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Description
The Fender Deluxe Reverb, originally issued between 1963 and 1981, is a cornerstone in the world of combo guitar amplifiers. Revered for its classic tone and reliability, this amp has been a favorite among musicians for decades, capturing the hearts of both vintage enthusiasts and contemporary players. With its 22-watt power output, it strikes the perfect balance between power and portability, making it an ideal choice for gigs, studio sessions, and home practice alike.
Its all-tube circuitry delivers a warm, rich sound that is both versatile and expressive, capable of handling anything from clean, shimmering tones to gritty, soulful overdrive. The onboard spring reverb is legendary in its own right, offering lush, ambient textures that can be tailored to suit any musical style. The vibrato channel adds further depth, allowing for dynamic and immersive soundscapes.
With its durable construction and timeless design, the Fender Deluxe Reverb not only sounds great but also stands up to the rigors of regular use. Whether you're a seasoned professional or an aspiring guitarist, this amp provides the perfect platform to explore and expand your musical horizons.
Key Features:
- 22-watt all-tube power output
- Dual channels: Normal and Vibrato
- Classic spring reverb and vibrato effects
- 12-inch speaker for full-bodied sound
- Iconic Fender blackface design
- Suitable for both stage and studio use
Product specs
| Amp Type | tube |
| Onboard Reverb | yes |
Videos
Summit Guitar School by Brett
Is This Vintage Fender Deluxe Reverb Worth It ? -- How I Scored a Vintatge Amp for a Steal
Is This Vintage Fender Deluxe Reverb Worth It ? -- How I Scored a Vintatge Amp for a Steal
Summit Guitar School by Brett
Reviews
PROS
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Exceptional clean tone, rich and sparkly with the stock speaker
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Versatile gain control labeled as volume, offers saturated sound quickly
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Equipped with both Reverb and Tremolo effects, including speed and intensity controls
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Comes with an attached pedal for easy Tremolo and Reverb activation
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Features a "Drip Face" trim for a classic aesthetic
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Offers two inputs on the Normal side for different setups
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Unique AB768 circuitry in models just before the switch preferred by many
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Can be found mislabeled online, potentially leading to lower prices
CONS
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Preferred AB768 circuitry not in all models, requiring careful selection/research
5.0 out of 5
Based on 4 Reviews and 14 Ratings
5455
Favorite amp. Silverface but with the AB763 (circuitry of the Blackface)
Yep, don't let the Silverface fool you!
I did my research and the 1967 Fender Deluxe I have is juuuust before they switched to the AB768 circuitry that put people off of the Fender Silverface amps & why the Blackface Fender Deluxe is generally held in much higher regard.
I double checked again before I started writing this review to confirm I was being accurate. This amp is just magic. No volume knob, just gain (it is labeled Volume, but it's gan) & it gets saturated fairlyquick & the tone. That tone!
At lower gain its clean tone is rich a sparkly (stock speaker it came with!)
On the Normal side you've got 2 inputs, Volume (gain), Treble & Bass.
On the other channel you've got the same but also -Reverb -Speed & Intensity (for tremolo) -Attached pedal for turning on & of Tremolo & Reverb (or both)
Plus it's got that beautiful "Drip Face" trim around the Tolex.
*Pro Tip- I have seen these miscategorised on eBay and several other places and as a result sell for for cheaper than they would if they knew what they had. Do your research & you might get lucky!
It's a blast re-amping thru this guy as well. Just hit play and blend & shape the harmonics & tone...
There are of course other amps I love. Some I have some I want but this guy keeps me so happy I generally don't think about expanding my amp collection much.
I always invite more input or corrections so feel free to comment & I'll be sure & update everything
UPDATE-more insightful information in the comment below by Jimmarchi1- check it out.
41029
actually, the deluxe reverb enver changed schematically during its long original run.... while drip edge means close to blackface in most silverfaces, when it comes to princetons and deluxes the only thing in the guts that changed apart from a few component brands as suppliers changed was the positioning of the filter caps
5455
You are the rare man to know these things. For YEARS if I mention my 67 I always have someone say "nope, that's a 68 or later". I grown & try to explain. This was my attempt to speak directly to those people & hopefully hear less of that -with the knowledge I'll never change their minds on the overall BF/SF argument on a broader scale. Tried to keep it simple & address the common misunderstanding, (reason for the gratuitous "yes, I have researched this" remarks while I groaned audibly) but like the mensch you are-you filled in where I missed like always.
I just never wanna have that stupid 67/68 Backface/Silverface bullshit argument again at a gig again + it leads to the whole mythologizing amps & that culture is exhausting too me...Waxing over great tones, mods, oddball finds, etc? Love it. I could do that forever. The smug "cult of _______ amp(s)" talk? Ugh...awful.
41029
I tech amps sometimes. I've seen a lot of Deluxes. A lot.
5455
That's a set of tools I really wish I had. Never worked on amps, but I'm planning on taking my 1st stab at it as I mentioned in my review of the Roland Jazz Chorus.
