Pricing and availability
We compare 600+ stores and found this item at 6 stores. Prices updated .
Store
Reviews
Price
Average Price: $1,792
High-end/Boutique
$300
$701+
Price Tier
Budget
Standard
High-end
Price History
Based on price data from 5 merchants for "Fender 'Silverface' Twin Reverb (1972-1976)". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
* Product prices and availability are updated by Equipboard every 24hrs and are subject to change. Equipboard may receive compensation for purchases made at participating retailers linked on this site. This compensation does not affect what products or prices are displayed, or the order of prices listed. For more information, please refer to our affiliate disclosure.
Description
Meet the Fender Twin Reverb Silverface, an iconic, vintage-inspired combo guitar amplifier that's been reimagined for the modern musician. This 85W 2x12 tube guitar combo amp is a tribute to the late-'60s "silverface" Twin Reverb, delivering a distinctively punchy, rock-and-roll flavor that's perfect for the stage or the studio.
Hand-wired tube sockets and custom-made Schumacher transformers replicate the original's vintage vibe while enhancing its tone and performance. The '68 Custom Twin Reverb's dual 12" Celestion G12V-70 speakers deliver a full, articulate tone, and the reduced negative feedback results in greater touch sensitivity and harmonic richness.
The "custom" channel has been modified to feature a '50s tweed Bassman tone circuit, providing more low mids and a quicker breakup. This makes the amp perfect for overdrive, distortion, and fuzz pedals, while its natural compression and touch dynamics further enhance the performance of modulation pedals like chorus, flanger, and phaser.
Key Features:
- 85W 2x12 tube guitar combo amp
- '50s tweed Bassman tone circuit for more low mids and faster breakup
- Reduced negative feedback for greater touch sensitivity and harmonic richness
- Dual 12" Celestion G12V-70 speakers
- Hand-wired tube sockets and custom-made Schumacher transformers
- Reverb and tremolo controls on both channels
- Weighs only 64 pounds for increased portability
- Ideal as a pedal platform for overdrive, distortion, and fuzz pedals
- Suitable for both gigging volumes and studio recording
- Iconic late-'60s Fender silverface aesthetic
- Includes 2-button footswitch and a fitted cover
Product specs
| Brand | Fender |
| Model | Twin Reverb 2-Channel 100-Watt 2x12" Guitar Combo |
| Year | 1972 - 1976 |
| Made In | United States |
| Categories | Guitar Combo Amps |
| Built-In Effects | Built-In Effects |
| Color Family | Black |
| Direct Output | No Direct Output |
| Electronics | Tube |
| Model Family | Fender Twin |
| Model Sub-Family | Fender Twin Reverb |
| Number of Channels | 2 Channels |
| Number of Inputs | 4 Inputs |
| Output Power (Watts) | 100 |
| Power Tube Type | 6L6 |
| Reverb | Spring Reverb |
| Series | Fender Vintage Silverface Amps |
| Speaker Configuration | 2x12" |
FAQs
-
What is the tonal characteristic of the Fender 'Silverface' Twin Reverb (1972-1976)?
-
The Fender 'Silverface' Twin Reverb is renowned for its clean, warm tones with a rich reverb and tremolo effect, making it ideal for genres like rock, blues, and country.
-
Is the Fender 'Silverface' Twin Reverb loud enough for live performances?
-
Yes, with 100 watts of power and a 2x12" speaker configuration, the Fender 'Silverface' Twin Reverb is more than capable of handling live performances, even in larger venues.
-
How does the Fender 'Silverface' Twin Reverb handle effects pedals?
-
The Twin Reverb is known for its excellent pedal compatibility, providing a clean platform that enhances the sound of various effects pedals.
-
What kind of power tubes does the Fender 'Silverface' Twin Reverb use?
-
The Fender 'Silverface' Twin Reverb uses 6L6 power tubes, contributing to its powerful clean tone and headroom.
-
Does the Fender 'Silverface' Twin Reverb have built-in effects?
