Pricing and availability
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Price
Average Price: $623
Standard/Professional
$400
$1001+
Price Tier
Budget
Standard
High-end
Price History
Based on price data from 1 merchant for "Fender Stratocaster Electric Guitar". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Introducing the Fender Stratocaster Electric Guitar, a harmonious blend of vintage charm and modern innovation. This iconic instrument, a staple in the music industry for over 70 years, is the embodiment of Fender's unwavering commitment to crafting timeless musical tools. The Stratocaster offers an authentic tone that captures the essence of musical history while invigorating it with a modern twist.
This guitar features a traditional alder body and maple neck, a combination that produces a tone that rings out with a piano-like clarity. Alder offers a balance of warmth and brightness, enhancing note definition and sustain, while the maple neck adds snap and crispness to each note. The result is a responsive guitar with punchy lows, clear mids, and shimmering highs.
The Fender Stratocaster is equipped with a trio of Fender-designed single-coil pickups that deliver the bright, crisp tone that has made Strat players worldwide covet this instrument. The neck and middle pickups provide warmth and depth, while the bridge pickup adds articulation and definition. From glassy cleans to overdriven crunch, these pickups capture the essence of Strat tone in any musical style.
The guitar's synchronized tremolo bridge enables expressive pitch shifting effects, and the modern C-shaped neck profile, along with a 9.5" fretboard radius, offers a comfortable, modern feel. This blend of traditional aesthetics and contemporary features makes the Fender Stratocaster a versatile instrument, capable of inspiring creativity and crafting your own unique musical legacy.
Key Features:
- Alder body and Maple neck for a balanced and bright tone
- Trio of Fender-designed single-coil pickups for bright and crisp tone
- Synchronized tremolo bridge for expressive pitch shifting effects
- Modern C-shaped neck profile and 9.5" fretboard radius for a comfortable feel
- Vintage aesthetics combined with contemporary features for versatility and creativity
Product specs
| Brand | Fender |
| Model | Player Stratocaster |
| Finish | 3-Color Sunburst, Aged Natural, Anniversary 2-Color Sunburst, Black, Black with Gold Hardware, Buttercream, Candy Apple Red, Capri Orange, Electron Green, Ferrari Red, Fiesta Red, Inca Silver, Lake Placid Blue, Neon Green, Pacific Peach, Polar White, Sage Green Metallic, Seafoam Green, Shell Pink, Sherwood Green Metallic, Silver, Sonic Red, Surf Green with Matching Headstock, Surf Pearl, Tidepool |
| Year | 2018 - 2025 |
| Made In | Mexico |
| Categories | Solid Body Electric Guitars |
| Body Material | Alder |
| Body Shape | S-Style, Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Tremolo Bridge |
| Color Family | Black, Blue, Brown, Green, Orange, Pink, Red, Silver, Tan, White, Yellow |
| Finish Features | Matching Headstock |
| Finish Pattern | Sunburst |
| Finish Style | Gloss, Metallic |
| Fretboard Material | Ebony, Maple, Pau Ferro |
| Fretboard Radius | 9.5" |
| Frets | Medium Jumbo, Narrow Tall |
| Model Family | Fender Stratocaster |
| Neck Construction | Bolt-On |
| Neck Material | Maple |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.65" |
| Offset Body | Non-Offset Body |
| Pickup Configuration | SSS |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Series | Fender FSR Limited Edition, Fender Player |
| Wood Top Style | Opaque, Plain |
FAQs
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What kind of neck profile does the Fender Player Stratocaster have?
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The Fender Player Stratocaster features a modern "C" shaped neck profile, which provides a comfortable and familiar feel for players, making it suitable for both beginners and experienced guitarists.
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What pickup configuration does the Fender Player Stratocaster use?
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The Fender Player Stratocaster uses an SSS (single-coil, single-coil, single-coil) pickup configuration, offering a wide range of classic Stratocaster tones suitable for genres like rock, blues, and pop.
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Is the Fender Player Stratocaster suitable for beginners?
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Yes, the Fender Player Stratocaster is a great choice for beginners due to its comfortable neck profile, versatile tone options, and high-quality construction, making it easy to play and adaptable to various music styles.
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Does the Fender Player Stratocaster have a tremolo bridge?