41029
I would never start on a solid state, PCB amp... get a broken 50s Valco or something and Aspen Pittman's book. I honestly rarely agree to work on a PCB amp and NEVER work on solid state amps either. So much going on, so easy to burn up a trace just diagnosing a problem on some PCBs
5455
Ha, this occurred to me of course but I was feeling all ambitious- I thought hell, I know a bit-my wife is a mechanical engineer, one of my closest friends is a electric engineer & has focused his craft on everything music, I'll figure it out! 1st call to my buddy to kick things off he just said "step away from the amp".
A legend
Nothing more to say, got mine, a 67’ in the 90’s it’s a little beast from clean to dirt...
Artist usage
Add artist
In the Premier Guitar Rig Rundown, Jim Heath discusses his use of the original Fender Deluxe Reverb (1963-1981) as part of his setup.
In the attached interview with NPR, Brandi discusses much of the gear she's used, including, "for recording Fender deluxe reverb amp".
noloveforned Administrator Sr. Member
Posts: 431 View Profile
Re: Equipment « Reply #1 on: August 27, 2006, 02:59:42 PM » jason molina sent me the details of his rig, other folks in the band might follow as well:
live setup- vox: Shure SM-58 guitar: Old Les Paul Standard, 50's Danelectro, Jerry Jones Danelectro model amp: 70's Deluxe Reverb, Victoria Victorette
recording/live setup- guitar: Martin 000-28 12-string, 50's Harmony, Taylor 414, Algiers Uke amp: 60's Vibrolux Reverb, 70's Princeton Reverb, Pignose
At 1:30 he mentions using a Blackface Fender, later at just before 2:30 J.D. confirms he was talking about both a Super Reverb or Deluxe Reverb.
Now I tend to use an old Super Reverb or a Deluxe Reverb. I’ve also got these old Epiphone Futuras, Michael Bloomfield used them when he played with Bob Dylan in the 60s. It’s the shittiest sounding amp you’ve ever heard but it’s amazing. I leave the wobbly tremolo on the Epiphone on all the time and turn the reverb and tremolo on the Fender off and on using the stock footswitch.
According to her "Rig Rundown" with Premier Guitar Glaspy now (2017) uses this amp on tour.
Tracy Chapman uses a Fender Deluxe Reverb (original issue, 1963-1981) amplifier, as noted in the 2003 article by Aurélie M. on About-tracy-chapman.
Danny Kirwan has been seen in photos using a Silverface Fender Deluxe Reverb alongside Peter Green during the album "Fleetwood Mac in Chicago" in 1969.
At the beginning of this youtube video, you can see Ben Monder using a Fender Deluxe Reverb with a Lexicon LXP-1.
In this video of 'Inifinite sun' you can see the amp at 0.39
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"A little jam out on my retro rig. This woulda been the total shizz in the 80's club giggin'. #Fender #VibroluxReverb #DeluxeReverb #ibanezue405 @elliottguitars @thejamesduke #357"
One was an early ’70s Fender Deluxe Reverb. I always use those live because I think they’re the sweet spot of low wattage, but they’re still loud enough. I have one that was modded to the ’60s pre-CBS blackface that I really dig. I can get a natural sort of overdrive out of that.
Album Usage
The Fender Deluxe Reverb-Amp Original Issue (1963-1981) has been featured on the following albums:
Le Freak (Where I Wanna Be)
Blasterjaxx & Nile Rodgers (2025)
Bad Spell
Larkin Poe (2022)
Time Clocks
Joe Bonamassa (2021)
"Let's Rock"
The Black Keys (2019)
Infinite Sun
Kula Shaker (2016)
Introducing Kenny Burrell: The First Blue Note Sessions
Kenny Burrell (2000)
Bone Machine (2023 Remaster)
Tom Waits (1992)
C'est Chic (2018 Remaster)
CHIC (1978)
Blues Jam in Chicago, Vol. 2
Fleetwood Mac (1969)
Blues Jam in Chicago, Vol. 1
Fleetwood Mac (1969)
Then Play On (2013 Remaster; Expanded Edition)
Fleetwood Mac (1969)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Fender Deluxe Reverb-Amp Original Issue (1963-1981), it is most commonly used with the following gear.
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Community setups
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Add recommendation5 alternative and related items for Fender Deluxe Reverb-Amp Original Issue (1963-1981), curated by the Equipboard community.
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The Fender '64 Custom Deluxe Reverb is a handwired, reissue version of the AB763 Deluxe Reverb circuit.
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The current reissue version of the AB763 Deluxe Reverb, introduced in 1994.
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The Kitchen sink has a "Blackface" switch that when engaged, it will emulate a classic blackface or black panel fender amp.
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The Line 6 Flextone has a model named "Black Panel", which is described in its manual as being modeled after a 1964 Fender Deluxe Reverb
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jimmarchi1Gear IQ 41029
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