From the EMusician article "Fuzzy Logic-How the Kooks Mangled their Guitar Tones," Todd Burke (engineer) says Hugh Harris used a 60s Fender Twin Reverb for the recording of their album Konk:

Burke says the band also opted to leave their amp stacks at home. Harris’ go-to setup was a ’60s Fender Twin Reverb paired with either a WEM/Watkins Clubman or a Fender Champion 600.

In a photo taken by Adriana Martín for bSides.es, Takaakira "Taka" Goto of MONO is seen using a Fender Twin Reverb Blackface amplifier.

Amps: Acoustic Image Clarus Head – Into a Mesa Boogie 4×12 – his current amp Roland JC-120 Fender Twin Reverb

2002–present

Gibson Everly Brothers Flattop jumbo acoustic, unknown vintage, often with feedback inhibitor insert (“FeedBack Buster”) in soundhole. Taylor, unknown model. Fender Esquire (same as 1982) Spare Fender Eric Clapton Stratocaster.

Amp for acoustic is Fishman Loudbox; for electric is Fender Twin Reverb 2x12 combo.

Gilad can be seen using a Fender Twin Reverb Blackface in this video. I have worked at jazz happenings in Finland and when he played there he requested a Fender Twin Reverb Blackface.

https://jormakaukonen.com/cracksinthefinish/?p=9114

"I bought my first Gibson ES-345 and two fender twin reverbs from Sherman & Clay in San Francisco. That was the first time I bought something on time and started to establish my credit, such as it was. Electric guitars took a back seat to pianos, brass, woodwinds and violins at Sherman and Clay".

In this picture above Jefferson Airplane perform on stage at the Webster Hall concert venue, New York on January 8th, 1967. One can see Jorma plays through two Fender Twin Reverbs (vibrato channels). It was barely noticable in the b&w image. Still, they are the Blackface era Twins, I colorized the picture, take a closer look.

In his autobiographical book he states: "Around the time of Pillow I was transitioning from the Guild Thunderbird guitar and the Standel amp to the Gibson and two Fender Twin Reverbs, but I was still waffling between two setups. The solos on "White Rabbit" and "Somebody to Love" were done with the Thunderbird and the Standel (minus the horns [he had added an upholstered box from Kustom with two high-frequency horns]). Saturating the sound with spring reverb was the deal. The other tracks were done with the Twins and the ES-345 Stereo".

http:// https://books.google.by/books?id=TntJDwAAQBAJ&printsec=frontcover&hl=ru#v=onepage&q&f=false

Used on "Linger", as mentioned by producer Stephen Street in this March 2018 Sound on Sound interview.

Guitar-wise, Noel Hogan used Telecasters all the way — either his own or Street's 1967 Tele — in combination with Vox AC30 and Fender Twin Reverb amps. "We used the Vox tremolo most of the time," he says. "I had a DOD Chorus pedal that I still use to this day. It was the very first pedal I bought and it's still in my rig because it has a setting on it that is very much the Cranberries' sound."

What are using for amps these days? I prefer a Fender Twin for the most part. I was one of the first to use a Twin; I got one in Detroit and liked the extra bite. I like a fat, warm sound, so I set the Treble lower, the Bass medium, and pump up the Middle. I sometimes use a Roland JC-120 Jazz Chorus as a substitute. When I don’t have to play loud, I might use an old Polytone or Heritage Kenny Burrell amp. I am also checking out the new Fender George Benson 1×12 for smaller gigs.

"Then there’s a Boss Blues Driver that’s always on, and then it goes into a blackface Fender Twin. When I record, I can just pan those a little bit side to side and it’s a great big sound."

Seen on their 2018 tour.

In this Youtube video, at 0:00, Andrew Bird can bee seen using a Blackface Fender Twin Reverb.

Here you can see A picture of the Epiphone Sheraton leaning on a Fender Twin Reverb.