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Yes, the Fender Player Stratocaster is equipped with a tremolo bridge, allowing players to add vibrato effects to their playing, enhancing musical expression.
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What materials are used in the construction of the Fender Player Stratocaster?
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The Fender Player Stratocaster features an alder body, maple neck, and options for maple or pau ferro fretboards, providing a balanced tone with a smooth playing experience.
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How many frets does the Fender Player Stratocaster have?
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The Fender Player Stratocaster comes with 22 frets, offering a full two-octave range on each string for extended playability and versatility.
Videos
Darrell Braun Guitar
LES PAUL vs STRATOCASTER - Which Guitar is Right for You?
Reviews
PROS
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Exceptional build quality, comparable to higher-end models
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Wide tonal range, suitable for various music styles
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Versatile player guitar, modifiable to personal preference
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Affordable, high-quality alternative to American models
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Smooth playability with a comfortable neck
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Consistent tuning stability, even with vibrato use
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Eye-catching finishes and colors
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Excellent sound quality with Alnico V pickups
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Perfect for both beginners and professionals
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Historical significance and iconic status
CONS
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Some models may require initial setup adjustments
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Occasional issues with fretwork or sharp fret ends
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Screw-in vibrato arms can be wobbly and noisy
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Knobs and minor hardware may appear less durable
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Tremolo system might need frequent adjustments
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Fender Stratocaster Electric Guitar.
Setup and maintenance
Comparisons
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A Player HSS Stratocaster allows for future pickup configuration changes, providing flexibility between HSS and SSS setups.
Source
Value and pricing
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Player Stratocasters are available used on Reverb for under $1000 USD, offering cost savings without sacrificing quality.
Source -
Squier Classic Vibe Stratocasters start at around $250 used and can be a budget-friendly alternative to new models, with many considering them a better buy than new Squiers at similar prices.
Source
Use cases and applications
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HSS configurations are favored for versatility in grunge and blues styles, allowing for a mix of classic and contemporary sounds.
Source -
The Squier Classic Vibe series is praised as a beginner-friendly option, offering quality that exceeds its price point, making it a popular choice for both practice and gigging.
Source
User experience
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Owners of multiple Stratocasters often prefer HSS models for their humbucking bridge pickup, which enhances sound versatility.
Source
4.5 out of 5
Based on 150 Reviews and 878 Ratings
55
Very good guitar
Incredibly versatile, stays in tune, can take a good beating up. worth your money if you're willing to pay for one.
183
Regardless of whether it's considered legit or not, it is my strat and I love it.
This had no name on the headstock when I bought it. It was officially a part caster. It has a hot rails pickup in the bridge, a fender pickup in the middle, and a lipstick in the neck position. The plate on the back says "Fender."
Regardless of whether it is a legit Fender or a modded Squier, it's sound is as tough as my other loved guitars. The strings are just a little painful and I have not gotten around to changing them. So it's not one I pull out often.
116
1976 American Standard Strat
It was my first guitar and it's still going strong. When I bought it from a local pawn shop I was just a pre-teen, and I must admit I lucked out on this guitar. Of course, it wasn't in a good cosmetic condition. Its finish was scuffed near the arm contour but it's pretty much expected from an old guitar. The most disgusting aspect however was the sheer amount of nicotine stains on it. It was an Olympic white Strat but it was stained almost brown due to the nicotine stains. Its maple fretboard had nicotine stains, there were nicotine stains on the back of the neck, the white pickguard was stained too, and even the control knobs had nicotine stains. Not to forget its middle pickup was missing. Whoever was the previous owner must be a total nutjob (other than being a heavy smoker) because under the pickguard this Strat was wired like the bastard child of a Strat and Tele. The weirdest thing was the bridge pickup, for some unfathomable reason it had a metal plate attached to its back (do comment if you have any idea about this oddball mod). Nevertheless, it played like butter, the fretwork was perfect, and the store owner offered me a darn low price, so I bought it and rewired it myself with new pickups. With the due course of time, I have made multiple modifications to this Strat. As of now, it has the new Kluson Supreme tuners, Seymour Duncan Classic Stack Plus pickup set, and the Tremmory trem stabilization system. Cosmetically this guitar looks disgusting like a pig, but good Lord it's one hell of a pig and my main guitar for all gigs.
