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Description

Unleash your creative potential with Ableton Live, the dynamic DAW software that seamlessly integrates into both studio and stage environments. Whether you're crafting intricate compositions or improvising live, Ableton Live offers a flexible platform that adapts to your musical vision. Its unique dual-view setup—Session View for nonlinear groove creation and Arrangement View for linear sequencing—empowers musicians to experiment with loops and clips in real-time, fostering a spontaneous and interactive music-making experience.

Ableton Live doesn't just stop at being user-friendly; it packs a powerful punch with its extensive toolkit. Dive into an expansive library containing more than 38GB of content, including 13 software instruments and 55 effects. This DAW stands out with advanced features like multitrack recording up to 32-bit/192kHz, nondestructive editing with unlimited undo, and comprehensive MIDI sequencing. Plus, with the ability to convert audio into MIDI, your creative possibilities are nearly limitless.

Perfect for both seasoned producers and live performers, Ableton Live supports VST and AU plug-ins, allowing you to customize your workflow with your favorite tools. Its intuitive interface and robust capabilities make it an invaluable asset for any musician looking to elevate their craft.

Key Features:

  • Dual-view setup: Session View for groove-based creation and Arrangement View for linear sequencing
  • Over 38GB of content, including 13 software instruments and 55 effects
  • Multitrack recording up to 32-bit/192kHz
  • Nondestructive editing with unlimited undo
  • Comprehensive MIDI sequencing and audio-to-MIDI conversion
  • Supports VST and AU plug-ins
  • Real-time time stretching and advanced warping for audio flexibility
  • Unlimited tracks and scenes per project
  • Built-in step-by-step tutorials
  • Multicore and multiprocessor support

Product specs

Brand Ableton
Model Live 9 Standard (Download)
Categories DAW Software

FAQs

What are the minimum system requirements for Ableton Live 9 Standard?

Ableton Live 9 Standard requires Windows 7 or later, or macOS 10.7 or later, with at least 4 GB of RAM and a multi-core processor. Ensure your system meets these requirements for optimal performance.

Is Ableton Live 9 Standard suitable for beginners?

Yes, Ableton Live 9 Standard is beginner-friendly with its intuitive interface and extensive tutorials. It provides a flexible, loop-based workflow that is ideal for experimenting with music production.

What makes Ableton Live 9 Standard different from other DAWs?

Ableton Live 9 Standard is known for its unique Session View, which allows for real-time performance and improvisation. It also offers powerful MIDI and audio editing capabilities, making it a versatile choice for both studio production and live performances.

Does Ableton Live 9 Standard include built-in instruments and effects?

Yes, Ableton Live 9 Standard comes with a wide range of built-in instruments and effects, including synths, samplers, and audio processors, allowing users to create and manipulate sounds without additional plugins.

Can Ableton Live 9 Standard be used for live performances?

Absolutely, Ableton Live 9 Standard is designed for live performances with its real-time audio manipulation and flexible clip launching features, making it a favorite among DJs and electronic musicians.

Ethan Davis

Ethan Davis

The Best Ableton 11 Beginner Guide (in 17 Minutes)

Video thumbnail for The Best Ableton 11 Beginner Guide (in 17 Minutes) by Ethan Davis

The Best Ableton 11 Beginner Guide (in 17 Minutes)

Ethan Davis

Ethan Davis

Video thumbnail for Ableton Live 11: What’s new? by Ableton

Ableton Live 11: What’s new?

Ableton

Ableton

Video thumbnail for Ableton Live 11 Masterclass - FULL GUIDE (Become a Pro) by Oversampled

Ableton Live 11 Masterclass - FULL GUIDE (Become a Pro)

Oversampled

Oversampled

Video thumbnail for ABLETON VS FL STUDIO - Let's Settle This! by NXISEWOLF

ABLETON VS FL STUDIO - Let's Settle This!

NXISEWOLF

NXISEWOLF

Video thumbnail for What is Ableton Live? by Ableton

What is Ableton Live?

Ableton

Ableton

Video thumbnail for Ableton Live 11: Intro vs. Standard vs. Suite - Which Should You Buy? by Push Patterns

Ableton Live 11: Intro vs. Standard vs. Suite - Which Should You Buy?

Push Patterns

Push Patterns

Reviews

PROS

  • Unmatched flexibility for live performances and improvisation with clip-based Session View

  • Intuitive workflow with drag-and-drop simplicity

  • Packed with creative tools like Wavetable and Operator synths

  • Seamless integration with controllers like Push for live shows

  • Advanced warping and real-time time-stretching for audio files

  • Rock-solid audio engine with precise automation

  • Extensive library of sounds and built-in effects

  • Max for Live enables endless customization

  • Great for electronic music production and sound design

  • Ideal for both beginners and seasoned producers

CONS

  • High price point, especially for the Suite version

  • Some users report performance issues and sluggishness on high-end systems

  • Learning curve can be steep for new users

  • Stock instruments and sounds may not appeal to everyone

  • Lacks some features on the mixing side compared to other DAWs

  • GUI may be perceived as less modern or visually appealing

  • Limited to 8 tracks in the Lite version, which can be restrictive

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Ableton Live.

Value and pricing

  • Ableton offers a student discount of 50% off, which applies fully to the software's functionality but restricts license resale to other students.

    Source
  • Ableton typically runs a sale leading up to Christmas, often offering at least 20% off, making it a good time to purchase.

    Source

User experience

  • Users with extensive MIDI gear like the KeyLab Essential can achieve effective live control without investing in dedicated controllers like Push, given proper setup and Remote Scripts.

    Source
  • Some users report Ableton's fader handles are difficult to see due to their small size and color contrast.

    Source

Comparisons

  • Despite criticisms, Ableton is cited as unmatched in flexibility for live performance setups compared to other DAWs, often requiring users to craft personalized workflows.

