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Average Price: $440
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$300
$701+
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Description
The Fender Hot Rod DeVille 212 III 60W 2x12 Tube Guitar Combo Amp is a dynamic powerhouse designed for the modern guitarist who craves that classic Fender tone. With 60 watts of pure tube-driven power, this amp delivers a lush, warm sound that can fill any venue, from intimate clubs to bustling concert halls. Its dual 12" speakers ensure a rich, full-bodied sound, while the 12AX7 tube preamp provides a touch of vintage warmth and character, making it a favorite among blues, rock, and jazz musicians alike.
This amp doesn't just stop at delivering exceptional sound. It comes equipped with a classic spring reverb, adding a layer of depth and ambiance to your performance. The Hot Rod DeVille 212 III also features an easily accessible control panel, allowing for seamless adjustments on the fly. Its durable construction ensures it can withstand the rigors of touring, making it a reliable companion on the road.
Whether you're a seasoned professional or an aspiring musician, the Fender Hot Rod DeVille 212 III offers the versatility and reliability that have made it a staple in the music community. Its blend of modern features with vintage charm makes it an ideal choice for those seeking both performance and authenticity.
Key Features:
- 60 watts of all-tube power
- Dual 12" high-performance speakers
- 12AX7 tube preamp for classic warmth
- Spring reverb for added depth
- Sturdy design suitable for touring
- User-friendly control panel for quick adjustments
Product specs
| Brand | Fender |
| Model | Hot Rod DeVille 212 III 3-Channel 60-Watt 2x12" Guitar Combo |
| Finish | Black |
| Year | 2010 - 2017 |
| Made In | Mexico |
| Categories | Guitar Combo Amps |
| Built-In Effects | Built-In Effects |
| Color Family | Black |
| Electronics | Tube |
| Model Family | Fender Hot Rod Deville |
| Model Sub-Family | Fender Hot Rod Deville III |
| Number of Channels | 3 Channels |
| Number of Inputs | 2 Inputs |
| Output Power (Watts) | 60 |
| Power Tube Type | 6L6 |
| Reverb | Spring Reverb |
| Series | Fender Hot Rod Amp Series |
| Speaker Configuration | 2x12" |
FAQs
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What kind of music genres is the Fender Hot Rod DeVille 212 III best suited for?
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The Fender Hot Rod DeVille 212 III is highly versatile, making it suitable for a range of genres including blues, rock, and country. Its clean tones and powerful output provide a great platform for pedal-based effects, accommodating various playing styles.
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Does the Fender Hot Rod DeVille 212 III have an effects loop?
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Yes, the Fender Hot Rod DeVille 212 III features an effects loop, allowing you to connect external effects processors between the preamp and power amp sections for optimal sound integration.
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What are the core tonal characteristics of the Fender Hot Rod DeVille 212 III?
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The Fender Hot Rod DeVille 212 III is known for its bright, clear, and clean tones with a punchy response. It offers a robust platform for pedals, with a spring reverb that adds depth to its sound.
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Is the Fender Hot Rod DeVille 212 III suitable for gigging?
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Yes, with its 60 watts of power and dual 12-inch speakers, the Fender Hot Rod DeVille 212 III is loud enough for gigging, providing ample headroom and clarity for live performances.
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How does the Fender Hot Rod DeVille 212 III handle pedals?
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The Fender Hot Rod DeVille 212 III is an excellent pedal platform, offering a clean and dynamic response that works well with various effects pedals, enhancing tonal versatility.
Videos
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Reviews
PROS
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Powerful and clean sound, suitable for live gigs
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Exceptional overdrive and bluesy tones
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Takes pedals well without altering effect sounds
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Offers ample headroom for outdoor or larger venues
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Durable for touring, capable of extensive use
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Spring reverb delivers desired effect
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Versatile, can achieve both soft and hard distortions
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Clean channel maintains clarity, works well with effects
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Sufficiently loud for concerts and large spaces
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Affordable and reliable option for musicians
CONS
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Heavy, challenging to transport
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Overdrive channels described as mushy, dull, synthetic
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Reliability issues, with frequent repairs needed
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Design flaws with heat-sensitive components near hot resistors
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Loudness difficult to manage in smaller venues
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Clean channel can produce noise
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Master volume control is misleading, only for Drive channel
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Requires modifications to reach potential sound quality
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Stock spring tank may need upgrading for better sound
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Faulty units reported, affecting trust in build quality
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Fender Hot Rod DeVille 212 III 60W 2x12 Tube Guitar Combo Amp.
