Pricing and availability
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Average Price: $1,096
High-end/Boutique
$100
$401+
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Price History
Based on price data from 6 merchants for "AKG C414 XL II". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
The AKG C414 XL II condenser microphone is a versatile musical instrument that offers nine switchable polar patterns, making it suitable for a broad range of applications. With its rich heritage from the legendary AKG C12, the C414 XL II is designed to provide a slight presence boost and the spatial reproduction capability that makes vocals and solo instruments stand out in a dense mix.
Not only does it offer a wide frequency range, but it also includes three bass cut filters and four pre-attenuation levels, allowing you to fine-tune the microphone to your needs. This microphone also features an impressive 134dB dynamic range, capturing every nuance from subtle sounds to loud peaks.
The C414 XL II comes with a peak hold LED that detects and displays overload peaks instantly, ensuring that you maintain optimal gain structure for clean, transparent results. Handcrafted in Austria with AKG's legendary standards of quality, this microphone pairs a robust metal body with premium electronic components for years of flawless performance.
Key Features:
- Nine switchable polar patterns for versatile application
- Lock mode disables all controls for live and installation use
- Dynamic range of 152dB
- Three bass cut filters and pre-attenuation levels
- Peak hold LED for instant overload detection
- Includes carrying case, pop filter, windscreen, and spider-type shock mount
- Frequency range: 20Hz-20kHz
- Pre-attenuation pad: 0dB, -6dB, -12dB, -18dB, switchable
- Bass cut filter slope: 12dB/octave at 40Hz and 80Hz; 6dB/octave at 160Hz
- Requires 48-volt phantom power
Owner's manual
AKG C414 XL II User ManualProduct specs
| Microphone Type | Condenser |
| Polar Pattern | Omni, Wide Cardioid, Cardioid, Hypercardioid, Figure-8 |
| Diaphragm Size | 1" (25.4mm) |
| Frequency Response | 20Hz-20kHz |
| Max SPL | 140dB SPL (158dB w/18dB Pad) |
| Output Impedance | 200 ohms |
| Signal to Noise Ratio | 88dB A weighted |
| Dynamic Range | 134dB min |
| Self Noise | 6dB A weighted |
| Low Cut Filter | 40Hz, 80Hz (-12dB/octave), 160Hz (-6dB/octave) |
| Pads | -6dB, -12dB, -18dB |
| Connector | XLR |
| Power Source | 48V phantom power |
| Weight | 0.66 lbs. |
| Included Accessories | Stand Mount, Shock Mount, Pop Screen, Windscreen, Carry Case |
FAQs
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What are the primary applications for the AKG C414 XLII microphone?
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The AKG C414 XLII is highly versatile, ideal for studio recording, broadcasts, and live performances. Its multiple polar patterns and open, high-resolution sound make it particularly well-suited for vocals and solo instruments.
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Does the AKG C414 XLII require phantom power?
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Yes, the AKG C414 XLII is a condenser microphone and requires 48V phantom power to operate, which is typically supplied by a preamp, mixing desk, or audio interface.
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What polar patterns are available on the AKG C414 XLII?
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The AKG C414 XLII offers five selectable polar patterns: omni, wide cardioid, cardioid, hypercardioid, and figure-8, allowing for flexibility in capturing sound from different environments and applications.
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How does the AKG C414 XLII handle high sound pressure levels?
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The AKG C414 XLII can handle a maximum sound pressure level of 140dB, or up to 158dB with the 18dB pad engaged, making it suitable for recording loud sound sources without distortion.
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What accessories are included with the AKG C414 XLII microphone?
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The AKG C414 XLII comes with a stand mount, shock mount, pop screen, windscreen, and a carry case, providing essential tools for optimal recording and protection.
Videos
Podcastage
AKG C414 XLII Microphone Review / Test (Compared to C414XLS, TLM103, U87 Ai, NT1)
Reviews
PROS
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Exceptional versatility across applications (vocals, drums, guitars)
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Selectable polar patterns offer tailored recording experiences
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Superior frequency response and accuracy for clear tracks
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Durable build quality ensures longevity
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Offers great value compared to more expensive mics
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Simplifies editing, mixing, and mastering processes
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Includes a robust accessory package (shock mount, pop filter)
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Enhanced upper frequency boost for airy and clear vocals
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Excels in recording precision for instruments and vocals alike
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Highly recommended for both home and professional studios
CONS
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Can be extremely fragile, requiring careful handling
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May produce thin-sounding male vocals without post-processing
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Sibilance ("s" sounds) may need attention during recording
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about AKG C414 XL II.