    Source
  • Ableton's summing is sometimes perceived as flat compared to Pro Tools, though opinions differ on whether there's a real difference.

    Source

Use cases and applications

  • Ableton outputs a master MIDI clock, facilitating synchronization with external hardware like the RC505, simplifying complex live setups.

    Source
  • Ableton Live's session view is designed for live performances, providing flexibility with scene launching and follow actions, crucial for seamless live set transitions.

    Source
  • Many MIDI controllers come bundled with Ableton Live Lite, which can be a cost-effective way to start using the software without purchasing a full version.

    Source
  • Ableton Live Intro, priced at $99, is recommended for beginners and has been effectively used by young learners, such as a 12-year-old.

    Source
  • Artists like Illangelo and King Gizzard have successfully mixed entire albums in Ableton, highlighting its capability in professional settings.

    Source

Software and compatibility

  • Ableton Live Lite includes 8 tracks and is limited in instruments and effects, but it’s adequate for initial learning and experimentation.

    Source
  • Ableton's lack of track visibility options makes handling large projects more challenging compared to Pro Tools.

    Source
  • Some users find that Ableton's project indexing can slow down opening times; adjusting the "Places" settings might improve performance on systems with extensive file trees.

    Source

Setup and maintenance

  • Some users experience latency/phase issues when routing to other tracks, impacting mix quality.

    Source

Features and functionality

  • Ableton Live 11.3 includes a subtractive digital synth called Drift, offering basic synth needs like LFO, filters, and voice options across all versions.

    Source
  • Ableton lacks ARA 2 support, which some users find limiting compared to other DAWs.

    Source
  • Ableton's looper device can be controlled via MIDI footswitches, allowing for hands-free operation, essential for live looping musicians needing quantization and MIDI synchronization.

    Source
  • Running Ableton in fullscreen session view minimizes distractions, showing only playing clips and effects chains, which is optimal for live performances.

    Source
  • The DAW is limited to 10 aux/return tracks, though creative routing can overcome this.

    Source
  • Ableton's quirky UI can hinder workflow efficiency for those not accustomed to its design.

    Source

Critic Reviews

Ableton Live Review | PCMag

pcmag.com

Ableton Live excels as a robust solution for electronic music composition and live performance, boasting an intuitive clip-based workflow that inspires creativity. Its latest packs, like Mood Reel and Drone Lab, enhance its sound library, while features like fast navigation and powerful automation impress. However, it falls short with no pitch correction, a lack of notation view, and remains less versatile than other DAWs at its price point. Musicians transitioning from traditional DAWs may find its unconventional layout challenging. Overall, it’s a must-try for live performers but may not be the best fit for everyone.

positive

Ableton Live Review - MusicLibraryReport

musiclibraryreport.com

Ableton Live stands out as a versatile DAW that combines a comprehensive suite of tools with an intuitive workflow. With features like "Capture MIDI" and advanced audio warping, it empowers creativity and simplifies music production. The recent Live 11 upgrade introduces exciting MPE support and MIDI randomization, further enhancing its capabilities. However, it does have limitations, such as the inability to edit multiple MIDI clips simultaneously, which could frustrate some users compared to competitors like Cubase. While the extensive support resources are a boon for beginners, the learning curve may still deter the less tech-savvy. Overall, Ableton Live is a powerful choice for musicians who value both flexibility and innovation in their production process.

positive
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4.5 out of 5

Based on 651 Reviews and 2704 Ratings

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kazmir

Ableton Live 10 Suite

Ableton Live 10 Suite Features: Comprehensive DAW designed from the ground up for the creative studio or performing musician Includes 5000+ sounds (70GB+), unlimited tracks and scenes, 13 software instruments, 42 effects, and 32 content Packs — Mac/PC VST, AU Session View provides a nonlinear approach to music creation via groove/loop/riff arrangement Arrangement View provides quick and intuitive composition plus flexible performance and improvisation options Multitrack recording up to 32-bit/192 kHz Nondestructive editing with unlimited undo lets you freely create Powerful MIDI sequencing lets you take control of software and hardware instruments Convert audio to MIDI to use with virtual instruments and more Advanced warping and real-time time-stretching provides extensive flexibility with audio files Get creative with unlimited Audio effects and MIDI effects per project Includes a comprehensive selection of built-in audio effects, including a host of creative delays, filters, distortions, studio compressors, and EQs Integrated Cycling 74's Max for Live lets you make your own instruments and effects Full set of included Max for Live devices makes creating your own tools fun and easy VST and Audio Unit support lets you use all of your favorite plug-ins and virtual instruments Mix, match, and add effects without ever stopping the music Powerful creative and performing environment for DJs and mash-up artists Group tracks for better organization and simpler automation Time signature changes allows you greater flexibility when scoring to video Multiple automation lanes makes setting up intensely dynamic mixes easy Track Freeze lets you free up your computer's resources without stripping down your mix Automatic plug-in delay compensation minimizes phase issues and tightens up your mix Instantly map MIDI control to nearly any parameter for a fully customized control environment MIDI output and MIDI Clock/sync let you create deeply complex rigs combining hardware and software seamlessly REX file support and native sliced audio file creation Video import and export for scoring to picture or warping picture to music Includes built-in step-by-step tutorials ReWire support provides easy integration with Propellerhead's Reason and other software Multicore/multiprocessor support WAV, AIFF, MP3, Ogg Vorbis, FLAC file support

Version: Ableton Live 10
engineeermusic

Ableton Suite 11 would be great, if it would run as stable as previous versions.

I use and own Ableton Suite since version 8. I love the workflow of Ableton. The consistent design, M4L and the rest of the whole package which comes with it is amazing! It's a great DAW for all kind of music - especially electronic music. With Ableton, you have everything you need on your fingertips to complete a professional track from start to finish.

