For years, the C4 has been a favorite of studio engineers the world over, and in live sound, it’s quickly become a must-have for front-of-house and monitor professionals as well. To create the C6, we took the tried-and-true functions of the C4, an...
Mentioned by FOH engineer Dan Green in this *AudioTechnology* magazine article about the Ghost Stories Tour. > AT: Could you run me through Chris Martin’s vocal chain? > > DG: It starts with a Shure SM58 radio mic which he just loves singing into — the sound and the weight is just right for him. It goes to the Neve 1073 500 series module, and into a channel on the SD7. Then I just use a little bit of channel EQ to clean up the low end, to avoid pumping the compressor unnecessarily — the stage volume is blisteringly loud up there from PA spill, so there’s always going to be some low-end filtering. And then it goes into one of the Waves Puigchild 660 plug-ins. From there, into a Waves H EQ for some general EQ’ing. I really like that EQ for its visual feedback — the spectrum analyser is really handy to quickly pinpoint any frequencies that are poking out or not quite right. Then it finishes with the Waves C6 multiband compressor, which is the most incredible plug-in. I really rely on the C6 for the sound of Chris’s voice because when he’s getting into his low register, his voice is very bassy. But I find if I take some of those overpowering low frequencies out with a regular EQ, when he goes up to his falsetto voice, it sounds a bit thin. With the C6, because it’s a dynamic EQ, as soon as he hits his falsetto voice, all of those rich lows return. Effects-wise, I’ve got an old TC 2290 delay which is MIDI’d up to be part of my snapshot automation. I really like it because it’s hands-on. Saying that, after it’s set up the only control I touch is the tap tempo button. Finally, I have a Bricasti M7 reverb, which I prefer to a Lexicon for its character.more
Darude mentions gear he is using in this [interview](http://www.musicradar.com/us/news/tech/me-in-my-studio-darude-523551/3), and states, "I just got the Waves C6 multi-compressor and already love it because of the possibility to selectively duck only certain frequency ranges triggered by an external signal, like bass with the kick drum, or a synth with a vocal, for example."more
For years, the C4 has been a favorite of studio engineers the world over, and in live sound, it’s quickly become a must-have for front-of-house and monitor professionals as well. To create the C6, we took the tried-and-true functions of the C4, and added two additional floating bands plus a sidechain feature, for one-stop vocal and instrument shaping. Equally at home in the studio, live, and in post production, the C6 lets you zero in on problem frequencies with surgical precision.
Perfect for de-essing and de-popping in the studio or onstage, the C6 gives you all the multiband compression and dynamic equalization you need to control, tame, and shape your sound.
Multiband compressor plugin. Internal/external sidechain per band. Individual band Listen mode. Four crossover bands plus two floating bands. Dynamic EQ, compression and expansion. Double precision bit resolution processing.
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