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Roland FANTOM 6 EX Synthesizer Workstation

$3,274.13 to $3,519.99 Price Tier: High-end

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Page last updated Jul 05, 2026

Pricing and availability

We compare 600+ stores and found this item at 7 stores. Prices updated July 3, 2026.

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$3,519.99

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$3,519.99

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5.0 (2)

$3,519.99 New

$2,788.00 Used (Like New)

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$3,274.13 18 available New

$2,599.00 6 available Used

$3,519.99

$3,519.99

$3,519.99

Average Price: $3,374

High-end/Boutique

$500

$1501+

Price Tier

In the Synthesizers category, Roland FANTOM 6 EX Synthesizer Workstation is priced in the High-end/Boutique range. This premium gear is built to very high standards and offers premium features.

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Standard

High-end

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Description

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Roland's FANTOM 6 EX Synthesizer Workstation is a powerhouse of musical innovation, designed to push the boundaries of creativity. With its 61-note semi-weighted synth-action keybed and aftertouch sensitivity, it offers an unparalleled playing experience that musicians crave. The FANTOM 6 EX is packed with multiple advanced sound engines, including ACB, ZEN-Core, V-Piano, and SuperNATURAL, providing a treasure trove of over 7,000 iconic and modern tones.

Designed with a fast, fluid workflow, the FANTOM 6 EX effortlessly integrates into any computer-based setup. Its 16x3 USB audio interface and dedicated DAW control modes for platforms like Ableton Live and Logic Pro ensure that your creative process is as seamless as possible. Dive into the clip-based composition and advanced sequencing capabilities, from TR-REC step sequencing to real-time recording, and let your musical ideas flow freely.

The workstation is not just about digital precision; it also brings analog warmth with its Analog Circuit Behavior technology, faithfully recreating vintage Roland synths like the SH-101 and JUPITER-8. Meanwhile, the ZEN-Core system allows for limitless sound design with its blend of electronic, acoustic, and hybrid sounds. Whether you're composing in the studio or performing live, the FANTOM 6 EX is your complete creative ecosystem, delivering the tools and inspiration you need to craft professional tracks.

Key Features:

61-note semi-weighted synth-action keybed with aftertouch
Advanced sound engines: ACB, ZEN-Core, V-Piano, SuperNATURAL
Over 7,000 onboard sounds from Roland's renowned library
SH-101, JUPITER-8, and JX-3P ACB Expansions
n/zyme, JD-800, JUNO-106, JUPITER-8, JX-8P, and SH-101 Model Expansions
Professional sequencing tools with clip-based workflow
16x3 audio/MIDI USB interface
Dedicated DAW control modes for Ableton Live, Logic Pro, Cubase, and more
Comprehensive connectivity with multi-channel audio I/O, MIDI I/O, and dual CV/gate outputs
Large color touchscreen with an ergonomic panel layout
16 RGB pads for triggering sounds, samples, and clips

Owner's manual

Roland FANTOM 6 EX Synthesizer Workstation User Manual

Product specs

Type	Synthesizer Keyboard Workstation
Sound Engine	ZEN-Core, V-Piano, VTW Organ, SuperNATURAL
Analog/Digital	Digital
Number of Keys	61
Type of Keys	Semi-weighted
Aftertouch	Yes
Other Controllers	Pitch Bend/Modulation Lever, 2 x Assignable Switches, 25 x Knobs, 9 x Sliders, 2 x Wheels
Pads	16 x Pads, 4 x Banks
Polyphony	256 Notes (ZEN-Core), Unlimited (V-Piano)
Number of Presets	10 Factory Settings, 20 User Settings
Presets	3500+ Tones, 90+ Drum Kits
Filter	Analog: 3 x Lowpass, 1 x Highpass, 1 x Bandpass, 1 x Bypass
Effects Types	9 x Chorus, 7 x Reverb, Master Compressor, Master EQ
Arpeggiator	Yes
Sequencer	16-track, 16 x Groups, 8 x Patterns (per track), 32 x Measures (per pattern)
Sampling	Up to 24-bit/48kHz, WAV/AIFF, 8000 x Samples, 128 x Multisamples
Audio Recording	Realtime, Step, TR-REC
Memory	2GB Internal Storage
Storage	USB Flash Drive
Audio Inputs	2 x XLR-1/4" Combo (mic/line)
Audio Outputs	2 x 1/4" TS (L/mono, R), 2 x XLR (L, R), 4 x 1/4" TS (sub 1,2), 2 x 1/4" TS (analog filter)
Headphones	1 x 1/4" TRS
MIDI I/O	IN, OUT, OUT/THRU, USB
Pedal Inputs	1 x 1/4" (hold), 3 x 1/4" (control)
Other I/O	2 x CV Out, 2 x Gate Out
USB	1 x Type B (audio, MIDI), 1 x Type A (memory), 3 x Type As (external device)
Power Source	Standard IEC AC Input
Height	4.17"
Width	42.67"
Depth	15.86"
Weight	33.75 lbs

FAQs

What type of sound engines does the Roland FANTOM 6 EX utilize?: The Roland FANTOM 6 EX features multiple advanced sound engines, including ZEN-Core, V-Piano, VTW Organ, and SuperNATURAL, allowing for a wide range of versatile and high-quality sounds.
How many keys does the Roland FANTOM 6 EX have and what is their type?: The Roland FANTOM 6 EX has 61 semi-weighted keys, providing a responsive and dynamic playing experience suitable for both live performances and studio work.
Is the Roland FANTOM 6 EX compatible with DAWs for music production?: Yes, the Roland FANTOM 6 EX offers deep integration with popular DAWs, making it an ideal choice for music production with seamless workflow and control.
Does the Roland FANTOM 6 EX support aftertouch?: Yes, the Roland FANTOM 6 EX features aftertouch, allowing for expressive playing by responding to the pressure applied to the keys after they are pressed.
What are the connectivity options available on the Roland FANTOM 6 EX?: The Roland FANTOM 6 EX offers extensive connectivity options, including MIDI I/O, USB, XLR and 1/4" audio outputs, and pedal inputs, making it versatile for various setups and performances.
Can the Roland FANTOM 6 EX be used for sampling?: Yes, the Roland FANTOM 6 EX supports sampling up to 24-bit/48kHz, allowing users to create and manipulate up to 8000 samples and 128 multisamples for creative sound design.