Features and functionality
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The AKG C414 XL II is frequently used in cardioid mode to focus capture on vocals, minimizing background noise in untreated rooms.
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Engaging the 80 Hz high pass filter can help reduce boominess in vocals, providing a cleaner recording in less-than-ideal acoustic environments.
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Older C414 models, like the TLII, include a transformer, which can contribute to a livelier sound, whereas the XLII lacks this feature.
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The absence of a transformer in the C414 XLII may necessitate a quality preamp to enhance sound depth, with Neve preamps often recommended for their saturated transformers.
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Setup and maintenance
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Implementing a pop filter and reflexion filter is recommended if a dedicated vocal booth is unavailable, ensuring cleaner vocal recordings.
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Use cases and applications
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The microphone's effectiveness can be enhanced with a Neve 1073 preamp, which is popular for rap and hip-hop vocal recording.
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Positioning the mic 6"-12" from the vocalist is suggested for optimal sound capture, balancing proximity effect and vocal clarity.
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The C414 XLII is praised for its ability to capture articulate and raspy vocal characteristics, similar to recordings of Freddie Mercury.
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Comparisons
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The AKG C414 TLII is noted for having a smoother, more robust sound with deeper lows compared to the C414 XLII, which can sound grainy in the high end.
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The C414 TLII has a sound profile that aligns more closely with vintage models like the C414 EB, known for their fuller and brighter sound.
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Critic Reviews
5.0 out of 5
Based on 7 Reviews and 44 Ratings
325
My "Go To Mic".
I must have no less than 10 of these. I even use it on snare with a beta 56 (tighter patters w-1k more added on the freq response). That is all I ever need, but you can add a snare bottom of that is your thing. I have never had a drummer hit one. I have even used 120 mic, an entire kit. It came out sweet. Loved it.
But aside from the obvious. My technique is for a guitar cab is: a 57 on the speaker, a 414 a few inches off (another 414 on the back if it is open back cab, and a royer ribbin (one of those $400 ribbons is cool too) a couple of feet off. My trick, is a kick mic, usually a D112 used exactly as the 57 is. I bring the 57 & D112 (type) to unison, sun them, then sum the two room based mics on a second track. I have never needed "more than this". If I have needed more, I knew before hand and used a different mic-ing approach.
This technique works very well with 2 cans facing 180 degrees apart, mic then the same way.
Guitarists are used to stereo tones at home, but want their "unicorn tone" in the studio. I have found this is the shortest distance between two points.
105
Very good
A true "workhorse" among 1000-1500$ microphones. Both vocals and instruments sound great in it
183
The best mic ever!
It took me a long time to save up for this mic, but it was well worth it! listening to all sorts of tests and shootouts...it just wasn't worth it for me to go with anything else when I KNOW I would have gotten a professional sound out of this thing. Months later, and an awesome $700 deal on Amazon, I finally got it...and I love it! I've only used it on vocals at the moment, but I've gotten nothing but praise from everyone. It's full, transparent and just sounds fantastic!
You really can't do better than this! I know it's super-pricey, but it's well-worth the price tag!
173
This is something special
For house music production I personally prefer a bit darker and crispy sound. AKG 414 XL ll give me decently what I want. Clear, darker and with brutally quality sound. I recommend it for lead vocals, saxopfone and violin
41026
its the swiss army knife that every newb expects the 57 will be
41026
although I prefer the version with the transformer or for transformerless the AT4050... but its apples and apples
275
@Jimmarchi1 what ever makes you happy mate! but this mic is a perfect Swiss army knife..i have been MacGyver in the studio with this AKGC414 TLII.
41026
its apples and apples, but side by side I always felt the 4050 had more open sounding circuitry whereas the classic transformer equipped 414 is just way better at being up front than either... they are all great mics... if you've never tried an at4050 though, give her a whirl next time you're in a studio that has one or two, very underrated multi-pattern
41026
best mic? dunno… a swiss army knife of condensers? sure
83
I wrote my experience. It gives very clear sound (catch everything nice, lows-mids-highs), so you can mix vocals in way you want. I don't know about recording instruments, but for vocal recording is top.
