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Average Price: $7,206
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$100
$401+
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Based on price data from 6 merchants for "Neumann U67". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Step into the golden era of music with the Neumann U67, a faithful recreation of the iconic tube condenser microphone that defined the sound of the 1960s. Crafted meticulously in Germany, this reissue delivers the same silky smooth character, exceptional versatility, and stellar performance that made the original a studio workhorse for over a decade.
The U67 comes armed with three selectable polar patterns for maximum flexibility. You can easily capture intimate vocals or distant room mics with a simple turn of a dial. The cardioid setting is perfect for focused recording of single instruments or vocals, while the omnidirectional pattern picks up sound evenly from all directions, making it ideal for ambient room mics.
Neumann has painstakingly recreated the U67 using archived documentation and new-old stock components, matching the original's specifications. A redesigned power supply meets modern safety standards while delivering the same sonic performance. Don't let the vintage style of the U67 fool you; it's a thoroughly modern mic ready for any recording challenge with a maximum SPL of 124dB.
From the nickel-plated brass body to the vintage-style suspension mount, every aspect of this microphone exudes premium quality and attention to detail. The Neumann U67 reissue offers an excellent blend of vintage character and modern performance, making it an enviable addition to any home or project studio.
Key Features:
- A faithful reissue of the iconic Neumann U67 tube condenser microphone
- Three selectable polar patterns: cardioid, omnidirectional, and figure-8
- High SPL handling for recording loud instruments
- Premium components meticulously reproduced to match the original's specifications
- Redesigned power supply that meets modern safety standards
- Nickel-plated brass body with vintage-style suspension mount
- Handcrafted in Germany.
Product specs
| Microphone Type | Tube Condenser |
| Mono/Stereo | Mono |
| Polar Pattern | Cardioid, Figure-8, Omnidirectional |
| Frequency Response | 20Hz-20kHz |
| Max SPL | 114dB SPL (124dB with pad) |
| Output Impedance | 200 ohms |
| Sensitivity | 24 mV/Pa (cardioid) |
| Self Noise | 17dB (A weighted, cardioid) |
| Low Cut Filter | 100Hz |
| Pads | -10dB |
| Tube | EF86 |
| Power Source | External power supply NU 67 V |
| Connector | 7-pin DIN to power supply, XLR out |
| Dimensions | 7.87" x 2.2" |
| Weight | 1.23 lbs. |
| Included Accessories | Shockmount, Multi-pin cable, Carrying Case |
FAQs
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What are the primary applications for the Neumann U67 microphone?
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The Neumann U67 is versatile and commonly used for recording vocals, acoustic instruments, piano, and drum overheads due to its warm and detailed sound signature.
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What polar patterns does the Neumann U67 offer?
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The Neumann U67 features three selectable polar patterns: cardioid, figure-8, and omnidirectional, making it adaptable for various recording environments and applications.
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What is the frequency response range of the Neumann U67?
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The Neumann U67 has a frequency response range of 20Hz to 20kHz, providing a full and balanced sound suitable for capturing a wide array of audio sources.
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Does the Neumann U67 require an external power source?
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Yes, the Neumann U67 requires an external power supply, specifically the NU 67 V, to operate its tube circuitry.
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How does the Neumann U67 handle high sound pressure levels?
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The Neumann U67 can handle a maximum sound pressure level of 114dB SPL, or 124dB with the -10dB pad engaged, making it suitable for loud sound sources.
Videos
Georg Neumann GmbH
The Neumann U 67 Set (2018)
The Neumann U 67 Set (2018)
Georg Neumann GmbH
Neumann U67 Reissue v.s. Vintage U67 Shootout | Microphone | Vintage King
Vintage King
Test 14 Neumann U67 Tube Microphone Acoustic Guitar Noah Needleman
Modern Mics
Mic Shootout #2 - Neumann U67, Neumann U47, AKG C12, Telefunken ELA M 251
Orange Room
1.000 Euro gegen 6.000 Euro - Röhrenmikrofon Oktava MKL 5000 vs Neumann U67 (Test/Review/Vergleich)
The Soundphile
Slate ML-1 (Blackbird) vs Neumann U67 | The Sierra Sessions
Records On Top
Neumann U67 im Test - The Soundphile (1/3) - Vorstellung
The Soundphile
mic comparison: Neumann U67 reissue vs. U89 on vocals, acoustic guitars and mandolin
Robert Hasleder
Neumann U67 Unboxing & Hands On | Gear Time
TheStonehengeStudio
Neumann U67 im Test - The Soundphile (3/3) - Fazit
The Soundphile
Reviews
PROS
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Warm, fat sound quality enhances recordings
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Functions well with any pre-amp
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Realistic sound reproduction; brings recordings to life
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Captures body and tonality without sibilance
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Smooth "round" top end, comfortable for bright boosts
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Versatile; excellent for vocals, overheads, and instruments
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Open, 3-dimensional sound for female vocals
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Iconic, with a rich history in pop music
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High sound reproduction and quality craftsmanship
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Smooth and alive sound across various applications
CONS
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High price point may be prohibitive
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Some reviews suggest the reissue may need modifications to match the original's character
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Quality of modern capsules and tubes in reissue considered inferior by some
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Neumann U67.
Comparisons
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The Lewitt LCT 1040 in "Dark Tube" mode shares qualities with the U67, despite being derived from the C12 lineage.
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The Beyerdynamic M160 and Lauten Atlantis are noted for their lush sound quality, overlapping with the U67's sonic territory.
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Mojave mics are recommended for those seeking a sound closer to the U67's bass response, offering a more even tone at potentially lower cost.
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Building a U67 clone is feasible due to availability of parts, unlike U47s where VF14 tubes are rare and expensive.
