Pricing and availability
We compare 600+ stores and found this item at 9 stores. Prices updated .
Store
Reviews
Price
Average Price: $2,548
High-end/Boutique
$150
$501+
Price Tier
Budget
Standard
High-end
Price History
Based on price data from 7 merchants for "RME Fireface UFX II". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
The RME Fireface UFX II is a top-tier USB audio interface designed for both high-end home studios and commercial audio production facilities. Its high flexibility and compatibility make it a perfect fit for a myriad of production environments.
Notable for its impressive 60 audio channels (30 input and 30 output) and support for sampling frequencies of up to 192 kHz, this device guarantees pristine, crystal clear, and transparent audio. The Fireface UFX II incorporates premium AD/DA converters, optimized analog I/O circuits, and an improved Signal-to-Noise Ratio (SNR) to deliver top-notch audio quality.
The DURec (Direct USB Recording) feature, located on the front of the interface, offers improved USB functionality and compatibility, ensuring greater reliability even with slower or multi-partitioned USB thumb drives. This feature enables direct recording and playback of 60 channels of audio to an external thumb drive.
The Fireface UFX II also comes with low impedance, high power phones outputs that provide ample output power and volume on any headphones, high or low impedance.
Key Features:
- 30 Input / 30 Output channels
- 12 x Analog I/O
- 4 x Mic/Instrument Preamp, digitally controlled
- 1 x AES/EBU I/O
- 2 x ADAT I/O (or 1 x ADAT I/O plus 1 x SPDIF I/Optical)
- 1 x Word Clock I/O
- 2 x MIDI I/O
- 1 x USB 2.0
- TotalMix FX
- Improved DURec (Direct USB Recording)
- Can be integrated with RME’s optional ARC USB remote controller
- Sampling frequencies up to 192 kHz
- 60 Channels I/O via USB 2.0
- Digital gain control for all inputs - mic, line, instrument
- MIC In: Max. +18 dBu, 75 dB gain range
- PHONES out: Max. +19 dBu, 2 Ω impedance
- SteadyClock II for maximum jitter suppression
- DSP with EQ, Dynamics and Reverb
- TotalMix FX Software (1800 channel mixer with 46 bit internal resolution)
- Standalone operation
- IPad compatible (Class-Compliant-Mode)
Owner's manual
RME Fireface UFX II User ManualProduct specs
| Computer Connectivity | USB |
| Form Factor | Rackmount |
| Simultaneous I/O | 30 x 30 |
| Number of Preamps | 4 |
| Phantom Power | Yes |
| A/D Resolution | Up to 24-bit/192kHz |
| Analog Inputs | 4 x XLR-1/4" combo (mic/line), 8 x 1/4" TRS (line) |
| Analog Outputs | 2 x XLR, 6 x 1/4" TRS |
| Digital Inputs | 2 x Optical Toslink (ADAT), 1 x XLR (AES/EBU) |
| Digital Outputs | 2 x Optical Toslink (ADAT), 1 x XLR (AES/EBU) |
| Headphones | 2 x 1/4" |
| MIDI I/O | 2 x In, 2 x Out |
| USB | 2 x Type A, 1 x Type B |
| Clock I/O | In/Out |
| Rack Spaces | 1U |
| Power Supply | Standard IEC AC cable |
FAQs
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How many simultaneous input and output channels does the RME Fireface UFX II support?
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The RME Fireface UFX II supports 30 simultaneous input and 30 output channels, allowing extensive connectivity for complex recording and mixing setups.
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What types of connections are available on the RME Fireface UFX II for analog inputs and outputs?
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The RME Fireface UFX II offers 4 XLR-1/4" combo inputs, 8 TRS line inputs, 2 XLR outputs, and 6 TRS line outputs, providing versatile analog connectivity options.
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Does the RME Fireface UFX II provide phantom power for microphones?