2786
Nice, where can we see your guitar?
116
Here's an old image of that guitar from the time I rewired it. I have tried to host it online so as to embed its image in my comment. I hope you'll like it, and I hope it shows up as a thumbnail. https://img.techpowerup.org/200915/img-20000823.jpg
382
I hate to be a spoilsport but that guitar looks disgusting. There's a difference between minor nicotine stains on a guitar and having the whole guitar coated with a layer of nicotine. Even the fretboard and parts look disgustingly stained. As for the stock pickup you threw away, that pickup had the twang mod. That metal plate under the pickup causes eddie current interference and makes the Strat bride pickup sound twangy like a Tele. Such pickups are not that common, and are usually custom made. I can't believe you just threw them away.
116
Wait a minute I had no idea about those pickups. Are you sure they were not some grungy knockoff pickups?
382
I'm darn sure about them. I have seen such pickups before, they're usually made by Fralin and some other custom pickup builders. They're not some cheap knockoff pickups. Fralin, and Callaham do sell those baseplates separately, the baseplates themselves cost around $10 to $12. So, if it isn't a custom built pickup then it's most likely the stock '76 Stratocaster pickup modified by the previous owner with an aftermarket baseplate in late '90s or so. That was the year when the trend of making the Strat pickup sound like Tele took off and Callaham started selling them.
995
A great Stratocaster for Classic Rock sounds.
Made by Fender Japan. I own a ca. 1987 first edition Fender JV model with the 3 bolt neck, large headstock and bullet trussrod. The neck is comparably slim and has a V profile, vintage frets and 7.5 radius. Body wood is basswood in the export series (i.e. mine) and ash in Strats for the Japanese market. Later editions have a small headstock, 4 bolt necks and 57 specs. The original US-made pickups sounded good, but had a very low output that I did not appreciate at the time. I replaced them with Fender Texas Specials which sound great in all 5 pickup switch positions in this guitar. This not always the case with Strats according to my experience. I own 3 Fender Strats, and this one is my Classic Rock Strat, as it has a fat 60s/70s Rock sound that pairs well with both Marshall and Fender style amps.
reliable
never disappoints with clean and crisp sound, given a decent amp is available
136
A Solid Gold Classic
I have a 2016 American Standard model in Bordeaux Metallic. I took a lot of time hunting down this particular colour and model because one caught my eye in a shop in Cambridgeshire but it was dinked, and then I discovered they were being phased out. So needless to say, I love the look of this guitar.
There's little I can add to what's already been said over the years about Strats. Any Fender or Squire model will give you those Hendrix, Gilmour or Knopfler tones you're after. Pretty much all of them are lovely to play. The American Standard is, for me, the sweet spot in the range, with a lovely, quality feel but still extremely good value for money. Everything is so much easier to play on this guitar, it just seems to want to work with you, not against you.
76
Fender Pro 2004 Model
Stratocasters for me are the kind of guitar that makes you ready for anything on stage. No matter what’s the level of threathning or from which direction comes the danger - whatever happens, if you have a Stratocaster you are good. That one with whom we recorded the solos for ‘’The Girl With the Messy Hair’’, ‘’No Sympathy Blues’’ and ‘’The Ballad of Electric Dreams’’ have this primitive, harsh and funky sound that amuses me. It’s far from being my favorite pick-up setting or the style of guitar that I’d pick if I have more options, but I hold very deep affection to that model, since it’s the one I’ve leaned my very first chords on. Also, I owned for a brief time a Olimpyc White Stratocaster that still miss to this day, wich have a such brighter tone I’d never heard in any other instrument. I think that even being a fenderhead because of my telecaster tone obsession( that I credit to the country and folk music roots of mine in general) I’m much more of a Gibson design, tone and construction pattern due to it’s solidity both in the matters of materials and sounding. I’d definitely pick a Stratocaster for a few occasions, but despite the telecaster incident I’m not a a fender enthusiast at all.
