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Average Price: $7,206
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$100
$401+
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Price History
Based on price data from 6 merchants for "Neumann U67". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Step into the golden era of music with the Neumann U67, a faithful recreation of the iconic tube condenser microphone that defined the sound of the 1960s. Crafted meticulously in Germany, this reissue delivers the same silky smooth character, exceptional versatility, and stellar performance that made the original a studio workhorse for over a decade.
The U67 comes armed with three selectable polar patterns for maximum flexibility. You can easily capture intimate vocals or distant room mics with a simple turn of a dial. The cardioid setting is perfect for focused recording of single instruments or vocals, while the omnidirectional pattern picks up sound evenly from all directions, making it ideal for ambient room mics.
Neumann has painstakingly recreated the U67 using archived documentation and new-old stock components, matching the original's specifications. A redesigned power supply meets modern safety standards while delivering the same sonic performance. Don't let the vintage style of the U67 fool you; it's a thoroughly modern mic ready for any recording challenge with a maximum SPL of 124dB.
From the nickel-plated brass body to the vintage-style suspension mount, every aspect of this microphone exudes premium quality and attention to detail. The Neumann U67 reissue offers an excellent blend of vintage character and modern performance, making it an enviable addition to any home or project studio.
Key Features:
- A faithful reissue of the iconic Neumann U67 tube condenser microphone
- Three selectable polar patterns: cardioid, omnidirectional, and figure-8
- High SPL handling for recording loud instruments
- Premium components meticulously reproduced to match the original's specifications
- Redesigned power supply that meets modern safety standards
- Nickel-plated brass body with vintage-style suspension mount
- Handcrafted in Germany.
Product specs
| Microphone Type | Tube Condenser |
| Mono/Stereo | Mono |
| Polar Pattern | Cardioid, Figure-8, Omnidirectional |
| Frequency Response | 20Hz-20kHz |
| Max SPL | 114dB SPL (124dB with pad) |
| Output Impedance | 200 ohms |
| Sensitivity | 24 mV/Pa (cardioid) |
| Self Noise | 17dB (A weighted, cardioid) |
| Low Cut Filter | 100Hz |
| Pads | -10dB |
| Tube | EF86 |
| Power Source | External power supply NU 67 V |
| Connector | 7-pin DIN to power supply, XLR out |
| Dimensions | 7.87" x 2.2" |
| Weight | 1.23 lbs. |
| Included Accessories | Shockmount, Multi-pin cable, Carrying Case |
FAQs
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What are the primary applications for the Neumann U67 microphone?
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The Neumann U67 is versatile and commonly used for recording vocals, acoustic instruments, piano, and drum overheads due to its warm and detailed sound signature.
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What polar patterns does the Neumann U67 offer?
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The Neumann U67 features three selectable polar patterns: cardioid, figure-8, and omnidirectional, making it adaptable for various recording environments and applications.
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What is the frequency response range of the Neumann U67?
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The Neumann U67 has a frequency response range of 20Hz to 20kHz, providing a full and balanced sound suitable for capturing a wide array of audio sources.
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Does the Neumann U67 require an external power source?
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Yes, the Neumann U67 requires an external power supply, specifically the NU 67 V, to operate its tube circuitry.
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How does the Neumann U67 handle high sound pressure levels?
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The Neumann U67 can handle a maximum sound pressure level of 114dB SPL, or 124dB with the -10dB pad engaged, making it suitable for loud sound sources.
Videos
Georg Neumann GmbH
The Neumann U 67 Set (2018)
The Neumann U 67 Set (2018)
Georg Neumann GmbH
Neumann U67 Reissue v.s. Vintage U67 Shootout | Microphone | Vintage King
Vintage King
Test 14 Neumann U67 Tube Microphone Acoustic Guitar Noah Needleman
Modern Mics
Mic Shootout #2 - Neumann U67, Neumann U47, AKG C12, Telefunken ELA M 251
Orange Room
1.000 Euro gegen 6.000 Euro - Röhrenmikrofon Oktava MKL 5000 vs Neumann U67 (Test/Review/Vergleich)
The Soundphile
Slate ML-1 (Blackbird) vs Neumann U67 | The Sierra Sessions
Records On Top
Neumann U67 im Test - The Soundphile (1/3) - Vorstellung
The Soundphile
mic comparison: Neumann U67 reissue vs. U89 on vocals, acoustic guitars and mandolin
Robert Hasleder
Neumann U67 Unboxing & Hands On | Gear Time
TheStonehengeStudio
Neumann U67 im Test - The Soundphile (3/3) - Fazit
The Soundphile
Reviews
PROS
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Warm, fat sound quality enhances recordings
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Functions well with any pre-amp
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Realistic sound reproduction; brings recordings to life
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Captures body and tonality without sibilance
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Smooth "round" top end, comfortable for bright boosts
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Versatile; excellent for vocals, overheads, and instruments
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Open, 3-dimensional sound for female vocals
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Iconic, with a rich history in pop music
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High sound reproduction and quality craftsmanship
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Smooth and alive sound across various applications
CONS
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High price point may be prohibitive
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Some reviews suggest the reissue may need modifications to match the original's character
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Quality of modern capsules and tubes in reissue considered inferior by some
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Neumann U67.
