHz

General

• Power supply: Internal switching PSU, 100 - 240 V AC, 36 Watts • Idle power consumption: 19 Watts • Typical power consumption: 22-25 Watts • Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19" x 1.73" x 8.5") • Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3" x 1.73" x 8.3") • Total depth: 240 mm (9.4”) • Weight: 3 kg ( 6.6 lbs) • Temperature range: +5° up to +50° Celsius (41° F up to 122°F) • Relative humidity: < 75%, non condensing

Product specs

FAQs

What connectivity options does the RME Fireface UFX+ offer?

The RME Fireface UFX+ provides connectivity via USB 3.0, Thunderbolt, and Firewire, making it versatile for different computer setups. It supports both Windows and macOS systems.

How many inputs and outputs does the RME Fireface UFX+ have?

The RME Fireface UFX+ features 12 analog inputs, 8 analog outputs, 82 digital inputs, and 82 digital outputs. It also includes 4 mic preamps and 2 headphone outputs.

Is the RME Fireface UFX+ suitable for high-resolution audio recording?

Yes, the RME Fireface UFX+ supports a sample rate of up to 192 kHz at 24-bit, making it ideal for high-resolution audio recording and playback.

Does the RME Fireface UFX+ require an external power source?

Yes, the RME Fireface UFX+ is not bus-powered and requires an external power source for operation.

Can the RME Fireface UFX+ be used with MIDI devices?

Yes, the RME Fireface UFX+ includes 2 MIDI inputs and 2 MIDI outputs, allowing for integration with MIDI devices.