My problem is that version 11 has some stability/performance issues on my Windows 10 PC, even though it's a P52 ThinkPad with a 6 core i7, 32 GB RAM and fast NVMe SSDs. I did all kind of system optimizations suggested by multiple websites and barely got closer to the stability levels of previous versions. I went back to use version 9, because the anxiety and constantly having to think about further system optimizations is slowing down my creative flow in 11. Spending hours trying to fix these issues is time I would rather spend making tracks.

I hope that Ableton get their act together and addresses these issues, soon.

pkennethk

Past as president, they will sort out these issues long before they even think of moving to Live 12. I've had a few hiccups with 11, odd CPU spikes that didn't happen in previous versions, glad to hear it's not just me.

redvoid

Best DAW for matrix modular minded people who want flexible realtime control

So if you think all DAWs are too linear, and feel like a slave to the timeline, preferring pattern based external hardware drum machines, samplers and modular synths, then Ableton Live is likely going to be your favorite DAW like it is mine.

If you run sound, lighting and video from custom control surfaces, Ableton Live probably has the most flexible custom routing possibilities for control surfaces of every kind, and they do not try to pull vendor lock-in moves on you like Avid/Digidesign is known for.

I've used many DAWs from Performer, Vision, Cakewalk, Acid, Sonar, Pro Tools, Reason, Cubase and Logic, but Ableton Live for me is the best of the bunch overall. I think Pro Tools has better audio headroom, Sonar had a more robust MIDI implementation, Reason has better default virtual instruments, but for realtime control and production workflow perspective nothing beats Live for me.

I work primarily with my Eurorack modular synth these days, so I send MIDI clock from Live to my Malekko Sync to run my Transistor Sounds Labs - Stepper Acid Eurorack modular hardware sequencer module, from an instrument track that sends MIDI while receiving audio with my Akai MPK-49 acting as input device and control surface for effects plugins, and my workflow keeps my head and hands outside of the computer on my synths where I can get more done creatively. There is a slight time penalty to working this way as it introduces more steps, but ultimately I am much more creative and productive, ot to mention happier working hands on, with 1:1 controls:parameters on my modular synthesizer, so my creative output has increased with an overall more arcane process. I love it.

Version: Ableton Live 9
charlie_hurst

Worthwhile improvements over 10

Ableton Live has been my go to music DAW since version 7; I think it's a brilliantly capable DAW that makes the art of creation so much more engaging than something like Cubase, Reaper, Pro Tools etc. I'm sure you'll disagree but I love it. (I don't even write electronic music with it...) The latest version adds a number of useful new features to bring some workflow elements that have been missing for a couple of versions and under the hood improvements. Even at version 11.0 it seems more stable running sessions than 10 did towards the end of it's run.

pkennethk

Just checked out your Soundcloud. Ableton Live is the last DAW I'd guess for you, listening to those 10ft. tall guitars. Nice job breaking the Ableton Live minimal techno mold!

M

The most functional DAW I've ever used.

Though this DAW is as ugly as they come, it more than makes up for it when it comes to functionality and the speed at which most things can be done. Many an intricate task which would take two minutes of messing around in another DAW takes about ten seconds in Ableton. However it's a layout that caters to a specific type of person (which is not an attack on people who don't gel with Ableton.)

It is most definitely a tad more complicated to get things to sound good. Ableton can be unforgiving at times. As such, a lot of people have a much easier time getting familiar with the basics of producing in different DAWs that make it 'easy' to sound good without knowing all the technical details. It's actually quite common for beginners to get stuck in Ableton, only to loop around a year or three later when they have gotten more of a grip on the technicalities. When you know what you want Ableton is fast. Particularly when it comes to sampling and sample editing.

The program is divided into two parts. One shows a mixer layout with space to store interesting samples (which can be triggered and looped). The other gives you a view of the timeline (divided into 4-count bars, for example).

When it comes to features, Ableton's stock plugins are surprisingly good! Ranging from simple 3 band EQ's to Convolution Reverb. The stock plugins are included in the software purchase and tend to made to sound very transparent (to do what they are meant to, without colouring the sound more than necessary.) Regardless of whether you like this transparency, this among other things allows for these stock plugins to take up very little processing power, which is one of my favourite things about them.

Version: Ableton Live 10
roc_local

The most adequate DAW for me

The learning curve never ends, but that is perfectly ok. I mostly do guitar music with it.

patrickwatsonofficial

Fantasic for both the novice and the natural.

I've been using Ableton for about 6 or 7 years, and between the live and studio features, as well as the hefty amount of onboard plugins and instruments, I can't find an issue anywhere. Between the streamlined arrangement view, and the essential session view holding the mixer and clip launch functions, it doesn't take too long to get to know. A lot of people are turned off as soon as they see the layout for the first time, and I've met many people who cam vouch for this, but if you take your time, watch some tutorials and get the basics laid down, it can become a breeze very quickly. I'll quickly summarise some of the things about this DAW that makes it the 5 star choice in my opinion. - The intuitive browser and library sections make it incredibly easy to find exactly what you're looking for, which in my case is very important due to my masses of samples and VST plugins. - There is a vast network of tutorials, blogs, forums and websites entirely dedicated to Ableton, so you will always be able to find what you're looking to learn, or to master. - Ableton has an incredible stock range. From fantastic onboard synths, to sample-based drum racks, and their amazing audio and midi effects, you have everything you need to put a track or mix together from the initial installation. - I don't know where I'd be without Instrument racks. Creating the perfect bass, or lead, or anything for that matter, and saving all the effects parameters of both stock and VST plugins into one file makes instant recall ridiculously easy. All you have to do is highlight everything in the channel, and hit command and G (or CNTRL and G for windows users) and then hit the floppy disk logo in the bottom left corner to save that perfect synth you've spent hours on. - Using Ableton as a Live application is also incredibly creative, and fun, with many companies making dedicated controllers for Ableton such as Novation with their brilliant Launch range, and Akai with the APC range, allowing you to pretty much access every feature of Ableton you require without touching the computer. And last, but certainly not least, there are thousands if not millions of developers and designers out there working tireless every day to bring you the best in both free and premium Ableton content, whether it be a new instrument or effect with Max for Live, or simply a project that you can study to learn the basics of Ableton, or the defining characteristics of a certain genre, there will always be new content you can add to make your Ableton experience just that little bit more tailored to you, because if anything has to be said about music and it's creators, it's all about self-expression.