Artist usage
Add artist
"He also used a Fender Bassman on about four songs and a Vox AC30 for some clean tracks. Four microphones were used to mic Kurt's speaker cabinet (he would pick which mic he liked best for each song and its signal was sent through the Neve console at Sound City): a Shure SM57, an AKG 414, a Neumann U87, and occasionally a Sennheiser 421. His main effects were the DS-1 Distortion and Small Clone. A ProCo Rat distortion pedal was also used on some songs on the album (6). "
Billie Joe Armstrong uses multiple AKG C414 XL II condenser microphones, as evidenced by a user-uploaded photo of his setup.
In this video, you can see Tyler using the AKG C 414 XL II Condenser Mic to record percussion for the song Redecorate
Kanye West is seen utilizing an AKG C414 XL II microphone during a recording session in a crowd, as captured in an Instagram post by rapperscaptured, showcasing his creative process.
In an article found on Universal Audio's site, producer/engineer Rik Simpson is interviewed on what gear he used to record Coldplay for their Viva La Vida album. When asked about the signal chain for Chris Martin's vocals in the studio, he mentions how Chris Martin really likes the AKG C 414 XL II Condenser Microphone. Rik Simpson says, "I don't use any other outboard gear when recording. It depends--Chris is a big fan of the [AKG] 414, so we use that a fair bit. He does a lot of vocals in the control room these days as well, with the monitors on, so I don't always like using a condenser mic for that. I'll use a dynamic, like a Shure SM-7 or something. We did use some other mikes other than the 414 as well, but the 414 generally seems to capture what he's about. It keeps it very organic, and earthy, and simple."
Original article link here.
Taylor Swift is confirmed to use the AKG C414 XL II microphone, for her guitar, not her vocals, as evidenced by its use during the recording "Folklore: The Long Pond Studio Sessions" available on Disney+.
In the description of Collier's cover of Close to You by The Carpenters, he says that two of these microphones were used to record the song. During the recording for In My Room, these were used as the main instrument microphones. They could be seen as drum overheads, guitar, and percussion microphones in various YouTube videos before 2017. Since 2017, when Ben Bloomberg outfitted his room with a bunch of recording equipment, these have wandered around the room a ton. They could be seen above the piano, as a vocal mic by the piano, but most recently (as of 2020), his pair (or possibly two pairs) of 414s are used on snare.
Matt Helders can be seen using the AKG C414 as underhead mics for his cymbals on the bands tours for both "Suck It And See" and "AM" between the years 2011-2014.
The AKG C414 can be seen in this image attached taken from the Arctic Monkeys show at Firefly Music Festival in 2014.
In Edward Smith's YouTube video titled "You NEED This Microphone!! - AKG C214 vs. C414," at 0:08, Freddie Mercury is seen using the AKG C414 XL II microphone.
In the official behind-the-scenes video titled Bruno Mars - Unorthodox Jukebox: The Making Of The Album, Bruno Mars is shown using the AKG C 414 B-XLS Condenser Mic while recording his album Unorthodox Jukebox, which includes the track "Locked Out of Heaven." This footage is available on Bruno Mars' official YouTube channel.
Album Usage
The AKG C414 XL II has been featured on the following albums:
Laughter & Disaster
Emily Anderson (2024)
Absolutely
Dijon (2021)
Beggin' (Live)
Måneskin (2021)
folklore: the long pond studio sessions (from the Disney+ special) [deluxe edition]
Taylor Swift (2020)
folklore
Taylor Swift (2020)
October Skies
Hendersin (2017)
Ulterior Motifs
Jerry Galeries (2017)
Quartz Plaza
Jerry Galeries (2017)
Bathtub
Jacob Collier & Becca Stevens (2017)
In My Room
Jacob Collier (2016)
Close To You
Jacob Collier (2014)
AM
Arctic Monkeys (2013)
Unorthodox Jukebox
Bruno Mars (2012)
Suck It and See
Arctic Monkeys (2011)
Viva La Vida or Death and All His Friends
Coldplay (2008)
Amor Prohibido
Selena (1994)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use AKG C414 XL II, it is most commonly used with the following gear.
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