In this MusicRadar interview of 2015, Fedde Le Grand explains the monitoring part of his new studio. He mentions using a pair of Yamaha NS10 Studio Monitor in addition to the main set.

"[...] I always like to keep a pair of NS10s, just to help level off the hats, percussion and vocals, plus a set of KRK VXT8s, to cross-reference the sound when I'm working on something that needs to be really EDM… something that I know will work at a festival."

A "reversed" NS10 speaker was used to mike Palladino's bass on John Mayer's Continuum, as stated by recording engineer Chad Franscoviak in this October 1, 2006 Mix Online interview.

“Then, every once in a while, if [John] wanted a beefy sound, I would use a [Yamaha] NS10 speaker that had been reversed,” Franscoviak says. “I would put that right up on the cone of one of his cabinets to get that real low-end thing.”

(...) To capture Palladino's bass, his instrument typically went into either an Ampeg SVT or B-15 into an Avalon U5 mono instrument preamp and DI. “I took the throughput into his amplifier and usually put a FET 47 close up, and on occasion an RE20. Then I almost always put an NS-10 on his bass cabinet to get the ultralow stuff,” Franscoviak explains. “I would compress the DI and the FET 47 lightly, not in any way that would effect the dynamics of his performance, only for tonal reasons. I would never put a compressor on the NS-10.”

at the beginning of this video, posted on instagram, you can see 2 NS10 speakers in front of their studio console

Razer Music lists Metro Boomin as using Yamaha NS-10 studio monitors.

The industry standard reference monitors. Dirty South says "I just got myself a pair of second-hand Yamaha NS10s for that classic "crap" sound reference."

The Chemical Brothers utilize Yamaha NS10 Studio Monitors as part of their pursuit to create a distinctive sound, as discussed in the Kreativsound article "Chemical Brothers – Tom Rowlands – In Studio."

Autechre comments "We replaced our NS10s with these because we thought our music was suffering." this shows that the group did at one point use the NS10s

DVBBS are working in the studio for their new album. In the photo you can see the NS10 monitors in front of Chris

In the FRANCHISE (CACTUS SLATT) behind the scenes video, you can clearly see a pair of Yamaha Hs8 Studio Monitors. These monitors can also be seen in the making of No Bystanders video.

In this 1996 Guitar Player interview, Robin Guthrie says: "I also like to feed back off the Yamaha NS-10 studio monitors as opposed to doing it off the amp."

In the YouTube video titled "Noah '40' Shebib on producing Drake" by Native Instruments, Noah "40" Shebib is shown using the Yamaha NS10 Studio Monitors, highlighting their role in his production setup.

Having no real constraints on their studio time, Brett Shaw and Yannis Philippakis chose to set up a circle of mics in the live room at 123 to try out different vocal sounds. "Yannis sort of insisted on finishing all of the music before we got into the vocals," says Shaw. "I set up usually six microphones in a circle and he could just sort of skip between any of them at any point. You can just record a bit and see what it sounds like."

The circle of microphones generally comprised a Shure SM7, Neumann U67, Flea 47, an Altec 633A 'salt shaker', an AEA R44CX ribbon and a Yamaha NS10 speaker cone used as a mic. "The ribbon AEA again sounded pretty nice on the softer stuff. And then we messed around a lot on the backing vocals singing through the NS10 cone."