I really hope this helped anyone who was interested in the product, I am not paid by Ableton to say any of this, it is all entirely my own knowledge and opinion. Please feel free to contact me with any other questions you may have! https://soundcloud.com/patrickwatsonni https://www.facebook.com/PatrickWatsonMusicNI http://www.reverbnation.com/patrickwatsonmusic

Version: Ableton Live 8
borsook

I love this DAW

I was using every DAW on market and I think it's my most favorite. It has everything I need to start production.

jhon_shepherd

Its price is kinda scary at first..

Like most things in regards to quality, They come at a price and Ableton 10 Standard/Suite is no exception. However, I am not feeling any buyers remorse in the least by working my way up to standard. For over a year now I've been using Ableton because after the FL Studio 12 update, I realized that I had a great run with it since day one but I had reached my limitations with the interface changing constantly, Initially I got 9 Live Lite when I purchased the Arturia minilab and realized that I spent years denying myself the simple things in production like a greater workflow dynamic. Even though its a software workstation, I cannot help but describe its dynamic workflow as tactile and with the ability to render audio to .wav as well as the linear/performance style interface, I don't think I will grow bored of this for some number of years, In fact I've still so much to learn.

Version: Ableton Live 10
pryzm

Excellent DAW with a big learning curve

Ableton is a great DAW and my main choice for music production/composition. You can already make pretty amazing music out of the box due to it's very well made stock plugins and effects. It does have a somewhat steep learning curve - it took me a while to even figure out how to get into arrangement view, but once you learn it well it can be very powerful.

And while I still don't think it's MIDI editor is quite as easy to use as FL Studio's, recent improvements to the midi editor have made it very very powerful to use.

The one drawback I can see is that this DAW is pretty pricey - even more so than FL Studio's, with the suite version being 749$ without student discount - but I definitely think that it is worth it.

Artist usage

Add artist
See how Martin Garrix uses Ableton Live

Martin Garrix

Music Producer

AREA21

...
Verified via YouTube

In this video, it can be seen on the studio computer at 11:56.

See how Skrillex uses Ableton Live

Skrillex

Music Producer

From First to Last

...
Verified via Photo

"I love Ableton Live but I use a ton of other plug-ins and soft synths along with it." - Skrillex interview with music radar

See how Deadmau5 uses Ableton Live

Deadmau5

Music Producer

BSOD

...
Verified via YouTube

In this footage from one of Deadmau5's Livestreams, he uses Ableton Live extensively. The logo on the highlighted (currently-open) window is a gray square— the square logo is exclusive to version 9 of Ableton, and the gray is indicative of the Suite edition. As such, it's safe to assume that the version of Live 9 he's using here is the Suite edition.

See how Kevin Parker uses Ableton Live

Kevin Parker

Singer, Guitarist

Tame Impala

...
Verified via reddit

In this AMA, Kevin Parker was asked if Ableton is his favorite recording program, to which he responds:

yep.

See how Hardwell uses Ableton Live

Hardwell

Music Producer

...
Verified via Twitter

Quote from Hardwell on how he uses Ableton: "...I still use Logic for my productions, but I'm using Ableton for MashUps and my podcast."

See how Daft Punk uses Ableton Live

Daft Punk

Music Producer

...
Verified via Photo

In a two-page spread image pulled from Mixmag, Thomas Bangalter says about Daft Punk live shows, "The show revolves around Ableton Live software on custom made super-computers which we remotely access and control with Behringer BCR2000 MIDI controllers."

In an exclusive interview with Ableton, Thomas Bangalter says, "The rule is: There are no rules. That is definitely the case for the freeform piece of software that is Live." Thomas Bangalter also turns to Ableton when he's looking for sonic warmth. "One of the things I prefer in Live is the proprietary Ableton effects plug-ins. They are amongst the warmest software effects. Sometimes I will import a Pro Tools track in Live, just to bounce it down with Ableton effects, to make it sound warmer and crisper, or dirty — I love dirt. I'm not a big ReWire fan, so I do it the old-school way, importing and exporting the sound files."

See how Calvin Harris uses Ableton Live

Calvin Harris

Music Producer

...
Verified via YouTube

At 1:38 in this old calvin harris interview he admits that he uses ableton help him prep dj sets

See how Mac DeMarco uses Ableton Live

Mac DeMarco

Singer, Guitarist

Mac DeMarco

...
Verified via Instagram

In this video, in the background you can see a Macbook Pro with an opened Ableton Live project.

See how Tiësto uses Ableton Live

Tiësto

Music Producer

Alibi

...
Verified via Twitter

When asked "What program do you use to produce??" on Twitter, Tiësto responded "Logic and Ableton", referring to Logic Pro and Ableton Live.

See how Armin Van Buuren uses Ableton Live

Armin Van Buuren

Music Producer

Wodka Wasters

...
Verified via Ableton

Armin van Buuren uses Ableton Live for mixing and editing his weekly radio show "A State of Trance." He also uses it to make edits and cuts for his DJ sets. For his productions, he uses Ableton when working with loops to create grooves, citing the usefulness of the Warp Markers.

