At 9:54 of The Making Of Superman, Jon uses the AKG Pro Audio C414 XLII to record piano, and later used it to record his vocals that turned into the guitar solo. After carefully looking, the writing and grill both look gold rather than silver, hence making it the XLII and not the XLS

Pewdiepie recently switched from a Rode NT1 to a AKG C 414 XLII as seen in this video. You can tell it's the XLII version and not the XLS or any other version of the C414 like the AKG C414-B XLS because of the gold font present on the mic on the front and back of the mic. It's easiest to see it at 0:00-0:57 in the video. Another way to identify it's a XLII is because of the gold tint on the front of the mic as opposed to the XLS's silver tint. It's harder to see the tint because Pewdiepie turned the mic around to be able to speak into it but you can still clearly see the gold tint outlined on the top of part of the microphone when it is turned around.

"We made the first half of the record in my spare room in Highland Park, and I can tell you, every vocal besides 'The Dress' was done on an AKG C414 and run just through a [Heritage] 1073, and that's it. We learned it with 'Big Mike's,' but I always made sure the polar pattern was omni and I would always make it as hot as possible without it initially [clipping]."

Ken Andrews mentions using the AKG C414 XL II for vocals and acoustic guitar in his setup, as detailed in a user-uploaded photo on Imgur.

At 4:50 he says that he use an AKG C 414 XL II Condenser Mic for his amp

In a TikTok video by keshi, at the 00:20 timestamp, he is visibly using AKG C414s [unspecified].

In the YT video you can first see the mic from the back at around 0:20. Then again at 0:28 and 0:32, there, the golden front grill is more noticeable, and it distinguishes itself from the AKG C414 XLS.

he is using the AKG C414 XLS in all of his One take videos

At 0:16 she uses an AKG C 414 microphone

she is seen using this to record her vocals in this vlog.

Among the mics Terry Bozzio uses on his kit is the AKG 414, which is primarily used in solo pieces or jazz/classical numbers for ambience.

Used for overheads on "Beggin", as described by Alessandro Marcantoni in this October 2021 Sound on Sound interview.

Working from memory, old gear lists and photos, and the track names in his mix session for ‘Beggin’, Marcantoni retraces his steps, both for the recordings and the mixing. “For the kick I would have used a Shure Beta 52A on the inside, a Neumann U47 [FET] on the outside, and a Royer Labs R‑122 placed close to the kick drum pointing to the snare, for a mono drum kit track. On the snare I used a Shure SM57 at the top, and a Shure Beta 57 at the bottom. I duplicated the top snare track to create another effect setting for the rimshots.

“In addition I had one Neumann KM‑184 for hi‑hat and another KM‑184 for the ride cymbal, a couple of AKG C414 XLII mics as overheads, and two Neumann U87s for ambience. The toms had Beyerdynamic Opus 87 mics. I would have avoided the Yamaha desk for the recording chains, so the mics would have gone through external mic pres. I most likely would have used API 512C’s for the kick and the snare, and Focusrite ISA 828/430 for the other drum tracks. They would have gone into the Apogee Symphony MkI, and the Avid HD I/O.