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Average Price: $7,206
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$100
$401+
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Price History
Based on price data from 6 merchants for "Neumann U67". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Step into the golden era of music with the Neumann U67, a faithful recreation of the iconic tube condenser microphone that defined the sound of the 1960s. Crafted meticulously in Germany, this reissue delivers the same silky smooth character, exceptional versatility, and stellar performance that made the original a studio workhorse for over a decade.
The U67 comes armed with three selectable polar patterns for maximum flexibility. You can easily capture intimate vocals or distant room mics with a simple turn of a dial. The cardioid setting is perfect for focused recording of single instruments or vocals, while the omnidirectional pattern picks up sound evenly from all directions, making it ideal for ambient room mics.
Neumann has painstakingly recreated the U67 using archived documentation and new-old stock components, matching the original's specifications. A redesigned power supply meets modern safety standards while delivering the same sonic performance. Don't let the vintage style of the U67 fool you; it's a thoroughly modern mic ready for any recording challenge with a maximum SPL of 124dB.
From the nickel-plated brass body to the vintage-style suspension mount, every aspect of this microphone exudes premium quality and attention to detail. The Neumann U67 reissue offers an excellent blend of vintage character and modern performance, making it an enviable addition to any home or project studio.
Key Features:
- A faithful reissue of the iconic Neumann U67 tube condenser microphone
- Three selectable polar patterns: cardioid, omnidirectional, and figure-8
- High SPL handling for recording loud instruments
- Premium components meticulously reproduced to match the original's specifications
- Redesigned power supply that meets modern safety standards
- Nickel-plated brass body with vintage-style suspension mount
- Handcrafted in Germany.
Product specs
| Microphone Type | Tube Condenser |
| Mono/Stereo | Mono |
| Polar Pattern | Cardioid, Figure-8, Omnidirectional |
| Frequency Response | 20Hz-20kHz |
| Max SPL | 114dB SPL (124dB with pad) |
| Output Impedance | 200 ohms |
| Sensitivity | 24 mV/Pa (cardioid) |
| Self Noise | 17dB (A weighted, cardioid) |
| Low Cut Filter | 100Hz |
| Pads | -10dB |
| Tube | EF86 |
| Power Source | External power supply NU 67 V |
| Connector | 7-pin DIN to power supply, XLR out |
| Dimensions | 7.87" x 2.2" |
| Weight | 1.23 lbs. |
| Included Accessories | Shockmount, Multi-pin cable, Carrying Case |
FAQs
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What are the primary applications for the Neumann U67 microphone?
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The Neumann U67 is versatile and commonly used for recording vocals, acoustic instruments, piano, and drum overheads due to its warm and detailed sound signature.
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What polar patterns does the Neumann U67 offer?
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The Neumann U67 features three selectable polar patterns: cardioid, figure-8, and omnidirectional, making it adaptable for various recording environments and applications.
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What is the frequency response range of the Neumann U67?
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The Neumann U67 has a frequency response range of 20Hz to 20kHz, providing a full and balanced sound suitable for capturing a wide array of audio sources.
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Does the Neumann U67 require an external power source?
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Yes, the Neumann U67 requires an external power supply, specifically the NU 67 V, to operate its tube circuitry.
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How does the Neumann U67 handle high sound pressure levels?
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The Neumann U67 can handle a maximum sound pressure level of 114dB SPL, or 124dB with the -10dB pad engaged, making it suitable for loud sound sources.
Videos
Georg Neumann GmbH
The Neumann U 67 Set (2018)
Reviews
PROS
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Warm, fat sound quality enhances recordings
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Functions well with any pre-amp
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Realistic sound reproduction; brings recordings to life
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Captures body and tonality without sibilance
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Smooth "round" top end, comfortable for bright boosts
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Versatile; excellent for vocals, overheads, and instruments
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Open, 3-dimensional sound for female vocals
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Iconic, with a rich history in pop music
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High sound reproduction and quality craftsmanship
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Smooth and alive sound across various applications
CONS
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High price point may be prohibitive
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Some reviews suggest the reissue may need modifications to match the original's character
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Quality of modern capsules and tubes in reissue considered inferior by some
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Neumann U67.