Reviews

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Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Roland FANTOM 6 EX Synthesizer Workstation.

Features and functionality

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The Fantom's Zen-Core sound engine and ACB expansions provide virtual analog synthesis, allowing for versatile sound creation beyond pre-recorded samples.
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It's noted that the Fantom lacks macro knobs, which could enhance performance capabilities for users who value hands-on control during live play.
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Users appreciate the Fantom 6 EX's 16 accessible pads for sequencing, and note the JD-800 Model Expansion and Nzyme as standout features for sound design.
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The sequencer is pattern-based and doesn't support multiple time signatures per song; it's MIDI-only without audio support.
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The Fantom 6 EX's interface, with its larger display, offers easier navigation for sound design compared to the Juno's monochrome screen.
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User experience

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While some users never encounter polyphony issues, most report using no more than 8 tracks simultaneously, indicating its suitability for less complex arrangements.
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Owners report that the Fantom 6 EX offers a joyful playing experience with its warm sounds and intuitive sequencer, making scene creation and tone layering quick and enjoyable.
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Beginners may find the Juno's hands-on controls more intuitive, but the Fantom's expanded features make it more suitable for long-term growth.
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The touchscreen UI is considered intuitive and superior among Roland interfaces, though the sequencer's workflow is seen as cumbersome by some.
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Comparisons

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The ACB physical modeling engine in the Fantom EX allows layering with Zen-core sounds, making it strong in Juno/Jupiter-type sounds, despite limited polyphony in heavy layers.
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The Fantom is more suitable than the Juno for creating full compositions due to its built-in sequencer and broader sound-shaping options.
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The Fantom EX's sound engine is praised as superior to the MPC Live 2 for classic analog synth sounds, but its sequencer is less flexible.
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Use cases and applications

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The Fantom 6 EX's 61-key design is deemed sufficient for most genres, but 88 keys are preferable for those with classical piano training.
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The Fantom is recommended as a comprehensive tool for beginners interested in replicating complex compositions, such as Jean-Michel Jarre's works, due to its extensive sound capabilities.
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Suitable for users comfortable with Roland's scene/part/partials structure, offering 16 parts for song creation within a single scene.
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Software and compatibility

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The Fantom integrates well with Logic Pro, offering seamless transitions between hardware and DAW environments.
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Setup and maintenance

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There is a software bug affecting aftertouch, requiring a workaround involving adjusting 'Aftertouch Pressure Range' settings after powering up.
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5.0 out of 5

Based on 1 Review and 1 Rating

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bart_van_zon

729

11 months ago

Solid, useful workstation for live or studio that also looks good.

So, I'm a composer for video games and animations and such and I'm part of a pop/rock duo. I play keyboards and mix and master the tracks. Most of my work I do on the computer because it's fastest. I collaborate with a live singer and guitarist I have 5 analogue synths and an analogue drumcomputer to add liveliness to the computer music that can sound a bit too clean and sterile. I also have a digital keyboard, a MODX6 for when I want FM synthesis, run out of Kontakt samples or in case I need to play sampled instruments live. the MODX6 is useful and lightweight, but a bit flimsy and kinda ugly.

I bought a Fantom 6 EX because I didn't want to pay for a Roland Cloud subscription and because the Fantom has a lot of sounds that Roland Cloud can't do anyway. I bought it mainly for the ACB engine that sounds more accurate to the original analogue hardware it models, than what they use for Roland Cloud or digital hardware like the Jupiter X and Juno X. Since a vintage Jupiter 8 cost's over 20.000 euro's/dollar's nowadays this is the closest I could get to an original Jupiter 8 without spending the price of a car. The other instruments like the TR-808, TR-909 and even sample based instruments are all fine. The sounds are less processed than those in the MODX6 or (other digital Yamaha instruments) and are more versatile and sit better in the mix. With a sing push of a button you can turn of the effects, which I like to do before recording.

The Fantom EX looks great. It was designed by the same person who designed my Polybrute and the predecessor of my Subsequent 37 (the Little Phatty), so it looks fine alongside my pretty analogue synths. It has a solid metal housing. It's very heavy though.

I haven't fully explored this synth so I can't tell for sure, but the only downside seems to be there's a lot of menu diving. Things aren't categorised the way I like. The ACB synths aren't listed as separate instruments. Instead you'll find them here and there depending on what presets were created for them. For instance you may suddenly find them under "piano" if they have a preset that makes them sound somewhat like a piano, or under "strings" if they have a string-like preset. In other words, the way things are ordered is very preset/sound based, while I like to see instruments like a JV-1080, Jupiter 8, or TR-909 as individual instruments rather then them being categorised under several different instruments types depending on what kind of sound a certain preset happens to be. Maybe there's a way to do that that I haven't found yet.