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Yes, the RME Fireface UFX II provides phantom power, making it suitable for use with condenser microphones that require external power.
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What digital input and output options does the RME Fireface UFX II offer?
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The interface includes 2 Optical Toslink (ADAT) inputs and outputs, and 1 AES/EBU XLR input and output, supporting digital signal integration.
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Is the RME Fireface UFX II compatible with both Mac and Windows operating systems?
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Yes, the RME Fireface UFX II is compatible with both Mac and Windows, offering reliable performance across different platforms for various DAWs.
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Can the RME Fireface UFX II be used in a rackmount setup?
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The RME Fireface UFX II is designed for rackmount use, occupying 1U of rack space, making it ideal for professional studio environments.
Videos
Made by Miike
RME Fireface UFX II vs. MOTU 828es vs. Focusrite Scarlett 18i8 2nd Gen
Reviews
PROS
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Unparalleled variety of I/O options for extensive connectivity
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TotalMix FX software offers versatile audio routing possibilities
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Exceptional sound quality with crystal clear preamps and excellent AD/DA conversion
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Robust build quality, described as "built like a tank"
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Can record standalone onto an external hard drive, enhancing portability
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Comprehensive tutorials available, easing the learning curve for TotalMix
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Reliable drivers, including USB 2.0 compatibility, ensuring flawless operation
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Onboard EQ for latency-free room correction
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The autoset function helps manage dynamic range effectively
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Onboard effects improve monitor mixes
CONS
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Initial setup can be confusing due to undocumented steps (e.g., Mac driver authorization)
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TotalMix software might have a steep learning curve for some users
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Price point considered high, though justified by quality and features
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No easy way to import settings from external calibration software
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about RME Fireface UFX II.
Comparisons
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The UFX II has a lower THD (0.00032%) and higher SNR (118 dB) compared to the UCX II's THD (0.0004%) and SNR (115 dB), though differences may be inaudible.
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The Digiface USB with a Ferrofish Pulse 16 lacks preamps, making it less suitable for vocal recording compared to the UCX II or UFX II setups.
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Use cases and applications
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The UCX II is preferred for in-the-box work with occasional vocal and instrument recording, offering sufficient analog I/O for hardware synths and monitors.
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Owners needing an AES output for Genelec monitors find the UCX II suitable, as it provides the necessary analog I/O capacity.
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The UFX II is favored for setups requiring multiple stereo monitors and Atmos configurations, using fader links and mute groups for efficient control.
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Users recording Eurorack modular synthesizers and vocals may find the UFX II more suited due to its higher number of line inputs.
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Features and functionality
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The UCX II includes DC-coupled I/O and 1 Ω headphone output impedance, offering updated tech compared to the UFX II's 2 Ω output.
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The RME UFX II's TotalMix software allows for customizable fader groups and mappable controls, enhancing flexibility in complex audio setups.
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The Arc USB controller can be integrated with the UFX II to control output levels, mute outputs, and toggle fader groups, offering a streamlined workflow.
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The UFX II offers 12 line ins and 8 line outs, with 16 ADAT ins and outs, ideal for users needing extensive I/O capabilities.
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The UCX II provides 8 line ins and 6 line outs, with 8 ADAT ins and outs, offering a more compact I/O option.
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Value and pricing
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The UCX II is suggested as easier to resell in the future due to its newer technology, making it a potentially safer investment.
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Software and compatibility
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The UFX II, despite lacking USB 3 or Thunderbolt, is highly capable for most users' needs, with USB 2.0 supporting sufficient channel bandwidth for Atmos setups.
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User experience
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Owners switching from UAD interfaces to UFX II appreciate the simplified setup and reduced troubleshooting time, thanks to TotalMix’s intuitive design once mastered.
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Critic Reviews
5.0 out of 5
Based on 0 Reviews and 2 Ratings
Artist usage
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Based on how musicians on Equipboard use RME Fireface UFX II, it is most commonly used with the following gear.
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