46
Simply a keeper
I played just about every model of Stratocaster, including Custom Shop, and never bonded with any of them. Wanted to love them, as some of my favorite artists play them, but I just couldn't see the advantage over other instruments, such as the Jaguar, or Jazzmaster. Then I tried some Music Man Cutlass guitars, and they changed my mind about what a Strat could be. Then the Fender Elite Strats came out, with many of the features that resembled the Cutlass, only, a compound neck profile that was the bees knees. Then, when Fender introduced the Ultra Strat, it was a no brainer, for me. I like the silky D shaped neck, I like everything about the guitar. I keep the Ultra tuned to open D. I played Jaguars and Jazzmasters for years, they are all gone now. I have owned just about every Rickenbacker model, Gretsch, PRS, Gibson, Parker Fly, Taylor, Godin. All gone. The two Strats are keepers, as is an Ultra Telecaster, but that's for another review. I DO believe Leo Fender was a true genius.
73
AWFUL whammy but its silly so i dont really mind
i actually have a custom build stratocaster with parts from a 79 fender strat with a mixmatch of parts from other guitars. whammy sucks and it cant really stay in tune for too long, but it sounds great as a lead or as rhythm
Artist usage
Add artist
"It was very deliberate. It was right when I got a white Strat. I used it on [Unloveable] and I used it on “A Boy with A Thorn in His Side.” But “Unloveable” was the first time I deliberately used that Strat sound for a Smiths song.
I remember scratching my chin and thinking, Hmmm ok, Can I get away with this? You can particularly tell on that end. I used it on the outro of “Some Girls are Bigger than Others.” But “Unloveable” was the first of that whole row of songs."
This Strat was first seen in the background when the Smiths were interviewed by Tony Wilson for Granada Reports on Feburary 21st, 1985. The following day Johnny used it for the Smiths' Oxford Road Show performance. This was one of Johnny's main guitars on the 1986 tours. Johnny played it in standard tuning with no capo, while the '62 Strat was a dedicated capo guitar.
Source: www.smithsonguitar.com/2008/12/johnny-marrs-gear.html
In this interview with Music Radar, Noel says he bought a Stratocaster from Johnny Marr in the early nineties, and used it to record one of Oasis' biggest hits, 'Don't Look Back In Anger'.
Brian used a Fender Stratocaster as a spare guitar on their 1972-1973 tour(s). However, he didn't like the Strat/AC30 combo, he later moved on to a Gibson Les Paul which was eventually abandoned for a Gibson Flying V
This guitar was bought sometime in the mid to late 60s as a replacement for the Burns Trisonic. It can be seen during the 1968’s Rock’n’Roll Circus with The Rolling Stones, when Tony joined Jethro Tull for one gig before going back to the Black Sabbath (still named Earth at that time).
Tony’s Stratocaster was a 60s pre-CBS model with rosewood fretboard, and originally featured a sunburst finish. He modified the guitar over the years, and tried to make it easier to play since he had an accident where he lost the tips of his two fingers on his right hand while he still had this guitar. He filled the frets down and lowered the action, played with the pickups, and repainted the whole body white.
This guitar was used basically from the time the gig with Rockin’ Chevrolets ended in 1965, up until the recording of Black Sabbath’s first album in 1970. Unfortunately, one of the pickups on the guitar stopped working and Tony only ended up using it on one song, “Wicked World”. The rest were recording with a Gibson SG which Tony used as a spare up until this point.
In this photo, The Edge is playing his 1973 Fender Stratocaster in a black finish. Fender later made a The Edge Signature Stratocaster based on his original 1973 model. In an interview with Rolling Stone, he talks about that guitar:
"But I really missed the Strat, so when we got a little money together – when we got our record deal – the first chance I got I bought my black Strat, which I still have."
He continues to describe some of its distinctive features:
"It has some interesting features: the bridge is a brass bridge, not like the standard Fender bridge, and again that adds some resonance. It has a little more sustain, a little more girth to the tone. And I put a DeMarzio pickup in, which gets that tone. In addition to my Fender amp, I play to a Vox, which is a very bright amp, so it gives a little more substance."
Later in the interview, the interviewer asks, "An unusual thing about your '73 Strat is that it has a DiMarzio FS-1 pickup in the bridge position. Did you mod that out yourself?" The Edge replies:
"Yeah. With the amps I was using, the bridge pickup was just too piercing. It was too thin-sounding for me, so I did some research and found the DiMarzio FS-1, and it was just a bigger-sounding pickup. It worked great. Whenever I've gotten Strats, I've always put one of those in."
