The RS-202 is a string and brass synthesizer released in 1976 that followed the lackluster RS-101. Oddly the RS-202 wasn't much different than its 101 predecessor. The RS-202 had two new features: a user-controlled delay for the vibrato, and an Ensemble/Chorus effect (that would be seen on dozens of future Roland analog synths for years, including the Junos and Jupiters). It makes the ultimate "disco" string sound.

The RS-202 is fully polyphonic (all 61 keys can play simultaneously). Basically three sound presets are in the RS-202: Strings I, Strings II and Brass. Forget the brass, however, because this machine is all about the strings, and for a time it was considered Roland's finest string machine. Strings I covers low cello & bass type sounds and Strings II is thinner and in the higher registers for Viola and Violin type sounds.

The keyboard is permanently split into two separate sections, the lower 2 octaves and the upper 3 octaves. Each section has it's own set of identical controls. These include three white On/Off buttons for each of the three sound presets. This means you can assign any sound to each section, and any combination; For example, set the lower section to Strings II and set the upper section to Strings I+II+Brass if you like. There are also two grey buttons in each section for "Slow Attack" and "Volume Soft". Each section also has its own sustain slider and there are global brilliance sliders for the brass and string sections independently.

Basic effects included the Ensemble (chorus) effect and Vibrato. A switching-slider is used to select Ensemble I, Ensemble II or Off. The Vibrato effect section had just two sliders: Delay and Speed (depth could not be changed). The Ensemble section did wonders for the sound of this machine; the 'Ensemble II' setting introduced a rich chorus, whereas the 'Ensemble I' produced the faster, deeper ensemble effect that became an instant classic. Sadly, like most vintage synthesizers the RS-202 is mono (high/low output jacks on back) and provides only a trigger output for an external synthesizer. It's built-in to a suit-case style housing which made it easily portable.

The RS-202 is a truly vintage and classic machine. Historically, it launched Roland's signature Ensemble effect. It also sounded fantastic - with or without the ensemble effect engaged. It easily stood up against many competing synths of its time such as the Arp Solina. It's been used by Tony Banks, Rod Argent, Tomita, Nick Magnus, Jethro Tull, Camel, and Magnum.

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Product specs

FAQs

What type of synthesis does the Roland RS-202 use?

The Roland RS-202 is an analog synthesizer, known for its rich, warm string sounds that are characteristic of vintage analog synthesis.

How many keys does the Roland RS-202 have, and what is their action type?

The Roland RS-202 features 61 full-size keys with a synth action, providing a smooth and responsive playing experience.

Is the Roland RS-202 polyphonic, and if so, how many voices does it support?

Yes, the Roland RS-202 is polyphonic and supports 61 voices, allowing for full chordal playing without voice stealing.

What are the standout sound characteristics of the Roland RS-202?

The RS-202 is renowned for its lush and expansive string sounds, which are ideal for creating orchestral textures and atmospheric pads.

What era is the Roland RS-202 from, and how might that influence its sound?

The Roland RS-202 was produced between 1976 and 1979, and its sound reflects the classic analog warmth and character typical of synthesizers from that era.