Comparisons
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The Lewitt LCT 1040 in "Dark Tube" mode shares qualities with the U67, despite being derived from the C12 lineage.
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The Beyerdynamic M160 and Lauten Atlantis are noted for their lush sound quality, overlapping with the U67's sonic territory.
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Mojave mics are recommended for those seeking a sound closer to the U67's bass response, offering a more even tone at potentially lower cost.
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Building a U67 clone is feasible due to availability of parts, unlike U47s where VF14 tubes are rare and expensive.
Source
Use cases and applications
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The Sennheiser MD441 offers richness and smoothness similar to the U67 despite its different design.
Source
Mods and upgrades
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The Beesneez BU67-269 includes an internal dip switch for a M269-style broadcast filter, altering its sonic signature.
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"Max Mod 67" alters TLM67 to enhance sound, specifically targeting bass response, but may impact resale value substantially.
Source -
A specific cable modification is rumored to enhance the U67 reissue's sound by restoring bass, but detailed information is scarce.
Source
Critic Reviews
5.0 out of 5
Based on 0 Reviews and 5 Ratings
Artist usage
Add artist
Toni Torres uses the original Neumann U67 microphone from the 1970s, complete with its original Neumann power supply, as documented by HCTSound.
The leakage on Heartbreaker is good leakage, 'cause it was a nice room,” he stresses. "It was a [Neumann] 67 on the guitar and a 47 on his voice, and two 67s on the drums and a [AKG] D12 on the bass drum. But most of the drum sound you're hearing — probably about 70 percent — is coming through the guitar and the vocal.
Used on A Thousand Kisses Deep, as stated by recording engineer Joe Chicarelli in this December 1, 2003 Electronic Musician interview.
What mic were you using on trumpet?
Mostly a Royer 121, which you wouldn't expect to work in that situation because it's bidirectional. You'd think there would be a lot of bleed into the back of the mic. I tried it because I've used Royers on trumpets before and they sound nice and warm. On some songs, Chris thought the Royer was a little too dark, so we ended up using a Neumann U 67. But overall, I liked the Royer, especially for muted trumpet, which can sometimes get a little nasty in the midrange. We also used a Sony C37A for some songs; I remembered it was Herb Alpert's favorite trumpet mic!
Used for the saxophone on Angelique Kidjo's Remain in Light cover album, in addition to the flute on "Listening Wind", as stated by engineer Ryan Nasci in this May 14, 2018 Mix Online interview.
“Listening Wind” also features Martín Perna from afrobeat group Antibalas on flute. “I captured flute with a Neumann U67, and I was running it through a Korg SDD-3000 delay,” Nasci recalls. “I had an aux on the board, so I was able to ride the delays as he was playing live.”
The Antibalas horn players also contribute trumpet, saxophone and trombone parts on the album. Nasci set them up in the dead room with a Royer 121 on Todd Simon’s trumpet, Neumann U67 on Perna’s sax and Shure SM57 on Raymond Mason’s trombone. “I also placed an R88 in the live room, to get that intense live room sound,” Nasci says.
In the video titled "Lilo & Stitch | The Music of Lilo & Stitch | In Theaters May 23" by Disney on YouTube, Zyah Rhythm is seen recording vocals using the Neumann U67 microphone at 2:31. This recording session was for the cover of "Burning Love" by Elvis Presley, featured in the live-action "Lilo & Stitch" movie, with the song produced by Bruno Mars, who is Zyah's uncle.
In the video "Foo Fighters Everlong: Inside the song - Warren Huart: Produce Like A Pro," at 17:43, Bradley Cook mentions using the Neumann U67 microphone for capturing vocals during the recording of the Foo Fighters' song "Everlong."
In a photo posted on April 26, 2018, by Michał Wasyl on Instagram, a Neumann U67 microphone is visible in his studio.
Used for the tenor saxophone on Donald Fagen's Morph the Cat, as stated by mix engineer Elliott Scheiner in this August 2006 Sound on Sound interview.
According to Elliott Scheiner, the following mics were used on the Morph The Cat recording sessions.
- Kick drum: AKG D112.
- Snare: SM57 (only on top).
- Hi-hat: Neumann KM81 or 84.
- Toms: Audio-Technica ATM25.
- Overheads: Neumann U67.
- Room mics: Electrovoice RE20.
- Electric guitar: Shure SM57 right on speaker cone.
- Piano: 2x AKG C12 mics, about 12 inches from the strings.
- Trumpet and trombone: Coles ribbon.
- Tenor sax: Neumann U67.