When the interviewer points out that The Edge never plays out of the bridge pickup, The Edge says:
That's true most of the time, but there are some songs, like "Sunday Bloody Sunday" and "Gloria," where I used the bridge pickup. I really got into the out-of-phase sound [where the guitar is set between the bridge and middle pickup] from The Unforgettable Fire onwards. Weirdly enough, I think "Pride (In the Name of Love)" was the first song that I really used that out-of-phase pickup position; I didn't use it on "Bad" or on the album. In rehearsal for the tour, I tried it and it was like, "Wow that's great. I love it! It's much better." So we did the tour.
I remember we did a live version of that and [Unforgettable Fire co-producer] Danny [Lanois] was in the studio listening to the guitar sounds from the show and he was like, "What the fuck, Edge? You sound so much better than the album. What did you do?" [Laughs] Then he got jealous, because the live guitar sound was better than what we got on the album. I said, "I'm sorry I didn't think of it!" But yeah, it's definitely better, this [laughs].
The full Rolling Stone interview is here.
In this photo, a young John Lennon can be seen holding and playing a sonic blue Fender Stratocaster. The details that can be discerned are a white pickguard and a rosewood fingerboard.
In the image, Jim Root is seen playing a Fender Stratocaster Electric Guitar during the self-titled era, prior to his official endorsement by Fender.
This White Fender Stratocaster '07 was owned by Billy Corgan. It has a Tronical tuning system installed. No serial number so can’t tell exactly which model but it has a ‘70s era headstock and a hardtail. But Reverb says it’s from 2007.
Keith Richards plays a 1958 Fender Stratocaster, known as the Mary Kaye model, in standard tuning for songs like "Miss You" and "Under My Thumb." This usage is evident in a close-up photo available on Wikimedia.
The photo in this article show us a global view of Steve's recording studio (The Neon Future Cave) in his house in Las Vegas, NV. The guitar rack on the right shows what looks to be a Fender Strat in Sonic Blue finish.
In an Instagram reel posted by Adam Jones (@adamjones_tv), a Fender Stratocaster Electric Guitar is clearly visible in his hands.
"That’s an all-original Olympic White/maple-cap Strat. It’s really beautiful; take off the pickguard and you see the original color, it’s pretty stunning. I used that for the melody on “Two Sides to Every Story” on my last solo record. Fender guitars had all sorts of tonal qualities in different years, as their pickups got hotter or weaker, they used different woods and stuff. I relate to the ’60s Strats more than I do to ’50s Strats. I was kind of brainwashed earlier in my collecting career, thinking, “You had to have a ’55 and a ’56 or whatever.” But after owning so many, and getting rid of all of ’em, my Strats now start at ’60 and I’m still looking for perfect examples of ’64 through ’69 models, because that’s what I heard on records when I as a kid."
Album Usage
The Fender Stratocaster Electric Guitar has been featured on the following albums:
Pink Floyd at Pompeii - MCMLXXII (2025 Mix)
Pink Floyd (2025)
Davi (Ao Vivo)
Oficina G3 (2025)
Looking Back - The Living Years
Mike + The Mechanics (2025)
Funny How The Universe Works / Senior Year (From The Runarounds Original Series)
The Runarounds (2025)
Evil Eye / Get A Grip
Black Sabbath (2024)
Into the Light: The Solo Albums
Whitesnake (2024)
Spares
Nils Lofgren (2024)
A-Side Graffiti
T.S.O.L. (2024)
From Zero
Linkin Park (2024)
DAWNTRAIL - Single
Masayoshi Soken (2024)
Live From The Garden State 1981
The Marshall Tucker Band (2024)
Rufus
Yot Club (2024)
The Dark Side Of The Moon (Live at Wembley 1974) [2023 Master]
Pink Floyd (2023)
Pride (In The Name Of Love) [Songs Of Surrender]
U2 (2023)
Stir It Up
Bob Marley (2023)
Albatross (Arranged by Anna Rice)
Peter Green (2023)
Sur la planche
La Femme (2023)
Strike
La Femme (2023)
Stop Making Sense (Deluxe Edition) [Live]
Talking Heads (2023)
1985 (BFS version)
Bowling for Soup (2023)
Live at Bush Hall
Black Country, new road (2023)
Redemption
John Hinckley (2023)
People In Motion
Dayglow (2022)
f.e.a.r.
