Pricing and availability
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Store
Reviews
Price
Average Price: $1,970
High-end/Boutique
$300
$701+
Price Tier
Budget
Standard
High-end
Price History
Based on price data from 6 merchants for "Fender '65 Twin Reverb". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Introducing the Fender '65 Twin Reverb, the amp that pays homage to the iconic 1965 version. This all-tube guitar amplifier is a faithful reproduction that delivers an impressive 85W of power through dual 12" Jensen speakers. It’s handcrafted in Corona, California, delivering a vintage vibe with contemporary reliability.
The Fender '65 Twin Reverb's two-channel preamp, powered by four 12AX7 tubes, offers a range of tones, from clean to satisfying overdrive. The Normal channel is perfect for single coils, giving a bright, balanced tone. Meanwhile, the Vibrato channel offers a warmer voicing apt for humbuckers.
The '65 Twin Reverb is also equipped with tube-driven spring reverb and tremolo effects, providing that much sought-after vintage ambiance and rhythmic pulse. This amp is not just about sound; it’s also about aesthetic. It features blackface cosmetics, a silver grille cloth and tilt-back legs for an authentic retro look.
Though it has a vintage-inspired design, the '65 Twin Reverb is designed to meet the demands of today's players. It's durable and reliable, ready for recording studios, rehearsal spaces, and live shows.
Key Features:
- 85W all-tube guitar amplifier
- Two 12" Jensen C12K speakers for dynamic sound
- Two-channel preamp using four 12AX7 tubes
- Tube-driven spring reverb and tremolo effects
- Handcrafted in Corona, California
- Vintage aesthetic with blackface cosmetics and tilt-back legs
- Solid pine cabinet for durability
- Equipped with four 6L6 tubes in the power amp
- Normal and Vibrato channels for versatile sound
- Ideal for both single coils and humbuckers
Owner's manual
Fender '65 Twin Reverb User ManualProduct specs
| Available since | March 2002 |
| Powerrate in W | 85 W |
| Speaker size | 2x 12" |
| Power Amp Tubes | 6L6 |
| Channels | 2 |
| Reverb | Yes |
| External FX Loop | No |
| Recording Output | No |
| MIDI Interface | No |
| Connection for External Speaker | Yes |
| Headphone connection | No |
| Footswitch connection | Yes |
| Incl. Footswitch | Yes |
| Weight in kg | 29,0 kg |
FAQs
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What are the core tonal characteristics of the Fender '65 Twin Reverb?
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The Fender '65 Twin Reverb is renowned for its clean and warm tones, making it ideal for genres like rock, blues, and country. It offers rich reverb and tremolo effects, delivering a classic sound that has been favored by many iconic guitarists.
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Is the Fender '65 Twin Reverb loud enough for live performances?
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Yes, with its 85-watt power rating and two 12-inch speakers, the Fender '65 Twin Reverb is powerful enough for live performances, even in larger venues. It provides ample clean headroom, ensuring your sound remains clear and dynamic.
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Does the Fender '65 Twin Reverb come with a footswitch?
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Yes, the Fender '65 Twin Reverb includes a footswitch, allowing you to easily toggle between its two channels and activate the built-in reverb and tremolo effects during performances.
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Can I connect an external speaker to the Fender '65 Twin Reverb?
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Yes, the Fender '65 Twin Reverb has a connection for an external speaker, providing flexibility for expanding your sound setup or achieving different tonal qualities.
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What type of power tubes does the Fender '65 Twin Reverb use?
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The Fender '65 Twin Reverb uses 6L6 power tubes, which are known for their robust performance and ability to deliver the amplifier's signature clean tones and dynamic range.
Videos
Fender
65 Twin Reverb® Demo | Clip 1 | Fender
Reviews
PROS
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Unmatched clean tones, ideal for blues, rock, and country
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Excellent reverb and tremolo effects built-in
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Handles pedals well, offering versatility in sound
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Highly sensitive controls for precise tonal adjustments
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Consistent clarity across the full range of notes
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Inspires improved play due to unforgiving clarity of mistakes
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Solid and durable construction for longevity
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Classic Fender sound that's been sought after for generations
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Ideal for both live performances and studio recordings
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Can be used at reasonable volumes for home practice
CONS
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Extremely loud, potentially too much for small venues or home use
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Heavy and cumbersome to transport without assistance
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High price point may be prohibitive for some
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Lacks natural break-up/distortion at high volumes
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Requires additional pedals for overdriven sounds
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Not suited for genres requiring heavy distortion
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Can be too bright for some preferences, requiring EQ adjustment
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Fender '65 Twin Reverb.
Features and functionality
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The Fender '65 Twin Reverb excels at low volumes, maintaining its iconic clean tone and substantial low end even at a volume setting of 1.5.
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It's noted that the Tone Master version of the Twin Reverb offers a much lighter alternative at 33 pounds, compared to the traditional model's 65 pounds, with added features like a power output control switch.