- Baritone sax: Neumann FET47.
Used for the tenor saxophone on Donald Fagen's Morph the Cat, as stated by mix engineer Elliott Scheiner in this August 2006 Sound on Sound interview.
According to Elliott Scheiner, the following mics were used on the Morph The Cat recording sessions.
- Kick drum: AKG D112.
- Snare: SM57 (only on top).
- Hi-hat: Neumann KM81 or 84.
- Toms: Audio-Technica ATM25.
- Overheads: Neumann U67.
- Room mics: Electrovoice RE20.
- Electric guitar: Shure SM57 right on speaker cone.
- Piano: 2x AKG C12 mics, about 12 inches from the strings.
- Trumpet and trombone: Coles ribbon.
- Tenor sax: Neumann U67.
- Baritone sax: Neumann FET47.
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Album Usage
The Neumann U67 has been featured on the following albums:
Lioness Lullabies
Alan Gogoll (2025)
Automatic Yes (feat. John Mayer)
John Mayer & Zedd (2024)
Get Behind The Mule (Spiritual)
Tom Waits (2024)
Desiderium
Somnuri (2023)
Hackney Diamonds
The Rolling Stones (2023)
Deceivers
Arch Enemy (2022)
Right Where I Belong (Single from "Brian Wilson: Long Promised Road Soundtrack")
Jim James & Brian Wilson (2021)
Superwolves
Bonnie 'Prince' Billy & Matt Sweeney (2021)
FEVER
Thomas Dybdahl (2020)
Play Wooden Child
Nodding God (2019)
Anthem Of The Peaceful Army
Greta Van Fleet (2018)
Dictator
Scars on Broadway (2018)
Electric Ladyland - 50th Anniversary Deluxe Edition
Jimi Hendrix (2018)
The Beatles
The Beatles (2018)
Eternity
Benjamin Clementine (2018)
Bohemian Rhapsody (The Original Soundtrack)
Queen (2018)
The Switch
Body/Head (2018)
I Tell A Fly
Benjamin Clementine (2017)
Turn Out the Lights
Julien Baker (2017)
Sobrestar
Jorge Stojan (2017)
Changes
Charles Bradley (2016)
Coconut Rock
Ocote Soul Sounds (2016)
To Pimp A Butterfly
Kendrick Lamar (2015)
Another Country
Rod Stewart (2015)
The Waterfall
My Morning Jacket (2015)
b'lieve i'm goin down...
Kurt Vile (2015)
Drones
Muse (2015)
In The Lonely Hour
Sam Smith (2014)
Would You Fight For My Love?
Jack White & Jack White (2014)
Random Access Memories
Daft Punk & Daft Punk (2013)
The 1975
The 1975 (2013)
Blunderbuss
Jack White & Jack White (2012)
I'm Shakin'
Jack White & Jack White (2012)
Helplessness Blues
Fleet Foxes (2011)
The Fall
Norah Jones (2009)
Sex On Fire
Kings of Leon (2009)
Only By The Night
Kings of Leon (2008)
The Reminder (Deluxe Version)
Feist (2008)
Because Of The Times
Kings of Leon (2007)
Venus Doom (Deluxe Version)
HIM (2007)
Icky Thump
The White Stripes & Jack White & Jack White (2007)
Mama Tried/ Pride In What I Am
Merle Haggard (2006)
Continuum
John Mayer (2006)
I Bet You Look Good On The Dancefloor
Arctic Monkeys (2005)
Jagged Little Pill (Acoustic)
Alanis Morissette (2005)
Daughters
John Mayer (2004)
A Thousand Kisses Deep
Chris Botti (2003)
Mama's Gun
Erykah Badu (2000)
Two Against Nature
Steely Dan (2000)
Livefields
Toto (1999)
...Baby One More Time (Digital Deluxe Version)
Britney Spears (1999)
The Colour And The Shape
Foo Fighters (1997)
Jagged Little Pill
Alanis Morissette (1995)
None
Meshuggah (1994)
What's Love Got to Do with It?
Tina Turner (1993)
Bone Machine (2023 Remaster)
Tom Waits (1992)
Nevermind
Nirvana (1991)
Prison Bound
Social Distortion (1988)
Graceland
Paul Simon (1986)
Southern Cross / Into the Darkness
Crosby, Stills & Nash (1982)
Thriller
Michael Jackson (1982)
Back In Black
AC/DC (1980)
Ol' Blue Eyes Is Back
Frank Sinatra (1973)
Exile On Main Street (Deluxe Version)
The Rolling Stones (1972)
Let It Be (Remastered)
The Beatles (1970)
Suite: Judy Blue Eyes / Long Time Gone
Crosby, Stills & Nash (1969)
Abbey Road (Remastered)
The Beatles (1969)
Electric Ladyland
Jimi Hendrix (1968)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Neumann U67, it is most commonly used with the following gear.
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