Recently, I've been using the SL Drive in Super Bass mode with the AC15 and I got a rootsy, fat and aggressive overdrive tone, very inspiring for roadhouse blues.

In long pedalboard chains (or electric current loss due to long cables), the Vox AC15 in normal channel with a SL Drive in Super Bass Mode sounds really great and the gain control is more flexible. Paired with the BD-2, the SL Drive receives a push with the desirable gain stack, also you can notice how the both sounds blend. So, probably the SL Drive was designed to sound good in long-chain pedalboards.

When the Vox Ac15 has jumped channels (normal x top boost), the SL Drive with a middle quantity of gain can bring a fuzzy-woman tone with neck humbuckers, very cool sound.

Right now I'm using the route Dcomp>BD-2>TS Mini>SL Drive when before I had the SL Drive before the TS Mini, perhaps I like the fuzzy sound when the setup is in this way but then I tried the opposite and the sound has a little more sustain. Anyway, the fuzzy sound can be done by stacking the BD-2, the TS Mini and the SL Drive.

I sold this pedal to my friend, it had to much gain to my taste, probably what I need is a Plexi pedal or a real Plexi Amp :P

a real plexi will peel the paint off the walls, I sued to tour with superleads at 8 to 10, small venues I needed to attenuate with a hot plate, I could only use it as intended at 500+ seat theaters with sympathetic soundmen! I stuck with it a long time but gauged down at the end of that band. Even a 50 watt or JTM45 is a beast. The clean sounds on these amps as well as comparable models from orange and hiwatt will liquefy small animals. If you want a solid marhsall drive sound at band levels but with the ability to do the saturated poweramp thing on a big stage just pickup a 50 watt JCM800. I like the single2204 channel, but the split channel 2205 is a highly underrated amp too. Has a abssman kidna clean channel and the 'boost' channel splits the difference between a stock 800 and a silver jubilee. A plexi is too much amp for the modern world unless you're playing theaters and auditoriums, no small clubs will tolerate that kidna firepower these days. Event the sweet spot for a bone clean sound is too loud for most city noise ordinances. They're glorious amps in their own way, but You don't realize how much air you have to move to get those live jimmy page type of tones, you just don't.

That's great, Jim! So I better have to expect a JCM800 or a Plexi-in-a-pedal, right? For the sake of many things (my ears, for example, lol)

I saw a guy in a abr who had one of these on his board and his load tone sounded surprisingly like my old plexis. Only WAY quieter.

With the Super Rev, it sounds like a Plexi, with an indescribable harmonic distinction, and when I clean up with the volume knob, the fender-y character takes over, but still with a mean character, with a bit of Compression, delay and never, it's outwardly, I am having some issues with my recording interface, or i would have put up a nice clip. soon hoepfully.

I have heard this pedal ina ction and it sounds pretty okay as the ampinabox pedals go. Very box-of-rockfish. Can it really do a plexi? Do you own a plexi?

I saw a guy using this live with a really mediocre sounding blues jr and I was shocked at how much 4 hole marshall flavor it brought to the party even through that generic little fender.... I just glanced at your suer pic, do you have a silver LP special??

Pretty close! That WAS a black LP Special Double-Cut. After years on the road I decided it needed a makeover. So a close friend with a motorcycle painting business wanted to get his hands on it for practice. It's now white with silver "ghost flames" on the body.

silver car detailing? awesome