Build quality
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The power tube sockets are prone to issues and may require replacement or removal from the board for improved reliability.
Source
Setup and maintenance
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Reheating solder joints and regular pot cleaning are essential routine maintenance tasks to maintain performance and avoid issues.
Source
Features and functionality
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The amp offers substantial clean headroom, making it suitable for pedal-heavy setups that require a loud and clean platform.
Source -
Owners highlight the amp's gorgeous clean channel, praised for being one of the nicest sounding clean tones available.
Source -
The volume tapers on the Hot Rod DeVille can be touchy, which might make volume control challenging without additional equipment.
Source
Mods and upgrades
Comparisons
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The Peavey Classic 30 offers a more "vanilla" sound compared to the Hot Rod DeVille, while the Orange Tremlord and Fender Excelsior provide more niche utility.
Source -
A DeVille 410 owner describes it as an "absolute beast," emphasizing its loudness and weight compared to the 2x12 model.
Source -
The Fender Champ is noted for its studio preference due to its size and simplicity, despite being affordable, not because of low quality.
Source
User experience
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Despite being rugged and often subjected to rough handling, the amp remains a reliable workhorse for many long-term users.
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The amp is extremely loud, with some users never turning the volume past 2.5, even in a 4-piece band setup.
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Some users prefer the drive channel at low settings, finding it adds a desirable character to the sound.
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Owners find that using a Boss BD-2 pedal with the DeVille's clean channel enhances blues and classic rock tones effectively.
Source
Use cases and applications
4.5 out of 5
Based on 18 Reviews and 91 Ratings
133
Great sound on the dirty channel
I bought this used for $100 because there wasn't much volume coming out of it. Well, it turns out if it's missing a preamp tube, you can't get the volume you want. Plus it had a one of the preamp tube spots had a 12AT7 instead of a 12AX7, which would work, but it won't give you the sound that the amp was intended to have. Anyway, after retubing the amp, power tubes and all, the dirty channel sounds great. I'm having some weird issues with the clean channel, specifically a good bit of noise coming out when the bright switch is engaged, but I'm hoping a close inspection of the caps might reveal a minor fix. I may try the Fromel mod at some point. By the way, the Master volume isn't actually a Master volume. I originally thought that it had been modded to be that way, but apparently that's just how it's supposed to be. The "Master" volume is simply a volume for the Drive channel. Very odd. But overall, great sound, the potential is there. I may have to keep this one.
1264
It's a live workhorse
I toured with this for a long time and it kept on going and going. It isn't the prettiest sounding Fender, but it sure is loud. Too loud if you ask me. Too heavy also.
But if you want a very loud clean amp that takes pedals well, this might be the ticket.
Some simple mods make it better so give your favorite guitar tech some beer and have them pull out the soldering iron and make this good amp sound great.
Great but its gotta be run hot
Creat amp But its got to be run hot, so your choices are to run well over 100db way over or install an air brake on it to be usable in small venues or practice spaces. As with all the Fender amps of Late the older US version is a bit better build quality then the new ones. Great tube sound overdrive is nice and the clean channel is typical of a fender clean. Stock spring tank on the new ones can do with an upgrade but its an easy swap. If you dont need this amount of loud check out the Hot Rod Deluxe, its much more tamable.
131
Great
A great amp with a perfect and clean sound, excellent to use with your pedals and not change the sound of the effects you have. The clean channel is really clean and works perfect with the effects in my board and the drive channel has a very unique sound, having two kind of distortions, soft and hard. The power of this amp is awesome, for concerts this is a very good option.