Stand Atlantic (2022)
Ants From Up There
Black Country, new road (2022)
Rage
Medium Build (2022)
The Rentals Present: The Midnight Society Soundtrack (a Matt Sharp / Nick Zinner Score)
The Rentals (2022)
off the grid
Yot Club (2022)
Barn
Crazy Horse & Neil Young (2021)
The Letter
The Box Tops (2021)
Blood on Blood
Running Wild (2021)
Comfort To Me
Amyl and The Sniffers (2021)
no doubt
Mimi Bay (2021)
B.D.D. / Cherry Red (Live)
The Groundhogs (2021)
You and Your Friends
Peach Pit (2020)
Ultrasound
Michael Gurley (2020)
(I Just) Died In Your Arms
Cutting Crew (2020)
Colorado
Crazy Horse & Neil Young (2019)
Vols. 11 & 12
The Desert Sessions (2019)
Superdream
Big Wild (2019)
Beware of the Dogs
Stella Donnelly (2019)
Crossing the Blades
Running Wild (2019)
Anak Ko
Jay Som (2019)
Zerwee
Billy Cobb (2019)
Flamingo
Olympia (2019)
Menari Dengan Bayangan
Hindia (2019)
Fly From Here: Return Trip
Yes (2018)
Animal (Remastered 2017)
Def Leppard (2018)
rock2
Dean Ween Group (2018)
Don't Let the Moon Catch You Crying
Dean Ween Group (2018)
Forever
Taska Black (2018)
Sum of All Your Parts
Fatherson (2018)
Hill Climber
Vulfpeck & Vulfpeck (2018)
Out of the Darkness
Tony Lewis (2018)
Live At Pompeii
David Gilmour (2017)
Fatherland (Original Music From The Stage Show)
Karl Hyde & Matthew Herbert (2017)
New Beginnings
Radio Moscow & Radio Moscow (2017)
Heatstroke (feat. Young Thug, Pharrell Williams & Ariana Grande)
Calvin Harris (2017)
Emperor of Sand
Mastodon (2017)
Adrenalina (Spanish version)
Benji & Fede (2017)
Never Be the Same
Camila Cabello (2017)
Stolas
Stolas (2017)
Synthwaves
Ulrich Schnauss & Thorsten Quaeschning (2017)
Exile
Eric Bell (2016)
The Deaner Album (The Dean Ween Group)
Dean Ween Group (2016)
Raw
San Holo (2016)
What's Going On; Isle Of Wight Festival 1970
Taste (2015)
Future Hearts
All Time Low (2015)
Something's Gotta Give
All Time Low (2015)
Touch the Sky
Hillsong United (2015)
On Guitar...Rags And Classics
Dave Edmunds (2015)
I Love You All the Time (Play It Forward Campaign)
Dean Ween Group (2015)
Live 2014 (Nighttrain To Budapest Farewell Tour)
Henrik Freischlader (2015)
Hello
Stephen (2015)
Songs Of Innocence
U2 (2014)
Coming Up for Air
Philip Selway (2014)
Love Shack
The B-52's (2014)
Oz
Missy Higgins (2014)
Fugue State
Vulfpeck & Vulfpeck (2014)
The Ascension
Phil Wickham (2013)
Electric Head (Plus Bonus Tracks)
The Grid (2013)
Snakedog
together PANGEA & Together Pangea (2013)
States
The Paper Kites (2013)
Songs For The End Of The World
Rick Springfield (2012)
Vicentico Solo Un Momento En Vivo
Vicentico (2012)
Floral Green
Title Fight (2012)
How I Go
Kenny Wayne Shepherd (2011)
El Camino
The Black Keys (2011)
Mylo Xyloto
Coldplay (2011)
Postcards From A Young Man
Manic Street Preachers (2010)
Been Listening
Johnny Flynn (2010)
The Expendables (Original Motion Picture Soundtrack)
Brian Tyler (2010)
In The Summertime
Mungo Jerry (2010)
Solo un Momento
Vicentico (2010)
Sticks 'N' Stones
Jamie T (2009)
It's all too much / Never say die
YUI (2009)
again
YUI (2009)
Raditude
Weezer (2009)
Pink Strat
Bahamas & Bahamas (2009)
Desolation Row [From "Watchmen"]
My Chemical Romance (2009)
Brand New Eyes
Paramore (2009)
Quantos Possunt Ad Satanitatem Trahunt
Gorgoroth (2009)
Live at Reading
Nirvana (2009)
Hell Or High Water
As Cities Burn (2009)
Mehr als (D)eine Frau (Long Cool Woman In A Black Dress)
Allan Clarke (2009)
Long Cool Woman (In A Black Dress) - The Remixes
