Pricing and availability

* Product prices and availability are updated by Equipboard every 24hrs and are subject to change. Equipboard may receive compensation for purchases made at participating retailers linked on this site. This compensation does not affect what products or prices are displayed, or the order of prices listed. For more information, please refer to our affiliate disclosure.

Description

Elevate your studio experience with the RME Multiface II Audio Interface, a versatile tool designed for both desktop and portable recording setups. This high-performance interface builds upon the success of its predecessor, offering seamless low-latency operation and zero CPU load, making it an ideal choice for musicians and producers who need to minimize delay and maximize efficiency. Whether you're capturing live instruments or mixing intricate tracks, the Multiface II ensures pristine audio quality with its advanced analog and digital circuitry.

The unit features 36 channels of 24-bit/96kHz HDSP I/O, providing exceptional clarity and depth for all your recording needs. Its intelligent clock control and bitclock PLL offer reliable synchronization, while the improved analog input stages deliver a superior signal-to-noise ratio and lower total harmonic distortion. You'll appreciate the convenience of the hi-power headphone output, which allows for independent submix monitoring, and the ability to adjust reference levels directly on the front panel.

With the Multiface II, RME has not only improved upon an already highly regarded product but also maintained compatibility with existing firmware and drivers. This ensures a smooth transition for current users while offering a cutting-edge solution for newcomers. Its robust design accommodates both desktop PCI-card setups and CardBus configurations for portability, supporting maximum transfer rates of up to 130 MB/s.

Key Features:

  • 36-channel 24-bit/96kHz HDSP I/O
  • Intelligent clock control and bitclock PLL for reliable synchronization
  • Compatible with Windows and Mac platforms
  • 8 analog line I/Os with 24-bit/96kHz conversion
  • Hi-power headphone output with independent submix
  • MIDI I/O for high-speed MIDI communication
  • TotalMix for flexible input/output mixing with zero latency
  • Supports maximum transfer rates of up to 130 MB/s

Reviews

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about RME Multiface II Audio Interface.

Software and compatibility

  • RME interfaces, including the Multiface II, are praised for long-term driver support, making them reliable even as technology evolves.

    Source

User experience

  • Owners report that RME interfaces like the Multiface II remain functional for decades, maintaining performance through multiple computer upgrades.

    Source
  • Users interested in DIY projects may find value in adding custom preamps to the Multiface II for enhanced sound customization.

    Source

Setup and maintenance

  • The Multiface II, similar to other RME gear, is noted for being serviceable, with parts like the PSU being easily replaceable.

    Source
  • Users may need to manually route channels to use the Multiface II as an ADAT expander, though settings generally persist when powered off.

    Source

Use cases and applications

  • The Multiface II's ADAT expansion is useful for setups requiring additional inputs, enhancing its flexibility in studio applications.

    Source
  • The Multiface II is favored for setups needing compact, half-rack solutions for expanding input capacity without significant investment.

    Source
  • Owning a Multiface II might require additional preamps, which can be a drawback, but offers flexibility for custom setups.

    Source

Comparisons

  • RME interfaces are often compared favorably against brands like Antelope, which suffer from poor software support and frequent update issues causing functionality disruptions.

    Source
  • Some owners consider the MOTU Ultralite mk4 or 5 as alternative half-rack options for adding inputs, though they typically cost more than the Multiface II.

    Source
  • RME interfaces maintain value over time, unlike MOTU units, which depreciate significantly in the second-hand market.

    Source

Features and functionality

  • The RME Multiface II can be set up as an ADAT expander, allowing it to integrate with other interfaces like the Apollo x8 for additional inputs.

    Source
  • The RME Multiface II only offers line-level inputs, necessitating separate preamps for microphones and guitars.

    Source

Value and pricing

  • The Multiface II is often found under €300 on second-hand markets, making it a budget-friendly option for those needing RME's reliability.

    Source

4.5 out of 5

Based on 1 Review and 6 Ratings

5 star
4 star
3 star
2 star
1 star
M

Soundcard

Great sounding sound card with lot off possibilities

Artist usage

Add artist
See how Vicetone uses RME Multiface II Audio Interface

Vicetone

Music Producer, DJ

...
Verified via Facebook

In this video, at 1:23, Ruben says Vicetone uses a RME Multiface II Audio Interface.

See how Chris Watson uses RME Multiface II Audio Interface

Chris Watson

Composer, Music Producer

Cabaret Voltaire

...
Verified via Sound On Sound

Chris Watson uses the RME Multiface II Audio Interface, as confirmed by the article "Chris Watson: The Art Of Location Recording" published by Sound On Sound in 2018.

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use RME Multiface II Audio Interface, it is most commonly used with the following gear.

More RME Audio Interfaces

RME UCX

$699.00 - $2,099.00

 
Tycho Technasia
2 artists using
RME 9652

$168.52 - $699.00

 
Harry Gregson-Williams
1 artist using
RME ADI-2 Pro

$1,324.11 - $1,999.00

 
Mike Bello
1 artist using

Accessories & Related Items

Community setups

Similar

Gear Guides

  • Added to Equipboard on by

    davidino
    davidino

    Gear IQ 135