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Average Price: $7,206
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$100
$401+
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Price History
Based on price data from 6 merchants for "Neumann U67". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Step into the golden era of music with the Neumann U67, a faithful recreation of the iconic tube condenser microphone that defined the sound of the 1960s. Crafted meticulously in Germany, this reissue delivers the same silky smooth character, exceptional versatility, and stellar performance that made the original a studio workhorse for over a decade.
The U67 comes armed with three selectable polar patterns for maximum flexibility. You can easily capture intimate vocals or distant room mics with a simple turn of a dial. The cardioid setting is perfect for focused recording of single instruments or vocals, while the omnidirectional pattern picks up sound evenly from all directions, making it ideal for ambient room mics.
Neumann has painstakingly recreated the U67 using archived documentation and new-old stock components, matching the original's specifications. A redesigned power supply meets modern safety standards while delivering the same sonic performance. Don't let the vintage style of the U67 fool you; it's a thoroughly modern mic ready for any recording challenge with a maximum SPL of 124dB.
From the nickel-plated brass body to the vintage-style suspension mount, every aspect of this microphone exudes premium quality and attention to detail. The Neumann U67 reissue offers an excellent blend of vintage character and modern performance, making it an enviable addition to any home or project studio.
Key Features:
- A faithful reissue of the iconic Neumann U67 tube condenser microphone
- Three selectable polar patterns: cardioid, omnidirectional, and figure-8
- High SPL handling for recording loud instruments
- Premium components meticulously reproduced to match the original's specifications
- Redesigned power supply that meets modern safety standards
- Nickel-plated brass body with vintage-style suspension mount
- Handcrafted in Germany.
Product specs
| Microphone Type | Tube Condenser |
| Mono/Stereo | Mono |
| Polar Pattern | Cardioid, Figure-8, Omnidirectional |
| Frequency Response | 20Hz-20kHz |
| Max SPL | 114dB SPL (124dB with pad) |
| Output Impedance | 200 ohms |
| Sensitivity | 24 mV/Pa (cardioid) |
| Self Noise | 17dB (A weighted, cardioid) |
| Low Cut Filter | 100Hz |
| Pads | -10dB |
| Tube | EF86 |
| Power Source | External power supply NU 67 V |
| Connector | 7-pin DIN to power supply, XLR out |
| Dimensions | 7.87" x 2.2" |
| Weight | 1.23 lbs. |
| Included Accessories | Shockmount, Multi-pin cable, Carrying Case |
FAQs
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What are the primary applications for the Neumann U67 microphone?
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The Neumann U67 is versatile and commonly used for recording vocals, acoustic instruments, piano, and drum overheads due to its warm and detailed sound signature.
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What polar patterns does the Neumann U67 offer?
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The Neumann U67 features three selectable polar patterns: cardioid, figure-8, and omnidirectional, making it adaptable for various recording environments and applications.
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What is the frequency response range of the Neumann U67?
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The Neumann U67 has a frequency response range of 20Hz to 20kHz, providing a full and balanced sound suitable for capturing a wide array of audio sources.
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Does the Neumann U67 require an external power source?
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Yes, the Neumann U67 requires an external power supply, specifically the NU 67 V, to operate its tube circuitry.
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How does the Neumann U67 handle high sound pressure levels?
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The Neumann U67 can handle a maximum sound pressure level of 114dB SPL, or 124dB with the -10dB pad engaged, making it suitable for loud sound sources.
Videos
Georg Neumann GmbH
The Neumann U 67 Set (2018)
The Neumann U 67 Set (2018)
Georg Neumann GmbH
Neumann U67 Reissue v.s. Vintage U67 Shootout | Microphone | Vintage King
Vintage King
Test 14 Neumann U67 Tube Microphone Acoustic Guitar Noah Needleman
Modern Mics
Mic Shootout #2 - Neumann U67, Neumann U47, AKG C12, Telefunken ELA M 251
Orange Room
1.000 Euro gegen 6.000 Euro - Röhrenmikrofon Oktava MKL 5000 vs Neumann U67 (Test/Review/Vergleich)
The Soundphile
Slate ML-1 (Blackbird) vs Neumann U67 | The Sierra Sessions
Records On Top
Neumann U67 im Test - The Soundphile (1/3) - Vorstellung
The Soundphile
mic comparison: Neumann U67 reissue vs. U89 on vocals, acoustic guitars and mandolin
Robert Hasleder
Neumann U67 Unboxing & Hands On | Gear Time
TheStonehengeStudio
Neumann U67 im Test - The Soundphile (3/3) - Fazit
The Soundphile
Reviews
PROS
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Warm, fat sound quality enhances recordings
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Functions well with any pre-amp
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Realistic sound reproduction; brings recordings to life
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Captures body and tonality without sibilance
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Smooth "round" top end, comfortable for bright boosts
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Versatile; excellent for vocals, overheads, and instruments
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Open, 3-dimensional sound for female vocals
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Iconic, with a rich history in pop music
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High sound reproduction and quality craftsmanship
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Smooth and alive sound across various applications
CONS
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High price point may be prohibitive
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Some reviews suggest the reissue may need modifications to match the original's character
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Quality of modern capsules and tubes in reissue considered inferior by some
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Neumann U67.
