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Average Price: $1,792
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$300
$701+
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Price History
Based on price data from 5 merchants for "Fender 'Silverface' Twin Reverb (1972-1976)". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Meet the Fender Twin Reverb Silverface, an iconic, vintage-inspired combo guitar amplifier that's been reimagined for the modern musician. This 85W 2x12 tube guitar combo amp is a tribute to the late-'60s "silverface" Twin Reverb, delivering a distinctively punchy, rock-and-roll flavor that's perfect for the stage or the studio.
Hand-wired tube sockets and custom-made Schumacher transformers replicate the original's vintage vibe while enhancing its tone and performance. The '68 Custom Twin Reverb's dual 12" Celestion G12V-70 speakers deliver a full, articulate tone, and the reduced negative feedback results in greater touch sensitivity and harmonic richness.
The "custom" channel has been modified to feature a '50s tweed Bassman tone circuit, providing more low mids and a quicker breakup. This makes the amp perfect for overdrive, distortion, and fuzz pedals, while its natural compression and touch dynamics further enhance the performance of modulation pedals like chorus, flanger, and phaser.
Key Features:
- 85W 2x12 tube guitar combo amp
- '50s tweed Bassman tone circuit for more low mids and faster breakup
- Reduced negative feedback for greater touch sensitivity and harmonic richness
- Dual 12" Celestion G12V-70 speakers
- Hand-wired tube sockets and custom-made Schumacher transformers
- Reverb and tremolo controls on both channels
- Weighs only 64 pounds for increased portability
- Ideal as a pedal platform for overdrive, distortion, and fuzz pedals
- Suitable for both gigging volumes and studio recording
- Iconic late-'60s Fender silverface aesthetic
- Includes 2-button footswitch and a fitted cover
Product specs
| Brand | Fender |
| Model | Twin Reverb 2-Channel 100-Watt 2x12" Guitar Combo |
| Year | 1972 - 1976 |
| Made In | United States |
| Categories | Guitar Combo Amps |
| Built-In Effects | Built-In Effects |
| Color Family | Black |
| Direct Output | No Direct Output |
| Electronics | Tube |
| Model Family | Fender Twin |
| Model Sub-Family | Fender Twin Reverb |
| Number of Channels | 2 Channels |
| Number of Inputs | 4 Inputs |
| Output Power (Watts) | 100 |
| Power Tube Type | 6L6 |
| Reverb | Spring Reverb |
| Series | Fender Vintage Silverface Amps |
| Speaker Configuration | 2x12" |
FAQs
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What is the tonal characteristic of the Fender 'Silverface' Twin Reverb (1972-1976)?
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The Fender 'Silverface' Twin Reverb is renowned for its clean, warm tones with a rich reverb and tremolo effect, making it ideal for genres like rock, blues, and country.
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Is the Fender 'Silverface' Twin Reverb loud enough for live performances?
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Yes, with 100 watts of power and a 2x12" speaker configuration, the Fender 'Silverface' Twin Reverb is more than capable of handling live performances, even in larger venues.
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How does the Fender 'Silverface' Twin Reverb handle effects pedals?
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The Twin Reverb is known for its excellent pedal compatibility, providing a clean platform that enhances the sound of various effects pedals.
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What kind of power tubes does the Fender 'Silverface' Twin Reverb use?
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The Fender 'Silverface' Twin Reverb uses 6L6 power tubes, contributing to its powerful clean tone and headroom.
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Does the Fender 'Silverface' Twin Reverb have built-in effects?
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Yes, the Fender 'Silverface' Twin Reverb features built-in spring reverb and tremolo, adding depth and dimension to your sound.
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How many channels does the Fender 'Silverface' Twin Reverb have?
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The Fender 'Silverface' Twin Reverb has two channels, allowing for versatile sound options and easy switching between different tones.
Videos
The Studio Rats
Is The Fender Twin Reverb The Ultimate Clean Amp?
Is The Fender Twin Reverb The Ultimate Clean Amp?