Comparisons
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The Lewitt LCT 1040 in "Dark Tube" mode shares qualities with the U67, despite being derived from the C12 lineage.
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The Beyerdynamic M160 and Lauten Atlantis are noted for their lush sound quality, overlapping with the U67's sonic territory.
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Mojave mics are recommended for those seeking a sound closer to the U67's bass response, offering a more even tone at potentially lower cost.
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Building a U67 clone is feasible due to availability of parts, unlike U47s where VF14 tubes are rare and expensive.
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Use cases and applications
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The Sennheiser MD441 offers richness and smoothness similar to the U67 despite its different design.
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Mods and upgrades
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The Beesneez BU67-269 includes an internal dip switch for a M269-style broadcast filter, altering its sonic signature.
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"Max Mod 67" alters TLM67 to enhance sound, specifically targeting bass response, but may impact resale value substantially.
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A specific cable modification is rumored to enhance the U67 reissue's sound by restoring bass, but detailed information is scarce.
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Critic Reviews
5.0 out of 5
Based on 0 Reviews and 5 Ratings
Artist usage
Add artist
Used for vocals on Mama's Gun, as stated by engineer Russell Elevado in this July 21, 2017 Crack interview.
I used the Neumann U47 and U67 quite a lot on Erykah’s vocals as well as on drums and bass. I also used the RCA 44-B ribbon mic to record Roy Hargrove’s horns. The RCA 44-B microphone is from the 50s and the Neumann microphones from the 60s.
All of the mics would go through vintage mic preaamps like Neve and Telefunken.
I also used an Ampeg B-15 amplifier for the bass, and vintage Pultec tube equalisers.
In a photo from Vladtv, Nas is pictured with a Neumann U67 microphone alongside Mariah Carey.
Used on Electric Ladyland, as stated by recording engineer Eddie Kramer in this November 2005 Sound on Sound interview.
While Hendrix's amp was screened off in the studio and miked with Neumann U67s, Mitch Mitchell's kit was positioned on a riser within a roofed, open-sided booth to give it depth and miked with a combination of U67s and AKG C12s.
Mentioned by sound engineer Bob Norberg in Mix Online article about "Mama Tried".
"We always cut Merle's vocal with a U67. Buck Owens, too."
In the second picture on his Instagram post, Grant Nicholas is seen in his studio using a Neumann U67 microphone.
This article states that Jerry's studio includes "AKG 414 (2), C451E (2), and D12 (2); EV RE18 (2) and RE20; Neumann KM86i (2), KM88i (2), TLM 103 (2), U67 (2), U87 (2), and U89i (2); Sennheiser 421 (4); and Shure SM57 (4), SM7B, and SM58."
Used to record the vocals on "Suite: Judy Blue Eyes", as stated by engineer Bill Halverson in this August 2010 Sound on Sound interview.
"After Stephen had recorded his acoustic guitar part, he, David and Graham were ready to sing, and for that I was ready. We had done all kinds of jingles in the little room at Heider's, from the Anita Kerr singers to Jan and Dean, and so I just took the Neuman U67, opened it all the way around [ie. put it into omni mode], gave them three sets of headphones and went, 'Sing!' Singing into the one mic, they moved around a bit. They didn't need any music; they were rehearsed, they knew the lyrics, and while harmonising with each other they were also in the process of amazing each other."
Used for the electric guitar on Superwolves, as stated by Daniel Schlett in this May 21, 2021 Mix article.
“The first day or two was just those guys capturing songs, some acoustic and mellow and some of them with Matt’s electric guitar,” Schlett recalls. He captured Oldham’s vocal with a vintage Neumann U47 into a Neve 1070 mic preamp. Sweeney’s guitar amp was miked up with a U67 into an ADL 670 or UREI Silver 1176 compressor/limiter.
“The ADL 670 would have been used on the vocal. Will’s vocal is the only thing I put through a Neve pre,” Schlett says. “Everything else went through the pre’s in our API Legacy console.