See how David Guetta uses Ableton Live

David Guetta

Music Producer

Africanism All Stars

...
Verified via Photo

"@wynnlasvegas has a studio inside the hotel.I recorded 2U there.On a new one right now."

See how Diplo uses Ableton Live

Diplo

Music Producer

Major Lazer

...
Verified via YouTube

In this video, Diplo is shown playing around with Ableton 9.

Album Usage

The Ableton Live has been featured on the following albums:

Ableton Live as heard on No Good For People (Sextile Remix) by Sextile (2026)

No Good For People (Sextile Remix)

Sextile (2026)

Ableton Live as heard on NOISE24 EP by Similar Outskirts (2025)

NOISE24 EP

Similar Outskirts (2025)

Ableton Live as heard on Grinnin' by Fedde le Grand & Roger Sanchez (2025)

Grinnin'

Fedde le Grand & Roger Sanchez (2025)

Ableton Live as heard on BITTER! (for the lack of a better word) by Moore Kismet (2025)

BITTER! (for the lack of a better word)

Moore Kismet (2025)

Ableton Live as heard on Lover Girl by Laufey (2025)

Lover Girl

Laufey (2025)

Ableton Live as heard on Silver Bleeds the Black Sun... by AFI (2025)

Silver Bleeds the Black Sun...

AFI (2025)

Ableton Live as heard on X1 Shift EP by Nadia Struiwigh (2025)

X1 Shift EP

Nadia Struiwigh (2025)

Ableton Live as heard on Feel Da Same by Silva Bumpa (2025)

Feel Da Same

Silva Bumpa (2025)

Ableton Live as heard on Freak Eyes by Sextile (2025)

Freak Eyes

Sextile (2025)

Ableton Live as heard on S is For by Sextile (2025)

S is For

Sextile (2025)

Ableton Live as heard on Kids by Sextile (2025)

Kids

Sextile (2025)

Ableton Live as heard on yes, please. by Sextile (2025)

yes, please.

Sextile (2025)

Ableton Live as heard on Dark Hole (Sextile Remix) by Sextile (2025)

Dark Hole (Sextile Remix)

Sextile (2025)

Ableton Live as heard on SMILE! :D by Porter Robinson (2024)

SMILE! :D

Porter Robinson (2024)

Ableton Live as heard on ENCHANTRESS by MAD DUBZ (2024)

ENCHANTRESS

MAD DUBZ (2024)

Ableton Live as heard on Smalltown Boy (ABSOLUTE. Rework) by Bronski Beat & ABSOLUTE. (2024)

Smalltown Boy (ABSOLUTE. Rework)

Bronski Beat & ABSOLUTE. (2024)

Ableton Live as heard on I Will by Hardt Antoine (2024)

I Will

Hardt Antoine (2024)

Ableton Live as heard on FULLpink by Sariass (2024)

FULLpink

Sariass (2024)

Ableton Live as heard on last chance to see by salvia palth (2024)

last chance to see

salvia palth (2024)

Ableton Live as heard on Violent (Panther Modern Remix) by Panther Modern (2024)

Violent (Panther Modern Remix)

Panther Modern (2024)

Ableton Live as heard on They'll Just Love You (feat. Danny Elfman & Sextile) by Sextile (2024)

They'll Just Love You (feat. Danny Elfman & Sextile)

Sextile (2024)

Ableton Live as heard on NEVER ENOUGH by Daniel Caesar (2023)

NEVER ENOUGH

Daniel Caesar (2023)

Ableton Live as heard on The Art Of Change by DROELOE (2023)

The Art Of Change

DROELOE (2023)

Ableton Live as heard on you can't impress anyone with normal pictures of the sea by Flatsound (2023)

you can't impress anyone with normal pictures of the sea

Flatsound (2023)

Ableton Live as heard on Spare Me the Decision (Sextile Remix) by Nation of Language & Sextile (2023)

Spare Me the Decision (Sextile Remix)

Nation of Language & Sextile (2023)

Ableton Live as heard on Full Capacity by Panther Modern (2023)

Full Capacity

Panther Modern (2023)

Ableton Live as heard on Deluxe by Panther Modern (2023)

Deluxe

Panther Modern (2023)

Ableton Live as heard on Crassy Mel by Sextile (2023)

Crassy Mel

Sextile (2023)

Ableton Live as heard on Sextile | Audiotree Far Out by Sextile (2023)

Sextile | Audiotree Far Out

Sextile (2023)

Ableton Live as heard on New York by Sextile (2023)

New York

Sextile (2023)

Ableton Live as heard on Crash by Sextile (2023)

Crash

Sextile (2023)

Ableton Live as heard on Push by Sextile (2023)

Push

Sextile (2023)

Ableton Live as heard on Not Like You (Sextile Remix) by Sextile (2023)

Not Like You (Sextile Remix)

Sextile (2023)

Ableton Live as heard on Never Really Loved Me (with Dean Lewis) by Kygo & Dean Lewis (2022)

Never Really Loved Me (with Dean Lewis)

Kygo & Dean Lewis (2022)

Ableton Live as heard on No Leash EP by beastboi. (2022)

No Leash EP

beastboi. (2022)

Ableton Live as heard on LA2022 by Panther Modern (2022)

LA2022

Panther Modern (2022)

Ableton Live as heard on Nurture by Porter Robinson (2021)

Nurture

Porter Robinson (2021)

Ableton Live as heard on Make Me Feel by John Summit (2021)

Make Me Feel

John Summit (2021)

Ableton Live as heard on Hollywood Heart by Alina Smith (2021)

Hollywood Heart

Alina Smith (2021)