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Some units may come with different speaker configurations like Fender and Jensen combinations, impacting sound distinctively due to varying speaker characteristics.
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The power rating discrepancy between 260W and 360W relates to power consumption, not output, with heat loss from tubes accounting for the difference.
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Comparisons
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The Tone Master Twin is praised for its light weight and built-in power scaling, offering a practical alternative for home use compared to traditional tube amps.
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Princeton Reverb and Deluxe Reverb are considered for bedroom use, but the Twin is noted to outperform lower wattage Fenders in tonal richness at similar volumes.
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User experience
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A user with a 1972 Fender Twin noted significant improvements in tone after replacing stock speakers with Celestion Creambacks.
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Owners frequently mention the Fender '65 Twin Reverb's weight as a significant drawback, with many describing it as "too heavy" and difficult to transport.
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Owners indicate that used models often sound inferior due to variance in speakers and components, making new models more appealing despite higher cost.
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Use cases and applications
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Users find the Twin Reverb particularly suitable for jazz, leveraging its clean tone and headroom, valuable for styles requiring pristine sound clarity.
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Despite its legendary sound, the amp is often considered unsuitable for home use due to its excessive loudness, with users unable to turn it up past 1.5 without overwhelming volume.
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Value and pricing
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The used market sees a significant drop in resale value for the '65 Twin Reverb, with prices sometimes as low as $550, making it a potential bargain for those who can handle its size and volume.
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Past pricing trends show significant market discounts, with new models previously at $1,400, yet used models can be found for $600 due to low demand.
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Setup and maintenance
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Users suggest modifying the amp by pulling two of the power tubes and using only one 8-ohm speaker to achieve better volume control and sound compression.
Source
Critic Reviews
5.0 out of 5
Based on 15 Reviews and 132 Ratings
325
Good, Heaviness Overrated
First, you have to remember that most of the people complaining about the weight on these things bought them in their prime decades ago, and now can no longer lift them in their retirement years. No shade to them, they've simply moved on to a market for smaller, lighter amps. Mine is perfectly moveable with one person, especially if you throw in some casters or find a cheap moving dolly. I swapped the two Fender-manufactured speakers for Celestions, a Neo V-Type and a Creamback, which lowered the weight somewhat. Any large piece of gear with only one handle is bound to be awkward to move, and side handles would have been somewhat helpful. Nonetheless, not unusable.
As for the sound, everyone knows it's great. It also handles my EVH 5150 distortion really well. The one thing to note is that a mild high-pass pedal might be useful as the built-in EQ of the amp has a frequency boost below 100Hz, which is very rumbly and may not be desirable.
Preferred Settings + Usage:
Normal channel with a reverb pedal is a lot quieter than the reverb tank.
397
Tone of the gods.
Fender got it right in 1965 with this amplifier. Gives you the 'radio sound' and can go clean tone to over the top. Don't let the open back twin 12" speakers make you think it cannot thump and rock loud. Lots of low end from the incredible amount of power. If I had to pick one amp to tour and record with, this is it.
17
Pretty faithful to the original
Due to much higher manufacturing standards, reissues just aren't going to sound precisely like the originals. Every '65 sounds different. The goal of reissue is to capture what made the original special, and Fender hit this one out of the park.
It's surprisingly versatile, and this amp is one of the main reasons I started unplugging stompboxes and rack effects, and turning into a "purist!"
I Miss This One...
I used to have a silver face(early to mid-70s) Fender Vibrosonic Reverb, which was basically a Twin Reverb with one 15" speaker. I gave it away when I was cleaning house, and I should have held on to it. It needed some work, and I just didn't want to deal with it, but in it's heyday, it sounded amazing.
Raised By Wolves...
...and all those wolves had a mega ass-ton of vintage Fender gear in the house so when I grew up and moved to the big city, I had to get me one of these '65 reissues. Run in conjunction with my Orange Tiny Terror/Marshall cab, this is the ultimate clean tone to compliment my raging gain bastard. And when I want total destruction, I stomp the Big Muff Pi through the Twin. Holy balls.
235
My first amp was a 65' twin.
I wouldn't be found without a twin around Me somewhere. Although today the one I have is a 65' reissue but it works just as great as My first one. Maybe that is why they are on every stage in the world.... ~Pepper~
157
The best platform is a good clean sound.
The Fender Twin reverb can pretty much handle every genre depending on what effects you put in front of it. I think the best platform is a good clean sound. Also, plenty of headroom.
Artist usage
Add artist
In this Gibson guide how to get the tone of Nuno Bettencourt, it was mentioned that he used more Twin Reverbs.
"Of course, being a rocker in the ’80s and ’90s, Bettencourt had a nice complement of Marshall amps backing him up on stage every night. But Marshall wasn’t the only amp he relied on; he also had some Fender Twin Reverbs for those softer moments."
Daniel Kessler's touring guitar amp is a Fender Vintage Reissue '65 Twin Reverb Guitar Amp, as seen in this photo of his live rig. He says, "I’ve always liked reverb but with a slightly dirty, almost throwback 60s sound.