135
Great cleans, unlimited headroom, too powerful
When i got this amp, i was under the impression that your amp could never be 'too powerful'. Wrong. this thing is dead until you hit 2 then 2.5 is uncomfortably loud. i was never able to feasibly go past 5 and at that point the paint was peeling off the walls. The thing goes to 12. The amp itself sounds amazing and works great with pedals but it's just too powerful and loud for my and most players' i know's purposes.
288
Unbeatable value and performance in a high school find
I bought this my senior year of high school for 350 bucks off a guy trying to get rid of it. Didn't realize how good of a deal I was getting for it. I've played on a lot of amps since then, and I just can't find one I like better than this.
Love the 60 watt 2 12 Deville. Used it for 6 years and still going strong.
This has been my road for the past six years, it has plenty of booty and low end for anything you plug into it, and it cuts nice too. I run it hot on the clean channel and never use the dirty channel. But, the 60 watts allow plenty of headroom if I need more volume for outdoor festival gigs or shows with a bigger stage. Love this amp, it's not going anywhere.
2423
great amp
It is Pat's favorite live amp. used all the time, it has served us well and we have grown to love this amp with all of our hearts.
62
Great sounding amp! Only downside it goes really loud!
Simply one of the best amps I've ever used for live gigs. It has great cleans. Even the dirty channels are usefull! I currently just use it clean and run everything from my pedalboard. Only downside is that it goes really loud. Hard to handle!
41029
I am still not sure how fender is getting 60 clean watts out of a pair of 6L6es in class AB, at really high voltages you might get a full 50 out of those tetrodes, but for power, an el34 it ain't... no that it matters, 10 watts is abrely audible, just different shades of loud in a small room.... your post just started my brain going again viz-a-viz modern fender marketing propoganda
213
Garbage amp!!!
Had two, warranty replaced them twice because they were so faulty. Just really poor construction and design.
Artist usage
Add artist
It looks like Billie's using a Fender Hot Rod Deville.
In an interview with The Strokes from Guitar Magazine (October 2001), Some of Nick Valensi and Albert Hammond Jr's guitars, amps, and pedals are detailed. Their amp choice is revealed:
The pair may have different guitars but the rest of their setup is pretty much identical: Fender Hot Rod Deville 2×12"s for their ‘raunchiness’, an MXR Microamp as a tone/volume boost for solos, and a Jekyll and Hyde for distortion.
Full article can be found here.
Jonny lists three DeVilles as his amplifiers in one of Coldplay's 2003 eZines.
Albert and Nick from The Strokes use the Fender Hot Rod Deville 2x12 as their main recording and live amp. It can be seen throughout the video.
Through out this video and many others you can see stu and joey use a hot rod deVille
Chris Martin listed "2x Fender Hot Rod DeVille Combos" amongst his equipment in Coldplay's self published E-Zine in 2003. Both he and guitarist Jonny Buckland have used them since the band's formation. It can also be seen behind Chris in [this] photo. (http://www.coldplay.com/uploads/_DSC6970.jpg)
This photo shows Adam playing guitar with two fender deville amps behind him.
We always ask for Fender DeVilles, but often we end up with Fender Twins, which I just don’t get why people like them. They’re obviously good for certain kinds of guitar playing, but tend to have too much treble and not quite as full a range of sound as I’ve found I get from the DeVille. Not that I’m much of a gearhead, but that’s one thing I’ve found.
In the YouTube video "Oh Sees - Live at La Route du Rock 2017" by Rafiot, John Dwyer is seen using the Fender Hot Rod DeVille 212 III 60W 2x12 Tube Guitar Combo Amp at the 1:30 mark.
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This photo showing Paul Banks' guitar amps reveals he uses a Fender Hot Rod DeVille 212 III 60W 2x12 Tube Guitar Combo Amp (on the right). He comments, "I've been using Fender amps ever sinceI started playing. But for live playing, we discovered that we had to disengage our amp reverb early on because it makes a fucking racket on shaky stages so we switched to reverb pedals instead. But there are plenty of good reverbs out there." (original source here, article dated March 31, 2015)
Album Usage
The Fender Hot Rod DeVille 212 III 60W 2x12 Tube Guitar Combo Amp has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Fender Hot Rod DeVille 212 III 60W 2x12 Tube Guitar Combo Amp, it is most commonly used with the following gear.
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