Ableton Live as heard on Come Thru by Young Franco (2021)

Come Thru

Young Franco (2021)

Ableton Live as heard on LA CANZONE NOSTRA ⟁ (con BLANCO & Salmo) by Mace & Salmo (2021)

LA CANZONE NOSTRA ⟁ (con BLANCO & Salmo)

Mace & Salmo (2021)

Ableton Live as heard on Wonderland by ABSOLUTE. (2021)

Wonderland

ABSOLUTE. (2021)

Ableton Live as heard on Rave Tool (FIGHT CLVB Remix) by Henry Fong (2020)

Rave Tool (FIGHT CLVB Remix)

Henry Fong (2020)

Ableton Live as heard on Tadow by FKJ & Masego (2020)

Tadow

FKJ & Masego (2020)

Ableton Live as heard on Likewise by Frances Quinlan (2020)

Likewise

Frances Quinlan (2020)

Ableton Live as heard on LATHI (with Sara Fajira) by Weird Genius (2020)

LATHI (with Sara Fajira)

Weird Genius (2020)

Ableton Live as heard on everything means nothing by Blackbear (2020)

everything means nothing

Blackbear (2020)

Ableton Live as heard on Sacrifice EP by Sara Landry (2020)

Sacrifice EP

Sara Landry (2020)

Ableton Live as heard on Crescent by Similar Outskirts (2020)

Crescent

Similar Outskirts (2020)

Ableton Live as heard on My Frequency (feat. RebMoe) by Tiësto & 7 Skies (2020)

My Frequency (feat. RebMoe)

Tiësto & 7 Skies (2020)

Ableton Live as heard on Pale Yellow by Woodkid (2020)

Pale Yellow

Woodkid (2020)

Ableton Live as heard on Oddyssey by Amtrac (2020)

Oddyssey

Amtrac (2020)

Ableton Live as heard on POWA by Zeds Dead & PEEKABOO (2020)

POWA

Zeds Dead & PEEKABOO (2020)

Ableton Live as heard on Here With Me by PEEKABOO (2020)

Here With Me

PEEKABOO (2020)

Ableton Live as heard on Suicide in Texas (Panther Modern Remix) by Panther Modern (2020)

Suicide in Texas (Panther Modern Remix)

Panther Modern (2020)

Ableton Live as heard on READY by Panther Modern (2020)

READY

Panther Modern (2020)

Ableton Live as heard on A.T.D.G. by Panther Modern (2020)

A.T.D.G.

Panther Modern (2020)

Ableton Live as heard on Kick It Out by Panther Modern (2020)

Kick It Out

Panther Modern (2020)

Ableton Live as heard on Rave Tool by Henry Fong (2019)

Rave Tool

Henry Fong (2019)

Ableton Live as heard on The End by Shlohmo (2019)

The End

Shlohmo (2019)

Ableton Live as heard on If You Hadn't by KOAN Sound & Culprate & Opiuo (2019)

If You Hadn't

KOAN Sound & Culprate & Opiuo (2019)

Ableton Live as heard on ResuRection (Maurice West Remix) by Maurice West (2019)

ResuRection (Maurice West Remix)

Maurice West (2019)

Ableton Live as heard on Willing Eyes by Kiev (2019)

Willing Eyes

Kiev (2019)

Ableton Live as heard on Head Over Heels b/w Essentially by Japanese Breakfast (2019)

Head Over Heels b/w Essentially

Japanese Breakfast (2019)

Ableton Live as heard on Pulp by Ambré (2019)

Pulp

Ambré (2019)

Ableton Live as heard on To minutter by Röyksopp & Röyksopp (2019)

To minutter

Röyksopp & Röyksopp (2019)

Ableton Live as heard on Careful by Boy Harsher (2019)

Careful

Boy Harsher (2019)

Ableton Live as heard on Los Angeles 2020 by Panther Modern (2019)

Los Angeles 2020

Panther Modern (2019)

Ableton Live as heard on Ask Yourself by Panther Modern (2019)

Ask Yourself

Panther Modern (2019)

Ableton Live as heard on Year Of The Snitch by Death Grips (2018)

Year Of The Snitch

Death Grips (2018)

Ableton Live as heard on Everytime We Touch (Hardwell & Maurice West Remix) by Maurice West & Cascada (2018)

Everytime We Touch (Hardwell & Maurice West Remix)

Maurice West & Cascada (2018)

Ableton Live as heard on Get What You Came For by Kav Verhouzer & BullySongs (2018)

Get What You Came For

Kav Verhouzer & BullySongs (2018)

Ableton Live as heard on Colorblind by Getter (2018)

Colorblind

Getter (2018)

Ableton Live as heard on Dead Inside by Taska Black (2018)

Dead Inside

Taska Black (2018)

Ableton Live as heard on Wanderlust by Throttle (2018)

Wanderlust

Throttle (2018)

Ableton Live as heard on Shakuchi by Dimatik (2018)

Shakuchi

Dimatik (2018)

Ableton Live as heard on Durga by Yves V & Mariana BO (2018)

Durga

Yves V & Mariana BO (2018)

Ableton Live as heard on Over Getting Over You by Said The Sky (2018)

Over Getting Over You

Said The Sky (2018)

Ableton Live as heard on Double Up EP by PhaseOne (2018)

Double Up EP

PhaseOne (2018)

Ableton Live as heard on State Of Emergency by PhaseOne (2018)

State Of Emergency

PhaseOne (2018)

Ableton Live as heard on LONER by Caroline Rose (2018)

LONER

Caroline Rose (2018)

Ableton Live as heard on 3 by Sextile (2018)

3

Sextile (2018)

Ableton Live as heard on 2U by David Guetta (2017)

2U

David Guetta (2017)