Allan Clarke (2009)
Dead Man's Bones
Dead Man's Bones (2009)
The Time Of Our Lives
Miley Cyrus (2009)
Live In Gdansk
David Gilmour (2008)
CAN'T BUY MY LOVE
YUI (2007)
La Cucaracha
Ween (2007)
The Friends EP
Ween (2007)
Come Now Sleep
As Cities Burn (2007)
Łowcy głów
Lady Pank (2007)
Zawsze tam gdzie Ty
Lady Pank (2007)
Saturday Night Wrist
Deftones (2006)
The Great Burrito Extortion Case
Bowling for Soup (2006)
Make Believe
Weezer (2005)
Shinola (Vol. 1)
Ween (2005)
Escape from New York (Original Motion Picture Soundtrack)
John Carpenter & Alan Howarth (2005)
Marvin's Marvelous Mechanical Museum
Tally Hall (2005)
Footrot Flats - The Dog's Tale
Herbs (2005)
Live In Chicago
Ween (2004)
Love Is All (Maxi Version)
The Rapture (2004)
The Desert Sessions Volume 9 & 10
The Desert Sessions (2003)
All Request Live
Ween (2003)
Quebec
Ween (2003)
Live at Stubb's, 7/2000
Ween (2003)
Splinter
The Offspring (2003)
Mighty Little Man
Steve Burns (2003)
Echoes
The Rapture (2003)
Sister Saviour (Maxi Version)
The Rapture (2003)
House Of Jealous Lovers (Maxi Version)
The Rapture (2003)
The Last Waltz (Deluxe Version)
The Band (2002)
Alive or Just Breathing
Killswitch Engage (2002)
III
Moistboyz (2002)
House Of Jealous Lovers
The Rapture (2002)
Live In Toronto Canada (feat. The Shit Creek Boys)
Ween (2001)
All Killer, No Filler
Sum 41 (2001)
Sugar Ray
Sugar Ray (2001)
Discovery
Daft Punk & Daft Punk (2001)
Out of the Races and Onto the Tracks
The Rapture (2001)
O Tempo
Oficina G3 (2000)
I Disappear
Metallica (2000)
Up The Junction
Squeeze (2000)
White Pepper
Ween (2000)
Black Market Music
Placebo (2000)
Fang It!
Gwyn Ashton (2000)
1956-1958 Cobra Recordings
Otis Rush (1999)
Paintin' The Town Brown (Live)
Ween (1999)
Thick
Tribal Tech (1999)
Mirror
The Rapture (1999)
5
Lenny Kravitz (1998)
System Of A Down
System of a Down (1998)
The Mollusk
Ween (1997)
Tore Down House
Scott Henderson (1997)
Don't Look Back In Anger
Oasis (1996)
Load (Remastered)
Metallica (1996)
12 Golden Country Greats
Ween (1996)
To the Moon & Back
Savage Garden (1996)
A.D.I.D.A.S. - EP
Korn (1996)
Bailando En Una Pata (Live)
La Renga (1995)
One Hot Minute
Red Hot Chili Peppers (1995)
Dog Party
Scott Henderson (1994)
El Amor Después del Amor
Fito Páez (1992)
Going Blank Again (Expanded)
Ride (1992)
Spiderland
Slint (1991)
Blood Sugar Sex Magik
Red Hot Chili Peppers (1991)
Grits Sandwiches For Breakfast
Kid Rock (1990)
Raw Evil: Live at the Dynamo
Forbidden (1989)
Oranges & Lemons
XTC (1989)
Mother's Milk
Red Hot Chili Peppers (1989)
Hysteria
Def Leppard (1987)
The Cost Of Loving
The Style Council (1987)
Impuesto Revolucionario
Eskorbuto (1987)
Crvena Jabuka
Crvena jabuka (1986)
The Dream Of The Blue Turtles
Sting & Sting (1985)
The Unforgettable Fire (Remastered)
U2 (1984)
Stop Making Sense (Live)
Talking Heads (1984)
Heartbeat City
The Cars (1984)
Caught In The Act - Live
Styx (1984)
Jinx (Remastered 2017)
Rory Gallagher (1982)
Mesopotamia
The B-52's (1982)
Ghost In The Machine (Remastered 2003)
The Police (1981)
Moving Pictures (2011 Remaster)
Rush (1981)
2nd Live
Golden Earring (1981)
Tommy Tutone - 2
Tommy Tutone (1981)
Stage Struck (Live / Remastered 2017)
Rory Gallagher (1980)
Long Blond Animal
Golden Earring (1980)
Ghost Riders
The Outlaws & Outlaws (1980)
The Wall
Pink Floyd (1979)
Top Priority (Remastered 2017)
Rory Gallagher (1979)
Communiqué
Dire Straits (1979)
Cool For Cats
Squeeze (1979)
Entertainment!