-
Yes, the Fender 'Silverface' Twin Reverb features built-in spring reverb and tremolo, adding depth and dimension to your sound.
-
How many channels does the Fender 'Silverface' Twin Reverb have?
-
The Fender 'Silverface' Twin Reverb has two channels, allowing for versatile sound options and easy switching between different tones.
Videos
The Studio Rats
Is The Fender Twin Reverb The Ultimate Clean Amp?
Reviews
PROS
-
Lush reverb and tremolo effects
-
Clean amplification doesn't color sound, ideal for pedal boards
-
Reliable and durable with simple internal components
-
Offers both vintage and custom channels for tonal variety
-
Early tube breakup provides edge of break-up tone
-
High-quality sound at both low and high volumes
-
Handles pedals well, particularly fuzz
-
Capable of crisp, clear sound or smooth and mellow tones
-
Can chain vintage and custom channels for extensive tonal options
-
Provides legendary clean tones, especially with Stratocasters
CONS
-
Heavy, making transport challenging without modifications
-
Master volume/pull boost feature considered outdated by some
-
Bias balance circuit less relevant with current matched quad tubes
-
Original casters and lack of side handles complicate mobility
-
May experience interference and hiss without proper grounding or filters
-
Some find it too loud and bulky for home use
-
Certain models buzz loudly and may not suit all electric guitars
-
Requires maintenance to minimize hum and ensure optimal sound
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Fender 'Silverface' Twin Reverb (1972-1976).
Features and functionality
Setup and maintenance
-
Expect to replace capacitors on vintage tube amps like the '75 Twin Reverb, as they typically need maintenance after 25+ years.
Source -
A voltage regulator is often recommended for vintage amps to ensure consistent performance and longevity.
Source -
Transformer codes like 606-??? can date the amp, with the first digit after 606 indicating the year and the next two digits the week of that year.
Source -
The lack of a "drip edge" around the grille confirms the amp is post-1969, helping narrow down its production period.
Source
Comparisons
-
A '70s Twin Reverb is only slightly wider than a Deluxe Reverb and comparable in size to an AC30, making it manageable for transport.
Source
Use cases and applications
-
The amp's powerful volume may be excessive for home use or small venues unless the master volume feature is utilized effectively.
Source
Mods and upgrades
-
The Celestion G12T-75 speakers are not original and were likely swapped for tone preference or due to wear, as original speakers would have been Oxford, Utah, or JBL.
Source
5.0 out of 5
Based on 19 Reviews and 69 Ratings
1969 Fender Twin Reverb Silverface
I lucked into a 1969 Twin Reverb with the "drip edge" and JBL D120F speakers. Being a 1969, it has the AB763 circuit like the Blackface models. It sounds so warm and clean. It's the amp I've been chasing for years, and I love it.
77
Great amp for clean sound and perfect platform for pedals.
My Silverface Fender Twin Reverb started out as a stock 1975 model with a push/pull master volume. I've since done a number of modifications to it including changing the normal channel to a Marshall style preamp and converting the reverb channel to Blackface specs. I've also switched out the stock speakers with an Electro Voice SRO Alnico and a Celestion Bad Cat.
81
Not as good a s a65, but still...
I got this in poor condition, and somebody hadn't even biased the tubes. I had it hot-rodded. Not sure exactly what the guy did, but with the main volume on about 3, and the Master on 2, you get the nice clean sound Fender is known for. However, with the Master Volume on 1 and the main on 10, you get a nice crunchy overdriven sound.
2379
Sounds great,Weighs a tone
Got it for a steal at £425 in great condition. Sounds perfect but weighs more than my house.
362
310
I love it, but its so heavy...
I have a 73 and absolutely love it, Clean, with responsive controls. Only down side is that mine weighs like 90 pounds becasue I have JBL D120-Fs in it.
