This synthesizer is seen in the equipment list

"This is a RED SH101. 98% of you are gonna be like: So what? The rest of you are gonna be like "Holy shit!!""

S.O.S interview of Air members on how they built their own studio. Air give up the names of their synths plus photo of them

Roland SH-101 About:

This piece was one of the essential live synths in 90's in Liam's setup. Later Liam replaced this silver baby to red Clavia Nord Lead in his setup. But you can still sometimes see this machine on top of the first synth rack on live setup.

Specifications:

Polyphony : Monophonic Oscillators : 1 VCO (Independent levels for Saw, Square / Pulse / PWM and Sub-Oscillator) LFO : Triangle, Square, Random and Noise Waveforms VCF : Resonant, Self-Oscillating LPF, Mod by EG, LFO anKYBD Tracking VCA : ADSR, Mod by EG or Gate Arpeg/Seq : Digital Sequencer up to 100 steps Record / Playback Arpeggiator Patterns : Up, Down, Up/Down Keyboard : 32 keys Control : CV / Gate

Gear info:

The Roland SH-101 is a monophonic bass synthesizer, featuring a 2 1/2 octave 32-note (F-C) keyboard in a light, plastic case. This synth was released in the era just after analog synths like the Moog, ARP, Sequential Circuits, etc. It's siblings include the SH1, SH2, SH3a, SH5, SH7 and SH09. Probably does not sound as FAT as a Moog or ARP. It was designed as a strap-on synth with an optional modulation attachment that stuck out like a guitar neck. It can run on batteries. The SH-101 was pre-MIDI, but it has CV (1 volt/octave cv) and gate inputs in the back. It's sound lies somewhere between the TB-303 and a Juno bass sound. It has a lot of simple but cool features. You can control the VCF, pitch, LFO or all from the pitch bender. It has a white noise generator, arpeggiator with up, down and up/down patterns and a simple real-time sequencer. The LFO offers random, sine, square or noise waveforms. And normal or auto portamento effects give you that elastic bass sound.

There are external clock inputs for the sequencer and arpeggiator, CV/GATE inputs and outputs and a CV hold pedal. The SH-101 also features a very primitive arpeggiator and sequencer as well as portamento. There are also two exclusive versions available.. one is blue and one is red. Other artists that have been using this: Orbital, Future Sound of London, Überzone, The Prodigy, 808 State, The Grid, Cirrus, Eat Static, Jimmy Edgar, Apollo 440, Devo, Union Jack, Luke Vibert, Dirty Vegas, Josh Wink, the Crystal Method, Aphex Twin, Astral Projection, Les Rythmes Digitales, Sense Datum, Squarepusher, Sascha Konietzko of KMFDM/MDFMK, Freddy Fresh, Lab-4, Nitzer Ebb, the Chemical Brothers and many more.

Liam: "We do a totally live bit on stage where we hook up the SH-101 to the 909 using the trigger input and have a little jamming session on stage. That's quite interesting!"

Release date: 1983 Type: Analogue synthesizer

Used:

Used live in Funky Shit and Poison. (With this machine Liam usually played the Relase Yo' Delf - riff between Poison part1 and part2 in live gigs).

At Some Point In This Interview, Scott Kirkland Mentions that this Synthesizer was used for their Song Comin' Back

This Electronic Musician article states that Murphy owns a Roland SH-101.

In this photo, you can see a Roland SH-101 (1st synth in the photo) in Dave Gahan's New York City studio where he works with Kurt Uenala. Original article here.

He uses Roland SH-101 according to the site.

at 1:54 you have a brief moment that light shines on the synth on the dashboard revealing it's design which turns out to be exactly like a Roland SH-101.

This is a Reddit post with a picture originally taken from cEvin's Facebook page. The picture includes two photos of Subconscious Studios, spliced together to look like a panorama photo. Featured in the photos is a Roland SH-101 synthesizer.

"Its got a great fuzzy bleepy acidy sound with a lot of character. Sadly the sequencer and arpeggiator don't work anymore in mine so I got to get it repaired or get a new one or something."

"The SH-101 is basically a bass synthesizer, but I use it a lot for effects."