Comparisons
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The Lewitt LCT 1040 in "Dark Tube" mode shares qualities with the U67, despite being derived from the C12 lineage.
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The Beyerdynamic M160 and Lauten Atlantis are noted for their lush sound quality, overlapping with the U67's sonic territory.
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Mojave mics are recommended for those seeking a sound closer to the U67's bass response, offering a more even tone at potentially lower cost.
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Building a U67 clone is feasible due to availability of parts, unlike U47s where VF14 tubes are rare and expensive.
Source
Use cases and applications
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The Sennheiser MD441 offers richness and smoothness similar to the U67 despite its different design.
Source
Mods and upgrades
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The Beesneez BU67-269 includes an internal dip switch for a M269-style broadcast filter, altering its sonic signature.
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"Max Mod 67" alters TLM67 to enhance sound, specifically targeting bass response, but may impact resale value substantially.
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A specific cable modification is rumored to enhance the U67 reissue's sound by restoring bass, but detailed information is scarce.
Source
Critic Reviews
5.0 out of 5
Based on 0 Reviews and 5 Ratings
Artist usage
Add artist
Noel Gallagher used the Neumann U67 microphone for recording sitar parts during Oasis's 2007 sessions at Abbey Road, as shown in a BBC-sourced photo.
Used on “Back in Black” with Celestion G12-65s, Neumann U67 & U87, and Schaffer-Vega Diversity System.
Used for the guitar on The Beatles, as mentioned by sound engineer Ken Scott in this June 2012 Sound on Sound interview.
"In addition to Paul's bass being DI'd, the cabinet probably would have been miked with a 4038, [Neumann] U67 or [AKG] C12. I would have used two 4038s on the organ, 67s on John and George's guitars, and it could have been anything on George's vocal.”
Used on Loveless, as mentioned in this May 2018 Sound on Sound interview.
In September ‘89, the Loveless sessions recommenced, moving to Elephant Studios in Wapping, London. “A pretty big live room, pretty low ceiling,” Shields remembers. “It used to a be a car park or something. But there was a sense of space because of the large size of the rooms and there was a good drum room there. They had some good valve mics, Neumann 67s.”
In Elephant, Shields made another sonic breakthrough when he realised that he could distort not only his amps, but the U67 itself: “When you drive the 67 mic, as well as the amp, but basically not put the pad on the mic, it has a certain sound. I do remember the engineer being quite concerned about it, but I really liked it.”
In a screenshot from Radiohead's "From The Basement" performance of "Bodysnatchers" on April 2, 2008, Ed O'Brien is seen using a Neumann U67 microphone, identifiable by its Tuchel connector, to mic his Vox AC30 amplifier.
Used for vocal recording of the album Dictator in 2012.
In this article by Sound on Sound it says Matty Healy used the U67 for recording his vocals on the 1975's debut album
Engineer Derek Ali on recording To Pimp a Buterfly : "On ‘Alright’ I used a U67 instead of a U47 on [Kendrick's] voice."
Used for the electric guitar on Only by the Night, as stated by producer Jacquire King in this December 2008 Sound on Sound interview.
"We had five or six guitar amplifiers available for each guitar, and again, we picked the ones that were most appropriate for the song. Angelo and I would listen to the guitar parts and mix and match amplifiers. Sometimes we'd put reverb on one amp and a delay on another, or effect pedals on both. We had all kinds of combinations, although we kept it to two amplifiers per performance for each player. I'd put an SM57 in front of one amp and a U67 in front of the other. The guitars went through API mic pres, an API 550A EQ, and I also used some APSI parametric EQs. Occasionally I'd put an 1176 in the signal chain, but in general I don't use much compression on distorted electric guitars going to tape, because there's not a lot of dynamic range to them as it is. The synth–like reverb you can hear on the guitar was done at Blackbird on an Eventide DSP4000 and added during the transfer to Pro Tools."
Used for the electric guitar on Only by the Night, as stated by producer Jacquire King in this December 2008 Sound on Sound interview.