The Studio Rats
Fender Twin Reverb 1975 Silverface | Playthrough Demo
ChoptonesOfficial
Fender Twin Reverb Silverface
Steve Reaves Music
Fender Twin Reverb 1974 Silverface Original Vintage Tone
Vintage Tone
1970’s Vintage Fender Twin Reverb Guitar Amp Demo
Glasshouse Studios
1970 Fender Twin Reverb
SynthMania
1970’s Fender Silverface Amps: Vibrolux Reverb & Twin Reverb
Joe Hanson Guitar
FENDER TWIN REVERB SILVERFACE 1974
Damian Gitaromania
1974 FENDER Twin Reverb silverface
fatguitarggg
Fender Twin Reverb 1974 Silverface Original Vintage Tone
Vintage Tone
Reviews
PROS
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Lush reverb and tremolo effects
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Clean amplification doesn't color sound, ideal for pedal boards
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Reliable and durable with simple internal components
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Offers both vintage and custom channels for tonal variety
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Early tube breakup provides edge of break-up tone
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High-quality sound at both low and high volumes
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Handles pedals well, particularly fuzz
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Capable of crisp, clear sound or smooth and mellow tones
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Can chain vintage and custom channels for extensive tonal options
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Provides legendary clean tones, especially with Stratocasters
CONS
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Heavy, making transport challenging without modifications
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Master volume/pull boost feature considered outdated by some
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Bias balance circuit less relevant with current matched quad tubes
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Original casters and lack of side handles complicate mobility
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May experience interference and hiss without proper grounding or filters
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Some find it too loud and bulky for home use
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Certain models buzz loudly and may not suit all electric guitars
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Requires maintenance to minimize hum and ensure optimal sound
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Fender 'Silverface' Twin Reverb (1972-1976).
Features and functionality
Setup and maintenance
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Expect to replace capacitors on vintage tube amps like the '75 Twin Reverb, as they typically need maintenance after 25+ years.
Source -
A voltage regulator is often recommended for vintage amps to ensure consistent performance and longevity.
Source -
Transformer codes like 606-??? can date the amp, with the first digit after 606 indicating the year and the next two digits the week of that year.
Source -
The lack of a "drip edge" around the grille confirms the amp is post-1969, helping narrow down its production period.
Source
Comparisons
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A '70s Twin Reverb is only slightly wider than a Deluxe Reverb and comparable in size to an AC30, making it manageable for transport.
Source
Use cases and applications
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The amp's powerful volume may be excessive for home use or small venues unless the master volume feature is utilized effectively.
Source
Mods and upgrades
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The Celestion G12T-75 speakers are not original and were likely swapped for tone preference or due to wear, as original speakers would have been Oxford, Utah, or JBL.
Source
5.0 out of 5
Based on 19 Reviews and 69 Ratings
566
Iconic
Excellent amp that takes pedals extremely well. the on board reverb and vibrato are amazing and more than makes up for its weight. It is a loud amp but it can be used in small rooms and bedrooms too.
Preferred Settings + Usage:
Prior to myself it belonged to 'I am Kloot' member Peter Jobson who obtained it from Baxter Dury who's father Ian dury (Ian Dury and the Blockheads) gave it to.
3586
Rock'n'roll, My Hearings' gone.
This is a really, the best amp to ever exist. The sound richness, the many great artist who used these. From John Lennon to Kurt Cobain, almost everyone you can think of has one laying around is told to buy one to be even taken serious as an artist. But it has a few flaws which I thing is worthy to put out. straight to the point, it does not have a headphone jack at all, and it does not even have a switch to lower this God awfully loud amp. The new reissue ones are kinda better for modern day guitarists. But first thing you need to do if you are a bedroom guitarist is change the speakers, add a plate or mod a headphone jack. Even on 3 its near deafening and your room shakes. The positives are that it has normal section and a vibrato section( witch almost everybody uses) it has alot of kick and bass, this is all you need to play live, maybe even on studio. Monster of an amp and sound isn't like any other, i just wish they made this more tiny and commercially available like a small but tone rich priceton to the reverb deluxe amps, then everbody could have fair playing ground. It has a remote to and reverb and sound is the best I've ever heard, it's really the best. They are a big heavy amps but you can limp it across places.
74
Worth every penny.
I got this for 500$ CAD. A steal, considering what others are going for on Reverb.
Mine is the one with the push pull master volume, which were introduced in mid '73 IIRC. It's one of the least desirable ones, but I don't really mind, since I paid about 1/4 of what I would've paid for a '65. As for actual tone, it's everything a Twin is hyped up to be: -Beautiful, shimmering cleans -Rich, warm tone -Reverb is out of this world, I no longer need a 200$ reverb pedal -Vibrato is a very nice feature -All controls are responsive, and the bright switch is a nice thing to have with dark pickups -Takes pedals beautifully
557
1976 Fender Twin
I purchased this because it came with a Fender Rhodes.
It sounds awesome on that and on electric acoustic guitars.
This goes against what so many people seem to think, since it's one of the most coveted amps of all time... but I hate the way it sounds with electric guitars, especially clean. It has a sharp harsh tone with most Fender guitars. Being so old, it also buzzes pretty loudly. I'm not a fan of the way it looks as well, and would definitely opt for the '57 version over this model. Although they cost more, I'd say for electric guitar Mesa Boogie power amps with 4x12 cabs blow these out of the water. For a clean guitar tone at the same price point, I'd choose the Vox AC-30 over this.