Ableton Live as heard on No Promises (feat. Demi Lovato) by Cheat Codes (2017)

No Promises (feat. Demi Lovato)

Cheat Codes (2017)

Ableton Live as heard on Ti Amo by Phoenix (2017)

Ti Amo

Phoenix (2017)

Ableton Live as heard on THE DROP by Dyro & Gammer (2017)

THE DROP

Dyro & Gammer (2017)

Ableton Live as heard on Providence by Nathan Fake (2017)

Providence

Nathan Fake (2017)

Ableton Live as heard on Steve Lacy's Demo by Steve Lacy (2017)

Steve Lacy's Demo

Steve Lacy (2017)

Ableton Live as heard on Gang Signs & Prayer by Stormzy (2017)

Gang Signs & Prayer

Stormzy (2017)

Ableton Live as heard on Supernova (feat. Dope D.O.D.) by Apashe (2017)

Supernova (feat. Dope D.O.D.)

Apashe (2017)

Ableton Live as heard on Get With U by Clairo (2017)

Get With U

Clairo (2017)

Ableton Live as heard on Albeit Living by Sextile (2017)

Albeit Living

Sextile (2017)

Ableton Live as heard on Make It Right by Lucas & Steve (2016)

Make It Right

Lucas & Steve (2016)

Ableton Live as heard on 22, A Million by Bon Iver (2016)

22, A Million

Bon Iver (2016)

Ableton Live as heard on Souvenir by Billboard (2016)

Souvenir

Billboard (2016)

Ableton Live as heard on Roller by Digitalism (2015)

Roller

Digitalism (2015)

Ableton Live as heard on Rise by Lane 8 (2015)

Rise

Lane 8 (2015)

Ableton Live as heard on See You Soon by Michael Brun (2015)

See You Soon

Michael Brun (2015)

Ableton Live as heard on Super Human by Andrew Bayer (2015)

Super Human

Andrew Bayer (2015)

Ableton Live as heard on Seven Seas by Emancipator (2015)

Seven Seas

Emancipator (2015)

Ableton Live as heard on Rio (feat. Digital Farm Animals) by Netsky (2015)

Rio (feat. Digital Farm Animals)

Netsky (2015)

Ableton Live as heard on VEGA INTL. Night School by Neon Indian & Neon Indian (2015)

VEGA INTL. Night School

Neon Indian & Neon Indian (2015)

Ableton Live as heard on The Nest by Kammarheit (2015)

The Nest

Kammarheit (2015)

Ableton Live as heard on Hello by Stephen (2015)

Hello

Stephen (2015)

Ableton Live as heard on The Girl (The Remixes) by Hellberg (2015)

The Girl (The Remixes)

Hellberg (2015)

Ableton Live as heard on The Girl by Hellberg (2015)

The Girl

Hellberg (2015)

Ableton Live as heard on A Thousand Hands by Sextile (2015)

A Thousand Hands

Sextile (2015)

Ableton Live as heard on while(1<2) by Deadmau5 (2014)

while(1<2)

Deadmau5 (2014)

Ableton Live as heard on Worlds by Porter Robinson (2014)

Worlds

Porter Robinson (2014)

Ableton Live as heard on Taylr Swft by Kill Frenzy (2014)

Taylr Swft

Kill Frenzy (2014)

Ableton Live as heard on Into Mist - EP by Murlo (2014)

Into Mist - EP

Murlo (2014)

Ableton Live as heard on Toparama by Pat Mastelotto (2014)

Toparama

Pat Mastelotto (2014)

Ableton Live as heard on Flight by Tristam & Braken (2013)

Flight

Tristam & Braken (2013)

Ableton Live as heard on Higher by Baauer & Just Blaze (2013)

Higher

Baauer & Just Blaze (2013)

Ableton Live as heard on Try It Out by Skrillex & Alvin Risk & Sonny Moore (2013)

Try It Out

Skrillex & Alvin Risk & Sonny Moore (2013)

Ableton Live as heard on Monad XIV by Lakker (2013)

Monad XIV

Lakker (2013)

Ableton Live as heard on AMOK by Atoms for Peace (2013)

AMOK

Atoms for Peace (2013)

Ableton Live as heard on Sick Travellin' by Fritz Kalkbrenner (2012)

Sick Travellin'

Fritz Kalkbrenner (2012)

Ableton Live as heard on Le Fantome by Claude VonStroke (2012)

Le Fantome

Claude VonStroke (2012)

Ableton Live as heard on From Within / The Message Is Hardstyle by Headhunterz (2011)

From Within / The Message Is Hardstyle

Headhunterz (2011)

Ableton Live as heard on Making Mirrors by Gotye (2011)

Making Mirrors

Gotye (2011)

Ableton Live as heard on Penny Sparkle by Blonde Redhead (2010)

Penny Sparkle

Blonde Redhead (2010)

Ableton Live as heard on Man On The Moon: The End Of Day (Deluxe) by Kid Cudi (2009)

Man On The Moon: The End Of Day (Deluxe)

Kid Cudi (2009)

Ableton Live as heard on Drift by Nosaj Thing (2009)

Drift

Nosaj Thing (2009)

Ableton Live as heard on The Music Scene by Blockhead (2009)

The Music Scene

Blockhead (2009)

Ableton Live as heard on Alive 2007 by Daft Punk & Daft Punk (2007)

Alive 2007

Daft Punk & Daft Punk (2007)

Ableton Live as heard on Synchestra by Devin Townsend (2006)

Synchestra

Devin Townsend (2006)

Ableton Live as heard on Re:sonate by Namlook & Pete Namlook & Gaudi (2006)

Re:sonate

Namlook & Pete Namlook & Gaudi (2006)

Ableton Live as heard on Turn on the Music (feat. GTO) by Roger Sanchez (2005)

Turn on the Music (feat. GTO)

Roger Sanchez (2005)

Ableton Live as heard on Velocity: Design: Comfort. by Sweet Trip (2003)

Velocity: Design: Comfort.