"We had five or six guitar amplifiers available for each guitar, and again, we picked the ones that were most appropriate for the song. Angelo and I would listen to the guitar parts and mix and match amplifiers. Sometimes we'd put reverb on one amp and a delay on another, or effect pedals on both. We had all kinds of combinations, although we kept it to two amplifiers per performance for each player. I'd put an SM57 in front of one amp and a U67 in front of the other. The guitars went through API mic pres, an API 550A EQ, and I also used some APSI parametric EQs. Occasionally I'd put an 1176 in the signal chain, but in general I don't use much compression on distorted electric guitars going to tape, because there's not a lot of dynamic range to them as it is. The synth–like reverb you can hear on the guitar was done at Blackbird on an Eventide DSP4000 and added during the transfer to Pro Tools."
When we were tracking vocals, we used a vintage Neumann U 67, and ran that into a spectrasonic preamp taken from the original console at Stax, then a 1176 compressor. Then for all the other instruments, guitars, piano, etc., we used Neve VR preamps.
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Album Usage
The Neumann U67 has been featured on the following albums:
Lioness Lullabies
Alan Gogoll (2025)
Automatic Yes (feat. John Mayer)
John Mayer & Zedd (2024)
Get Behind The Mule (Spiritual)
Tom Waits (2024)
Desiderium
Somnuri (2023)
Hackney Diamonds
The Rolling Stones (2023)
Deceivers
Arch Enemy (2022)
Right Where I Belong (Single from "Brian Wilson: Long Promised Road Soundtrack")
Jim James & Brian Wilson (2021)
Superwolves
Bonnie 'Prince' Billy & Matt Sweeney (2021)
FEVER
Thomas Dybdahl (2020)
Play Wooden Child
Nodding God (2019)
Anthem Of The Peaceful Army
Greta Van Fleet (2018)
Dictator
Scars on Broadway (2018)
Electric Ladyland - 50th Anniversary Deluxe Edition
Jimi Hendrix (2018)
The Beatles
The Beatles (2018)
Eternity
Benjamin Clementine (2018)
Bohemian Rhapsody (The Original Soundtrack)
Queen (2018)
The Switch
Body/Head (2018)
I Tell A Fly
Benjamin Clementine (2017)
Turn Out the Lights
Julien Baker (2017)
Sobrestar
Jorge Stojan (2017)
Changes
Charles Bradley (2016)
Coconut Rock
Ocote Soul Sounds (2016)
To Pimp A Butterfly
Kendrick Lamar (2015)
Another Country
Rod Stewart (2015)
The Waterfall
My Morning Jacket (2015)
b'lieve i'm goin down...
Kurt Vile (2015)
Drones
Muse (2015)
In The Lonely Hour
Sam Smith (2014)
Would You Fight For My Love?
Jack White & Jack White (2014)
Random Access Memories
Daft Punk & Daft Punk (2013)
The 1975
The 1975 (2013)
Blunderbuss
Jack White & Jack White (2012)
I'm Shakin'
Jack White & Jack White (2012)
Helplessness Blues
Fleet Foxes (2011)
The Fall
Norah Jones (2009)
Sex On Fire
Kings of Leon (2009)
Only By The Night
Kings of Leon (2008)
The Reminder (Deluxe Version)
Feist (2008)
Because Of The Times
Kings of Leon (2007)
Venus Doom (Deluxe Version)
HIM (2007)
Icky Thump
The White Stripes & Jack White & Jack White (2007)
Mama Tried/ Pride In What I Am
Merle Haggard (2006)
Continuum
John Mayer (2006)
I Bet You Look Good On The Dancefloor
Arctic Monkeys (2005)
Jagged Little Pill (Acoustic)
Alanis Morissette (2005)
Daughters
John Mayer (2004)
A Thousand Kisses Deep
Chris Botti (2003)
Mama's Gun
Erykah Badu (2000)
Two Against Nature
Steely Dan (2000)
Livefields
Toto (1999)
...Baby One More Time (Digital Deluxe Version)
Britney Spears (1999)
The Colour And The Shape
Foo Fighters (1997)
Jagged Little Pill
Alanis Morissette (1995)
None
Meshuggah (1994)
What's Love Got to Do with It?
Tina Turner (1993)
Bone Machine (2023 Remaster)
Tom Waits (1992)
Nevermind
Nirvana (1991)
Prison Bound
Social Distortion (1988)
Graceland
Paul Simon (1986)
Southern Cross / Into the Darkness
Crosby, Stills & Nash (1982)
Thriller
Michael Jackson (1982)
Back In Black
AC/DC (1980)
Ol' Blue Eyes Is Back
Frank Sinatra (1973)
Exile On Main Street (Deluxe Version)
The Rolling Stones (1972)
Let It Be (Remastered)
The Beatles (1970)
Suite: Judy Blue Eyes / Long Time Gone
Crosby, Stills & Nash (1969)
Abbey Road (Remastered)
The Beatles (1969)
Electric Ladyland
Jimi Hendrix (1968)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Neumann U67, it is most commonly used with the following gear.
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