This triple channel rig-in-a-box is a no-brainer solution for players needing three hot tones served up fast and easy. Dial up a tone, double-tap one of the three preset footswitches, and it’s saved. Yeah, it’s that easy. Whatever you want, from c...
This triple channel rig-in-a-box is a no-brainer solution for players needing three hot tones served up fast and easy. Dial up a tone, double-tap one of the three preset footswitches, and it’s saved. Yeah, it’s that easy. Whatever you want, from country clean to nu-metal dirt, the TRI-A.C. will hand over three flavors of the finest SansAmp tones faster than a drive-thru.
The genuine analog SansAmp circuitry features Drive and Level controls, an active three-band EQ, and three selectable amp voicings:
TWEED = Fender®-style BRITISH = Marshall®-style CALIFORNIA = Mesa/Boogie®-style****
When you select one of the 3 pre-voiced amp styles, every dimension of each individual personality changes. It is not merely a difference in EQ or gain structure. Each amplifier type has its own tonality and its own input sensitivity. Each interacts differently to the dynamics of your playing style and to the signal level of the instrument.
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In my opinion the Sansamp Tri-Ac it's a overly underrated pedal and the main reason is that many guitarists(including me) bought it expecting the same kind of powerful distortions that his big brother GT-2 offers. I try to use it as a lead distortion for solos and i was never happy with the results, but the real magic only came when i put it in my set as a multi-overdrive unit. I mean...c'mon, how many overdrive pedals in the market coud gives you a combination of transparent drive + crunch + vox style drive, changing the voice of the pedal on the fly whitout bending? And this configuration it's just an example based on my atual settings, the possibilities are almost endless my friends.
This will replace my need for an amp on the road. I want all my axe folk in the band to carry one. Heck, give one to each member, including our keyboard player and both drummers. We'd be the best unlistenable band in the world.
It a wonderfull pedal with low cost you can make 3 souns arrangement fast looking good, but don´t reachs that headroom necessary to kill at all. Nice sound on Marshall stuffs and Fender, but lacks on Mesa Boogie perform.
Durante mucho tiempo use pedales análogos y por un asunto de comodidad y transporte me cambié a multiefectos. Tuve un Boss GT6 y una GT8, luego un Line 6 POD HD500. Siempre quise volver a los pedales pero la idea de no tener que pensar nunca en un amplificador, por la emulación que los multiefectos tienen, me gusta mucho. Así que reprimí este deseo hasta que encontré este aparato. Por lo general construyo el sonido sobre una base limpia tipo Twin Reverb con mi Telecaster Standard y sobre una base crunch tipo Marshall con mi Telecaster HH. El Tri AC tiene eso, justo lo que uso, con la posibilidad de un tercer conmutador para otro tipo de ampli o para un ampli con más gain. Debo decir que volví a los efectos análogos y no los cambio por nada.