While recording 'Venus Doom' Producer Tim Palmer said: 'A Neumann U67. It has a really warm, full sound, and, if you crank the preamp, the mic distorts beautifully when the vocalist screams'
Album Usage
The Neumann U67 has been featured on the following albums:
Lioness Lullabies
Alan Gogoll (2025)
Automatic Yes (feat. John Mayer)
John Mayer & Zedd (2024)
Get Behind The Mule (Spiritual)
Tom Waits (2024)
Desiderium
Somnuri (2023)
Hackney Diamonds
The Rolling Stones (2023)
Deceivers
Arch Enemy (2022)
Right Where I Belong (Single from "Brian Wilson: Long Promised Road Soundtrack")
Jim James & Brian Wilson (2021)
Superwolves
Bonnie 'Prince' Billy & Matt Sweeney (2021)
FEVER
Thomas Dybdahl (2020)
Play Wooden Child
Nodding God (2019)
Anthem Of The Peaceful Army
Greta Van Fleet (2018)
Dictator
Scars on Broadway (2018)
Electric Ladyland - 50th Anniversary Deluxe Edition
Jimi Hendrix (2018)
The Beatles
The Beatles (2018)
Eternity
Benjamin Clementine (2018)
Bohemian Rhapsody (The Original Soundtrack)
Queen (2018)
The Switch
Body/Head (2018)
I Tell A Fly
Benjamin Clementine (2017)
Turn Out the Lights
Julien Baker (2017)
Sobrestar
Jorge Stojan (2017)
Changes
Charles Bradley (2016)
Coconut Rock
Ocote Soul Sounds (2016)
To Pimp A Butterfly
Kendrick Lamar (2015)
Another Country
Rod Stewart (2015)
The Waterfall
My Morning Jacket (2015)
b'lieve i'm goin down...
Kurt Vile (2015)
Drones
Muse (2015)
In The Lonely Hour
Sam Smith (2014)
Would You Fight For My Love?
Jack White & Jack White (2014)
Random Access Memories
Daft Punk & Daft Punk (2013)
The 1975
The 1975 (2013)
Blunderbuss
Jack White & Jack White (2012)
I'm Shakin'
Jack White & Jack White (2012)
Helplessness Blues
Fleet Foxes (2011)
The Fall
Norah Jones (2009)
Sex On Fire
Kings of Leon (2009)
Only By The Night
Kings of Leon (2008)
The Reminder (Deluxe Version)
Feist (2008)
Because Of The Times
Kings of Leon (2007)
Venus Doom (Deluxe Version)
HIM (2007)
Icky Thump
The White Stripes & Jack White & Jack White (2007)
Mama Tried/ Pride In What I Am
Merle Haggard (2006)
Continuum
John Mayer (2006)
I Bet You Look Good On The Dancefloor
Arctic Monkeys (2005)
Jagged Little Pill (Acoustic)
Alanis Morissette (2005)
Daughters
John Mayer (2004)
A Thousand Kisses Deep
Chris Botti (2003)
Mama's Gun
Erykah Badu (2000)
Two Against Nature
Steely Dan (2000)
Livefields
Toto (1999)
...Baby One More Time (Digital Deluxe Version)
Britney Spears (1999)
The Colour And The Shape
Foo Fighters (1997)
Jagged Little Pill
Alanis Morissette (1995)
None
Meshuggah (1994)
What's Love Got to Do with It?
Tina Turner (1993)
Bone Machine (2023 Remaster)
Tom Waits (1992)
Nevermind
Nirvana (1991)
Prison Bound
Social Distortion (1988)
Graceland
Paul Simon (1986)
Southern Cross / Into the Darkness
Crosby, Stills & Nash (1982)
Thriller
Michael Jackson (1982)
Back In Black
AC/DC (1980)
Ol' Blue Eyes Is Back
Frank Sinatra (1973)
Exile On Main Street (Deluxe Version)
The Rolling Stones (1972)
Let It Be (Remastered)
The Beatles (1970)
Suite: Judy Blue Eyes / Long Time Gone
Crosby, Stills & Nash (1969)
Abbey Road (Remastered)
The Beatles (1969)
Electric Ladyland
Jimi Hendrix (1968)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Neumann U67, it is most commonly used with the following gear.
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