Used for the electric guitar on Bone Machine, as stated by engineer Biff Dawes in this February 26, 2015 Mix Online interview.

Dawes describes what he recalls about placing those mics in 1992: “Usually I would take Tom’s guitar direct and I would close mike his amp [either a Princeton Tweed or a Fender Deluxe Reverb],” he says. “Sometimes I would tape mics to the guitar, and then we would add in the more distant mics from the room. Prairie Sun has a wide selection, so we used a lot of Neumanns: U 67s, U 87s, M 49s, that kind of thing."

Says here he uses an old Fender Deluxe along with a 50 watt marshall head.

Rankin uses the Silverface Deluxe on live shows At 3:11 you can see the amp behind her.

In this video, Pete can be seen plugged into a Fender Deluxe Reverb amp.

For specific songs/effects Billy uses a silverface Delux Reverb. This amplifier is mentioned in 2019 Premier Guitar interview.

At 12:28 in this video interview, Rick Nielsen points out his 1977 Deluxe Reverbs, saying, “These are Deluxe Reverbs I have in here. I have the guts in here and these were made by Paul Rivera actually. If you look at it, it has a fat and thin switch on it, with a heavier duty transform in it and a master volume, which the normal Deluxes didn’t have.”

On the electric side, he turned to his Telecaster and a simple setup that helped to bring the whole thing together as a single piece: a Tube Screamer, a Fulltone Solid State Tape Echo, and a 1966 Fender Deluxe Reverb amp.

In the YouTube video "BAD SPELL ⚡️⚡️ Learn The Riff" by Larkin Poe, Rebecca Lovell is shown using a Fender Deluxe Reverb (original issue, 1963-1981) amplifier.

Joe Goldsmith used a Fender Deluxe Reverb (original issue, 1963-1981) for recording samples, as indicated in an Instagram story by Luke Brealey, who worked on samples for Lovejoy.

In the article "Private Collection: Great Pretender" from The Guitar Magazine, Robbie McIntosh is noted for his collection of instruments, which includes a Fender Deluxe Reverb (original issue, 1963-1981).

Hester names the gear of Wet Leg in the guitarworld.com interview

Didn’t he use your equipment on his first recording session? Yes. I was in New York, and when Riverside Records signed Wes, they brought him to town to record. I got a call from Orrin Keepnews, the head of Riverside, asking if Wes could use my guitar and amp. Wes didn’t like to fly and didn’t take his guitar on the plane. That didn’t make sense to me, but I said, “Okay,” because we were friends and I admired his playing.

I was working at the time, at the Village Vanguard I think, so I was using my L-5, but always had a couple other electrics, and so I let him have my L-7 for his first record (The Wes Montgomery Trio). I think he used my Fender Deluxe.