Three mics picked up the bass drum: a Sennhesier 602 in the kick, Neumann U47 FET on the outside, Yamaha NS10 subwoofer for low frequencies.

In the video titled "Zara Larsson - Midnight Sun (Cover by Davina Michelle)" on YouTube, Davina Michelle is seen using a Neumann U47 FET microphone, as evidenced by its appearance in both the thumbnail and throughout the video.

Used for the bass guitar on The B-52’s “Love Shack”, “Junebug” and “Bushfire”, as stated by mix engineer Dave Cook in this July 2012 Mix Online interview.

All of the Was-produced tracks were recorded analog, to a Studer A80 machine, using the studio’s early ’70s vintage API console. “I used Neumann U 87s on all of the vocals,” Cook recalls. “All the preamps were on board, in the console. I used a couple of Pultecs on drums, and probably dbx 160s on their vocals; [Shure SM] 57s on guitar amps and a Neumann U 47 fet on the bass amp, as well as a DI. The biggest challenge was to get the vocals isolated so we could get all the punches we needed. Later we would do doubles and fixes, and add the horns. I remember we listened very quietly on Auratones while doing vocals. Don was very focused on the vocals, and he heard pitch best when he listened quietly on small speakers. It is a method I’ve used myself ever since.”

According to this February 26, 2015 R / E / P forum thread reply by user gtoledo3, a Mix article specified that the U47 FET was used for Who's Zoomin' Who.

For what it's worth, the Aretha Franklin album 'Who's Zoomin' Who' is said to have used a 47fet [sic] in one of the Mix Magazine 'Classic Tracks' articles.

Nicolas Chassagne of the band Kyo uses the Neumann U47 FET microphone, as evidenced by Neumann's partnership with the group.

In the video "Foo Fighters Everlong: Inside the song - Warren Huart: Produce Like A Pro," at the timestamp 12:23, Bradley Cook discusses using the Neumann U47 FET microphone on the kick drum during the recording of the Foo Fighters’ song "Everlong."

Florian Dubos uses the Neumann U47 FET microphone, with Neumann being a partner of his band.

In a feature on Mojo, Ives Electric discusses their use of the Neumann U47 FET microphone in their recording sessions.

Benjamin Nominet used the Neumann U47 FET microphone during the recording of "Slave Design" to manage maximum sound pressure levels, particularly for screaming vocals. This is supported by a photo shared on Instagram by Sybreed, which features the caption: "Year 2004 ... Recording 'Slave Design' with Claude Lander at @taurus_studio_geneve and The Drone Studio."

"Earl Harvin's kick drum, double-miked with a Neumann FET47 (left) and Yamaha NS10 woofer." - Sound On Sound

One of two microphones used for his feature on Pete Rock's "Tha Game", as is visible in Soul Survivor's documentary at 2:12 and 4:09.

Used for the baritone saxophone on Donald Fagen's Morph the Cat, as stated by mix engineer Elliott Scheiner in this August 2006 Sound on Sound interview.

According to Elliott Scheiner, the following mics were used on the Morph The Cat recording sessions.

• Kick drum: AKG D112.
• Snare: SM57 (only on top).
• Hi-hat: Neumann KM81 or 84.
• Toms: Audio-Technica ATM25.
• Overheads: Neumann U67.
• Room mics: Electrovoice RE20.
• Electric guitar: Shure SM57 right on speaker cone.
• Piano: 2x AKG C12 mics, about 12 inches from the strings.
• Trumpet and trombone: Coles ribbon.
• Tenor sax: Neumann U67.
• Baritone sax: Neumann FET47.