41029
there's hardly any similarity between a low-powered tweed twin and a silverface twin reverb, its like comparing apples and cinderblocks... I don't know how you can refer to an ac30 as a strong clean amp. it has a fraction of the headroom of a silverface twin. Its hard tog et a bone clean tone at stage volume. That said its my favorite amp, but seriously, a silverface twin does 85 to 120 watts depending on the year. Its more accurately compared to Hiwatt in brit amps.
557
I can see what you're saying. Mine is 120 watts so it's all headroom. I have to find out the exact year, I got it second hand so it's hard to tell. I definitely just prefer other amps for electric guitars. I listen to mostly alternative rock so the AC30 is a clean amp in my mind, even with the crunch at high volumes. But at low volumes it's so smooth, that people like Kevin Shields used it as the clean amp, with the Marshall JCM800 being the dirty one.
235
Legendary amplifier, used by The Beatles and others. Nice clean sound.
Legendary amplifier, used by The Beatles and others. I do not know which year it belongs to me, I still have to investigate that. I have had this amplifier for a number of years and I like it. Nice clear tone and therefore versatile. Nice reverb sound. The only drawback of this amplifier is the weight. I also use the speakers to connect the Vox MV50 AC. Very handy. This way I get a Vox sound on this amplifier. This amp sounds great with all my guitars. Especially the Gretch sounds great.
293
Legendary amplifier, used by The Beatles and others. Nice clean sound.
Legendary amplifier, used by The Beatles and others. I do not know which year it belongs to me, I still have to investigate that. I have had this amplifier for a number of years and I like it. Nice clear tone and therefore versatile. Nice reverb sound. The only drawback of this amplifier is the weight. I also use the speakers to connect the Vox MV50 AC. Very handy. This way I get a Vox sound on this amplifier. This amp sounds great with all my guitars. Especially the Gretch sounds great.
167
Classic Fender tone for days
Whenever I play a notable venue which could realistically fit a 2x12, this amp goes with me. There is simply no better amp to reproduce those crystal clear bell tones of a Strat. Except maybe a Princeton, but I've found that Twin Reverbs are just so widely available that venues have absolutely no problem renting them. No boutiquey sounds but very reliably crisp and soulful nonetheless. It also keeps my (drive) pedals really punchy and articulate.
111
Great amp
As a huge fan of the clean tones of The Smiths I wanted to create the same clean base sound. You get that instantly with the Twin Reverb. My vibrato channel breaks up/distorts quite often though. That's a shame because that's the other great thing about the Twin Reverb, the spring reverb and the vibrato. I will get it fixed in the near future. So, final verdict: great for clean play (check out Cobain and others to see the distortion possibilities), has a lot of volume and awesome reverb. May be a bit to much for the bedroom guitar hero, but not a show stopper.
41029
great review.... for the best smith's sounds I usually think of a 60s super reverb and you might wanna add a JC120 to the mix.... I am pretty sure in the early years Johnny Marr was using the jazz chorus for treble and the SF twin for mids and bass.... I think later sounds are a 60s super reverb and sometimes a deluxe reverb in the studio.... aso, don't forget a boss ce2 and/or a BF2 into the fender amps so you have insane modulation going
111
@jimmarchi1 thanks for the feedback. It's true that Marr, as a Fender ambassador, uses different Fender amps. In regards to the effects, those are great to actually emulate the melodic tones.
41029
I've been on a smith's kick for the first time in 20 years.... really digging the johnny marr thing and I am left wondering why I don't own a blackface fender anymore (though my stable of voxes will cop some johnny mar jangle thru the top boost channels)... I'll have to break down and buy my buddy's BF tremolux
everything from 'the queen is dead' on I really identify with 40 watt fenders, particularly the BF super reverb, rather than the silverface twins.... though marr talks about the deluxe reverb a lot when referencing late period smiths tone.... who knows? I saw him using a tweed bassman on stage as well as a brown concert in some footage.... a fender is a fender is a fender though, the twin being the most distinct sounding model to my ear mostly by dint of it being so high headroom and punchy
219
Great, classic sound
This is not the amp for killer overdriven tube distortion. But if you use a good pedal, the tube preamps warm it up and you can get a great sound. I use an old ProCo RAt distortion.
I have two of these Amos, one 1974 w/stock JBL speakers and one -975 that I replaced the blown stock Fender speakers with EVM12Ls. I prefer the JBLs, but run together, the warmth of the EVs compliments the JBLs nicely.