Ideally, if I could tour with my old Fender Princeton 60s amp that I use for recording I would, but unfortunately it’s too fragile and not tour sturdy."
(original source here, article dated March 31, 2015)
Brian's used a pair of Fender Twin Reverbs since at least the early 2000's
They appear to have been refinished in white around the Battle For The Sun tours. He'd used Marshalls before then but it seems to have been just the Twin Reverbs since and he's used his pedals to get his gain sounds.
His rig is stage right in the video.
A picture of Paul Stanley at age sixteen in his childhood bedroom with a red Gibson SG and ‘65 Fender Twin Reverb Amp. In a 1979 Guitar Player interview Paul was asked, “Is it true that you used to use empty speaker cabinets onstage in the old days just to look impressive?”
“Yep.” Paul responded.
“That is part of the show?”
“Yes. When I couldn’t afford a Marshall—I was dead broke—I had a great pre-CBS Fender Twin amp, and I took the brains out of it and built a little cabinet for it, like a Marshall-type cabinet, and I bought two speaker bottoms that were from Holland. They were called Marquis, and they looked very similar to Marshall’s. The only problem was that they were made out of thick, really chintzy fiberboard, and they sounded rotten. It sounded like we were playing through cardboard boxes with speakers in them. But they looked great. We were playing clubs with 80 people, and we had what looked like a wall of amps.”
Dean Fertita uses two fender twin reverb amps when he plays live with The Dead Weather as seen in this video from The Late Show with David Letterman.
In the video "Plugged In: Kenny Beats (S02 E03) | American Professional II Series | Fender" on YouTube, a Fender '65 Twin Reverb amplifier can be seen in the background at the 0:24 mark. This identification is confirmed by an accompanying article on the official Fender website.
T.K. makes heavy use of pedals, but his core setup of a Schecter Telecaster copy run into a blackface Fender Twin Reverb (whether it's a reissue or not is unclear) seems to remain largely unchanged in his various activities. At the Japan Night event in London in July 2015 he used a pair of (apparently identical) Twin Reverbs, though whether this is standard practice in his performances is not apparent since there are not very many photos of him (or Ling tosite sigure) playing live.
At around 1:20 of this video he states that the ‘65 Twin Reverb reissue was the primary clean sound used on the Underclass Hero record and resulting tour by Sum 41.
In the video "Pretty Lights - Tour Bus Studio" on YouTube, Pretty Lights is shown using a Fender '65 Twin Reverb amplifier.
Dave Keuning, guitarist for The Killers, owns a Fender '65 Twin Reverb amplifier, as listed on reverb.com. This iconic amp, renowned for its clean sound and dual 12" speakers, has been a staple across genres like rock, blues, and jazz, making it an essential part of Keuning's gear collection.
Album Usage
The Fender '65 Twin Reverb has been featured on the following albums:
Upside Down - The 2nd Mini Album
CHANYEOL (2025)
OFFICIAL HIGE DANDISM Arena Tour 2024 - Rejoice - (Live)
Official髭男dism (2025)
Live at the Garage
Captain Beefheart & His Magic Band (2019)
Tranquility Base Hotel & Casino
Arctic Monkeys (2018)
Leave Fast
Sam Fender (2018)
Teens Of Denial
Car Seat Headrest (2016)
Pateando Piedras
Los Prisioneros (2016)
Conga!
Profetas y Frenéticos (2016)
Dust and Disquiet
Caspian (2015)
Memorial
Russian Circles (2013)
Without a Warning
Sue Foley (2012)
Favourite Worst Nightmare (Standard Version)
Arctic Monkeys (2007)
Underclass Hero
Sum 41 (2007)
New Used Car
Sue Foley (2006)
As the Eternal Cowboy
Against Me! (2003)
Parachutes
Coldplay (2000)
American Football
American Football (1999)
The It Girl
Sleeper (1996)
Dookie
Green Day (1994)
Profetas y Freneticos
Profetas y Frenéticos (1992)
Dreamboat Annie
Heart (1975)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Fender '65 Twin Reverb, it is most commonly used with the following gear.
Community setups
Show yoursSimilar
Add recommendation8 alternative and related items for Fender '65 Twin Reverb, curated by the Equipboard community.
In celebration of the 40th anniversary of one of the world's most popular amplifiers, Fender is building a limited number (400) of Factory Special Run '65 Twin Reverb amps, complete with 2 Eminence speakers, 4 USA-made Groove Tubes power tubes, blonde Tolex covering, a wheat grille cloth, amber jewel light and special commemorative badge.
$1,525.00
The Twin Reverb Blackface is a different version of the '65 Twin Reverb.
$1,450.00 - $1,825.00
$649.00 - $1,999.99
The Twin Reverb Silverface is a different version of the '65 Twin Reverb.
$1,899.00 - $1,999.99
The '68 Custom Twin Reverb is a different version of the '65 Twin Reverb.
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