Gang of Four (1979)
Photo Finish (Remastered 2017)
Rory Gallagher (1978)
Please Don't Touch
Steve Hackett (1978)
And Then There Were Three (2007 Remaster)
Genesis (1978)
Animals
Pink Floyd (1977)
Rumours
Fleetwood Mac (1977)
Little Queen
Heart (1977)
Bad Reputation
Thin Lizzy (1977)
Street Survivors
Lynyrd Skynyrd (1977)
Calling Card (Remastered 2017)
Rory Gallagher (1976)
Wind & Wuthering
Genesis (1976)
One More From The Road (Live / Deluxe Edition)
Lynyrd Skynyrd (1976)
Against The Grain (Remastered 2017)
Rory Gallagher (1975)
Fleetwood Mac (Deluxe Edition)
Fleetwood Mac (1975)
Irish Tour ‘74 (Live / Remastered 2017)
Rory Gallagher (1974)
Preservation Act 2
The Kinks (1974)
The Dark Side Of The Moon (50th Anniversary) [2023 Remaster]
Pink Floyd (1973)
The Dark Side of the Moon
Pink Floyd (1973)
Tattoo (Remastered 2017)
Rory Gallagher (1973)
Blueprint (Remastered 2017)
Rory Gallagher (1973)
I Wanna Get Funky
Albert King (1973)
River
Terry Reid (1973)
Tres Hombres (Expanded 2006 Remaster)
ZZ Top (1973)
Obscured by Clouds
Pink Floyd (1972)
Live! In Europe (Remastered 2017)
Rory Gallagher (1972)
Everybody's in Show-Biz (Super Deluxe)
The Kinks (1972)
Can't Buy A Thrill
Steely Dan (1972)
Meddle
Pink Floyd (1971)
Live Taste
Taste (1971)
Live At The Isle Of Wight
Taste (1971)
Deuce (Remastered 2017)
Rory Gallagher (1971)
Rory Gallagher (Remastered 2017)
Rory Gallagher (1971)
Electronically Tested
Mungo Jerry (1971)
Split
The Groundhogs (1971)
On The Boards
Taste (1970)
Black Sabbath (2014 Remaster)
Black Sabbath (1970)
In the Summertime
Mungo Jerry (1970)
Thank Christ for the Bomb
The Groundhogs (1970)
Taste
Taste (1969)
The Pious Bird of Good Omen
Fleetwood Mac (1969)
Chicago Transit Authority
Chicago (1969)
Peter Green's Fleetwood Mac (Deluxe)
Fleetwood Mac (1968)
Magical Mystery Tour (Remastered)
The Beatles (1967)
Sgt. Pepper's Lonely Hearts Club Band (Super Deluxe Edition)
The Beatles (1967)
The Letter/Neon Rainbow
The Box Tops (1967)
Revolver (Remastered)
The Beatles (1966)
Rubber Soul (Remastered 2009)
The Beatles (1965)
Help! (Remastered)
The Beatles (1965)
Highway 61 Revisited
Bob Dylan & Robert Zimmerman (1965)
Bringing It All Back Home
Bob Dylan & Robert Zimmerman (1965)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Fender Stratocaster Electric Guitar, it is most commonly used with the following gear.
Community setups
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