They are heavy, but have wheels. I haven't hugged in years, but I can bring myself To sell them, I love them too much.
161
A Classic for good reason
It seems everyone has used a Twin Reverb at some point, and it's no surprise why. For clean tones, there really is no substitute. This amp has a lovely, shimmery, sparkle which would sound amazing with any guitar, but for the real deal, play a Strat or Tele through it - no better clean combo than a Fender guitar through a Fender Twin Reverb.
Artist usage
Add artist
Frank is using a Fender Twin Reverb in this tutorial video
While this pic shows Alex adjusting his Advanced Audio Designs Digital delay(s) there's 4 there... (they replaced the Roland Space Echos), the front panel of a silver faced Twin is seen below the Hi-watt head.
Also seen in this pic is the Leslie rotating speaker cabinet that is below the delays (and the two, as yet unknown, mystery rack gear)
Here's the quote from the June 1980 interview:
What is your current onstage amplifier setup?
I'm using two Hiwatts; I have one 100-watt head driving two cabinets on my side of the stage, and another 100-watt head driving one cabinet on stage left-Geddy's side. He uses that as a monitor, and you can't even hear it out in the house. I also have a Fender Twin Reverb I use to get a clean, almost direct sound, and then I'm driving my Leslie with another Hiwatt head. In addition I have two Maestro parametric filters-one on my Hiwatt, and the other on the Leslie-and I use an Electro-Harmonix Electric Mistress flanger, a Roland Boss Chorus, an Advanced Audio Designs [3890 Stewart Rd., Eugene, OR 97402] digital delay, a Morley volume pedal, and a Cry Baby wah-wah
He has used this amp in the studio. In this interview with PremierGuitar, Hann states about the amps used in the studio for the second album: "That and a Roland JC-120 or a Fender Twin was sort of the go-to. If we were in the studio and needed a clean sound for a part, that’s where we’d start and then we’d go from there."
Ty Segall is known for using Fender Twin Reverb Silverface amplifiers to achieve his signature sound, as seen in a photo from Poppressinternational.
In this picture you can see John Squire using a Fender Twin Reverb model known as the Silverface because of it's silver controls panel.
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In this video, Ichika uses a Twin Reverb Silverface combo amp.
She's using a Fender Twin Reverb Silverface at this show.
Izzy Stradlin owns a Fender Twin Reverb Silverface amplifier, as evidenced by a user-uploaded photo of it featured as Hard Rock memorabilia. While it's unclear whether he used it with Guns N' Roses, the Juju Hounds, or during his solo career, it remains a notable part of his gear collection.
During the Saturday Sessions, when Phoebe Bridgers performed "Scott Street", she used the Fender Twin Reverb Silverface. At 0:15 you can see the amp.
Talking about his Slanted and Enchanted-era gear, Stephen Malkmus says "Other than that, I don’t think I had anything else. I had this little Epiphone amp that my friend’s grandfather, or his dad, had had forever. That was the primary amp, other than Scott Kannberg had this solid-state Fender amp, which I would not recommend. Also maybe there was a Twin Reverb lying around. Basic stuff, you know?"
used in the abbey Road Performances
It is important to note though that he used a couple of different amps, perhaps the most notably the Fender Silverface Twin which can be seen on many different photos. He also played on a couple of different Marshall and Ampeg amps.
Album Usage
The Fender 'Silverface' Twin Reverb (1972-1976) has been featured on the following albums:
Перевоплотиться
Zoloto (2024)
When The Wind Forgets Your Name
Built to Spill (2022)
Melhor do Que Parece
O Terno (2016)
ハルジオンが咲く頃
乃木坂46 (2016)
Postcards From A Young Man
Manic Street Preachers (2010)
The Hand That Feeds
Nine Inch Nails (2005)
Clouds Taste Metallic
The Flaming Lips (1995)
This Here Giraffe
The Flaming Lips (1995)
A 18' Del Sol
Luis Alberto Spinetta (1977)
Ommadawn
Mike Oldfield (1975)
![Fender 'Silverface' Twin Reverb (1972-1976) as heard on The Dark Side Of The Moon (50th Anniversary) [2023 Remaster] by Pink Floyd (1973)](https://images.equipboard.com/uploads/album/image/3136/the-dark-side-of-the-moon-50th-anniversary-2023-remaster.jpg)
The Dark Side Of The Moon (50th Anniversary) [2023 Remaster]
Pink Floyd (1973)
The Dark Side of the Moon
Pink Floyd (1973)
Let It Be (Remastered)
The Beatles (1970)
Abbey Road (Remastered)
The Beatles (1969)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Fender 'Silverface' Twin Reverb (1972-1976), it is most commonly used with the following gear.
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