Sweet Trip (2003)

Ableton Live as heard on Pulse by Front 242 (2003)

Pulse

Front 242 (2003)

Ableton Live as heard on Halica: Bliss Out v.11 by Sweet Trip (1998)

Halica: Bliss Out v.11

Sweet Trip (1998)

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use Ableton Live, it is most commonly used with the following gear.

Community setups

Show yours
302_dave

302_dave

Gear IQ 90

dystopiansoundscapes

dystopiansoundscapes

Gear IQ 237

atomnic

atomnic

Gear IQ 108

ttinari

ttinari

Gear IQ 8326

finnsmithmusic_

finnsmithmusic_

Gear IQ 196

micolas

micolas

Gear IQ 135

harrypiprazole

harrypiprazole

Gear IQ 125

skyphaser

skyphaser

Gear IQ 135

vangart

vangart

Gear IQ 532

region23

region23

Gear IQ 73

asmickie

asmickie

Gear IQ 104

reseen_lamenti

reseen_lamenti

Gear IQ 119

primecandidate

primecandidate

Gear IQ 147

finleygomez

finleygomez

Gear IQ 1533

marcelo_carboni

marcelo_carboni

Gear IQ 1370

kostis

kostis

Gear IQ 338

epicgaming11195

epicgaming11195

Gear IQ 82

thisishaana

thisishaana

Gear IQ 59

danielbiermann

danielbiermann

Gear IQ 88

satorirotas

satorirotas

Gear IQ 85

modulate

modulate

Gear IQ 410

alexeiparedes

alexeiparedes

Gear IQ 422

skyphaser

skyphaser

Gear IQ 135

samuele_de_marchi

samuele_de_marchi

Gear IQ 128

alf_kagg

alf_kagg

Gear IQ 57

noisengineer

noisengineer

Gear IQ 196

djdenz

djdenz

Gear IQ 62

frankieee

frankieee

Gear IQ 158

theallegoristmusic

theallegoristmusic

Gear IQ 248

theallegoristmusic

theallegoristmusic

Gear IQ 248

sinkingfeeling

sinkingfeeling

Gear IQ 299

sinkingfeeling

sinkingfeeling

Gear IQ 299

micolas

micolas

Gear IQ 135

korewachino

korewachino

Gear IQ 88

louk5z

louk5z

Gear IQ 56

liida

liida

Gear IQ 104

pyokyakult

pyokyakult

Gear IQ 136

bassbouncer

bassbouncer

Gear IQ 135

spiteislost

spiteislost

Gear IQ 73

valera_valerievitch_vassiliev

valera_valerievitch_vassiliev

Gear IQ 83

eiae

eiae

Gear IQ 68

theallegoristmusic

theallegoristmusic

Gear IQ 248

theallegoristmusic

theallegoristmusic

Gear IQ 248

lxchee

lxchee

Gear IQ 115

r0cket_fuel

r0cket_fuel

Gear IQ 126

statusnominal

statusnominal

Gear IQ 230

jiwo

jiwo

Gear IQ 109

wildcat

wildcat

Gear IQ 86

prismdelta

prismdelta

Gear IQ 72

7 alternative and related items for Ableton Live, curated by the Equipboard community.

Image-Line FL Studio

$179.00

cheaper alternative

FL has similar capabilities and performance as Ableton, but with a very different interface and workflow that many find intuitive. But its live performance features are not nearly as fleshed out as Ableton's, with even some official FL artists preferring Live for performing. FL is more affordable though, and does not charge users for updates.

Apple Logic Pro

 

cheaper alternative

Given the latest versions by Apple, Logic Pro X has become almost very similar to Ableton.

Steinberg Cubase

$209.00 - $329.99

high-end alternative

If you feel like the workflow in Ableton is too slow for you in terms of stemming, automation, big templates or midi editing, then Cubase would be a nice DAW to upgrade to.

Bitwig Studio

$99.00 - $399.99

cheaper alternative

Bitwig Studio might be somehow cheaper, if you are just not sure if you would stick with it. It has a yearly subscription, that costs way less then full Ableton Live Suite license.

Ableton Live 11 Suite

 

newer similar sound high-end alternative

If searching an another daw that has kind of similar workflow then bitwig suited the most. but you have to buy bitwig studio because it is 30 days free trial. if you want Ableton live lite Version you have to purchase a music production that come along with the lite Version of Ableton

Apple GarageBand

 

high-end alternative

Ableton provides more complex workflow that opens up a lot of musical possibilities

More Ableton DAW Software

Avid Pro Tools

$225.00 - $599.00

# 1

Rank

Josh Homme Billie Joe Armstrong John Mayer
488 artists using
Bitwig Studio

$99.00 - $399.99

# 5

Rank

Deadmau5 JPEGMAFIA The Glitch Mob
39 artists using
Avid Sibelius

$119.00 - $299.00

# 8

Rank

Pat Metheny Björk Jacob Collier
10 artists using
Steinberg Cubase

$209.00 - $329.99

# 9

Rank

Paul McCartney Robert Smith Toru Kitajima
431 artists using
SuperCollider

 

# 13

Rank

Aphex Twin Squarepusher Richard Devine
8 artists using
SoundSwitch

$235.00 - $367.16

# 18

Rank

 
Nanostudio

 

# 21

Rank

ECCO2K
1 artist using
LMMS

 

# 27

Rank

DidJaws LeftField Beats
2 artists using

Accessories & Related Items

Gear Guides

  • Added to Equipboard on by

    resense
    resense

    Gear IQ 65