Featured in this October 3, 2019 Twitter post of Fujita's pedalboard.

レコーディングでビッグマフ使ったけどめっちゃええでな欲しなったわ。でもでかいな…。

A photo taken from God Is An Astronaut Rehearsal area.

Car Gianelli explains at at 6:46 in this video that he uses the green russian big muff for most of his heavy tones live and in the studio.

In a recording session video for Ufomammut's album "8," Poia can be seen using the Electro-Harmonix Sovtek "Green Russian" Big Muff Pi V7C fuzz pedal.

Owned in childhood and later used for "[a]ll the guitars" on Anxiety, as known from the following sources:

Universal Music Group (Deutsch), "Biografie Ladyhawke"

Insgesamt klingt “Anxiety” daher sehr viel runder und persönlicher, sehr viel mehr nach Pip, die hier viel genauer ihr Terrain absteckt und zeigt, was sie kann und wie sie tickt. Einige ihrer schlichten und zugleich massiven Beats entstanden beispielsweise auf E-Drums, programmiert jedoch mit analogen Sounds von einem „echten“, wenn auch alten und quasi schrottreifen Schlagzeug, die sie selbst eingespielt hatte, wodurch die Beatteppiche irgendwie halb wie von Menschenhand gemacht, halb wie aus der Konserve klingen. Ihre Gitarrenaufnahmen wurden ebenfalls durch diverse Effekte geschickt, so z.B. auch durch einen russischen Big-Muff-Verzerrer, genau das klassische Modell, auf das auch Kurt Cobain, Billy Corgan und natürlich auch Mudhoney geschworen haben – wie unschwer zu erkennen am Titel ihres Grunge-Meilensteins „Superfuzz Bigmuff“.

The World, March 2012, "Ladyhawke: Walls and Bridges" by James Medd

The difference is that, in place of the walls of synthesizer, there's a whole load of Big Muff fuzz.

The Music, "Hawkers Welcome" by Chris Yates (May 30, 2012)

“The way I went about doing the drums and guitar and everything was a lot more lo-fi and gritty than it was the first time around. For the drum sound, we got the shittiest drum kit in the room and put tea towels on the toms and snare. We set up all these really old '50s and '60s mics all around it and just recorded the drums for ages. All different drumbeats and fills, and then we used all those sounds for the whole album. All the sort of bloopy kind of electronic sounds were all done with a Korg K-Oscillator. All the guitars were played through a Sovtek Russian Big Muff, which is a vintage fuzz pedal.

WiMP Bloggen, "Ladyhawke: It insults me when people try to dress me up" (June 27, 2012)

What is about that distorted guitar sound you like?

»When I was thinking about the second record, I knew exactly what guitar sound I wanted to use. As a teenager I had this big green industrial pedal from Russia called Big Muff – it was the pedal you used when you wanted to have that grungy sound – and I wanted to recreate that.«

Viva, "Favourite Things: Ladyhawke, Musician" by Rosie Kelway (March 8, 2016)

1. Sovtek big muff

This pedal is special to me because I found it on eBay and it ended up shaping the entire sound of my second record. Pascal Gabriel, who produced the album, had one in his studio and I'd obsessed over it for years.

In this GuitarGeek rig diagram, made by Adam Cooper, Lisa's rig includes a green russian Big Muff.

In the YouTube video "Engineering for Aerosmith & Van Halen! - Mike Plotnikoff," Mike Plotnikoff is shown using an original vintage Electro-Harmonix Sovtek "Green Russian" Big Muff Pi V7C fuzz pedal.

Grant's new tour gear

In the YouTube video by accordoTV, Richard Lewis is shown using the Electro-Harmonix Sovtek "Green Russian" Big Muff Pi V7C as part of his pedal board setup with Skunk Anansie.

In this pic from his Zita Swoon days, you can spot his pedalboard; a Sovtek era Muff is visible

Tammy Ealom uses the Electro-Harmonix Sovtek "Green Russian" Big Muff Pi V7C pedals, which she has painted pink. This is confirmed by a performance on "Last Call with Carson Daly," aired on October 31, 2003, where the pedals are visible. The source of this information is a YouTube video uploaded by user ibelieveincheez.

tracking the new @nel_music EP