146
Artist usage
Add artist
David Gilmour used a Fender 'Silverface' Twin Reverb (1972-1976) during the recording sessions for "The Dark Side of the Moon," as confirmed by Kit Rae on the "David Gilmour Tone Building" page.
Alex Turner uses a Fender Silverface Twin Reverb for performances with Arctic Monkeys. While not his main amplifier, the amp can be seen used sporadically throughout live concerts/shows as well as recording sessions. Alex also uses the amp during The Last Shadow Puppets second tour. During the bands “Humbug” era, John Ashton uses the amp for his guitar rig and during the “AM” era Tom Rowley uses the amp for his.
The Fender Silverface Twin Reverb is crystalline, versatile, and packed to the gills with punch. The loudest of the company's original line of amps, this model was designed with 6L6 tubes. The Twin's dual Normal/Vibrato channel design is outfitted with three-band EQs and Bright switches for compensation at higher volumes on each side and controls for speed/intensity/reverb. Stacked with headroom, this leviathan can handle the nastiest dirtboxes with the Master volume knob which is unique to the Silverface.
Pictured is Alex Turner during Arctic Monkeys performance at the 2012 Olympics in London, England while they performed a cover of The Beatles “Come Together” and “I Bet You Look Good On The Dancefloor.” Turner can be seen using his Silverface and his Fender Blackface Twin Reverb for a duel set up with both of them at different settings ran at the same time with his Les Paul.
In a photo taken by Chris Sikich at The Fillmore in Philadelphia in 2015, Dan Auerbach can be seen using a 1970s Fender Silverface Twin Reverb amplifier during a performance with The Arcs. The amp features a distinctive logo design on the faceplate, matching the one described in a Premier Guitar article on taming a Twin Reverb.
In this picture you can see George using this amp which was used on "Let It Be" and "Abbey Road".
Johnny Marr is seen using a 1970s Fender Silverface Twin Reverb amplifier, as noted in the Smithsonguitar article "Smiths On Guitar: Johnny Marr's Gear."
In this already long known footage from the rooftop concert and the Abbey Road studio sessions we can see Lennon and George using Twin Reverb amps, more info about the consistent use of Silverface Twin Reverb amps in this era can be found in the new movie "Get back" with new undisclosed footage.
Keith Richards is confirmed to use the Fender Twin Reverb Silverface amplifier, as evidenced by a studio photograph showing the distinct JBL logo on the amp's right corner. Additionally, this amplifier can be seen atop his Ampeg SVTs during the renowned Marquee Club performance.
Album Usage
The Fender 'Silverface' Twin Reverb (1972-1976) has been featured on the following albums:
Перевоплотиться
Zoloto (2024)
When The Wind Forgets Your Name
Built to Spill (2022)
Melhor do Que Parece
O Terno (2016)
ハルジオンが咲く頃
乃木坂46 (2016)
Postcards From A Young Man
Manic Street Preachers (2010)
The Hand That Feeds
Nine Inch Nails (2005)
Clouds Taste Metallic
The Flaming Lips (1995)
This Here Giraffe
The Flaming Lips (1995)
A 18' Del Sol
Luis Alberto Spinetta (1977)
Ommadawn
Mike Oldfield (1975)
The Dark Side Of The Moon (50th Anniversary) [2023 Remaster]
Pink Floyd (1973)
The Dark Side of the Moon
Pink Floyd (1973)
Let It Be (Remastered)
The Beatles (1970)
Abbey Road (Remastered)
The Beatles (1969)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Fender 'Silverface' Twin Reverb (1972-1976), it is most commonly used with the following gear.
Community setups
Show yoursSimilar
Add recommendation1 alternative for Fender 'Silverface' Twin Reverb (1972-1976), curated by the Equipboard community.
$1,669.99 - $2,199.99
More Fender Combo Guitar Amplifiers
Accessories & Related Items
Gear Guides
Most Popular Combo Guitar Amplifiers
Most Popular Brands
-
Added to Equipboard on by
kkolarGear IQ 120886
-