Source
Use cases and applications
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The Sennheiser MD441 offers richness and smoothness similar to the U67 despite its different design.
Source
Mods and upgrades
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The Beesneez BU67-269 includes an internal dip switch for a M269-style broadcast filter, altering its sonic signature.
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"Max Mod 67" alters TLM67 to enhance sound, specifically targeting bass response, but may impact resale value substantially.
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A specific cable modification is rumored to enhance the U67 reissue's sound by restoring bass, but detailed information is scarce.
Source
Critic Reviews
5.0 out of 5
Based on 0 Reviews and 5 Ratings
Artist usage
Add artist
In this article Rob Laakso, Kurt Vile's bandmate and engineer on the album B'lieve I'm Goin Down..., tells about some equipment used in the making of the record:
He takes the recording of Vile’s resonator on “All in a Daze Work” as an example. “We used a Neumann U 67 on it, and there was another condenser on his vocal—maybe a [Neumann] 47 or a 48. I was just going through the instrumentals for the record, and it’s kind of funny. There’s a lot of bleed in my so-called microphone mix on that song, but those two mics give it that sound.
"Mic-wise, when it came to recording Alex Turner’s vocals (and the backing vocals sung by Matt Helders), Abbiss moved between a Shure SM7 and a Neumann U67 and U87. “If Alex was doing a vocal live, we used the SM7, ‘cause it’s really good at rejecting spill from anything else. The U67 they’ve got there is good and middly sounding. Matt never did his BVs as part of the live takes, he concentrated on his drumming. The 87 was there for the BVs.”- Jim Abbiss, producer of "I Bet You Look Good On The Dancefloor".
Freddie's piano was miked with two Neumann U67s and we also set up a Shure mic for his guide vocal. He didn't sing all the way through the backing track takes, just the first couple of words of each line as a reference for the band.
This comes from a Sound on Sound article from 1995, where producer and engineer of "Bohemian Rhapsody" talk about how this song was recorded.
video shot in Electrical Audio, Steve Albini's studio, mic shown at 0:40
Used on Anthem of the Peaceful Army, as stated by mix engineer Al Sutton in this January 2019 Sound on Sound interview.
"With regards to electric guitars, we usually had several amps set up, like an AC30 and a Marshall, or Marshall clone, and I tended to have a U67 on one and a U87 on the other cabinet, placed straight on the centre of the speaker. Sometimes I'd use a Sony C37 or a Shure SM57. All the guitar mics also went through the API desk, but I sent the bass through the Acme Audio MTP-66 pre and DI."
Used for an overdub of a table on Hamilton (Original Broadway Cast Recording), as stated by recording engineer Derik Lee in this September 2016 Sound On Sound interview.
“Other drum microphones were Sennheiser 421s on three of the toms and a Neumann FET 47 on the fourth, and I had a Neumann KM84 each on the hi-hat, the ride, and as left and right room mics. I recorded the percussionist with four AKG C451s, a Shure SM57, a Sennheiser 421, and a Neumann FET 47. I also had a Neve 33609 [compressor] on the LCR overheads. Oh, and Ahmir ‘?uestlove’ Thompson did an overdub, playing a table, which I recorded with a Neumann U67.
In the Sound on Sound article "Bruce Swedien: Recording Michael Jackson," it's noted that a Neumann U67 microphone was used during the recording sessions for Michael Jackson's "Billie Jean."
Originally I really liked the sound of Neumann U67, and there were times when I thought it would be better to have it, but isn't it difficult to maintain? The condition of the studio U67 is also different. But I also have a throat condition, so I want to record songs in my studio. So, after trying various U67 replicas, Peluso was the one that matched the voice best. Sometimes I use Neumann U87Ai to record strong mids, but recently I rent U67 or record with Peluso.
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In the "Jon Bellion - The Making Of Kingdom Come (Behind The Scenes)" video by Visionary Music Group, Jon Bellion is seen using the Neumann U67 microphone. At approximately the 4:10 timestamp, the microphone is clearly visible from multiple angles.
At 2:19 and on the cover of "We Are The World 25 for Haiti," Levine can be seen using a U67
Used for the bass on Because of the Times, as stated in this July 1, 2007 Mix Online interview with producer Ethan Johns.
Johns used the modified Trident to track and mix. He recorded to a Studer 24-track aligned at +6 for 499 running at 30 ips, and mixed to a Studer 2-track. He went with Helios mic pre's and Fairchild compression for the guitars, EMI mic pre's for the drums and Universal Audio 610 pre's for the bass mic (a Neumann U67) and the vocals.
Album Usage
The Neumann U67 has been featured on the following albums:
Lioness Lullabies
Alan Gogoll (2025)
Automatic Yes (feat. John Mayer)
John Mayer & Zedd (2024)
Get Behind The Mule (Spiritual)
Tom Waits (2024)
Desiderium
Somnuri (2023)
Hackney Diamonds
The Rolling Stones (2023)
Deceivers
Arch Enemy (2022)
Right Where I Belong (Single from "Brian Wilson: Long Promised Road Soundtrack")
Jim James & Brian Wilson (2021)
Superwolves
Bonnie 'Prince' Billy & Matt Sweeney (2021)
FEVER
Thomas Dybdahl (2020)
Play Wooden Child
Nodding God (2019)
Anthem Of The Peaceful Army
Greta Van Fleet (2018)
Dictator
Scars on Broadway (2018)
Electric Ladyland - 50th Anniversary Deluxe Edition
Jimi Hendrix (2018)
The Beatles
The Beatles (2018)
Eternity
Benjamin Clementine (2018)
Bohemian Rhapsody (The Original Soundtrack)
Queen (2018)
The Switch
Body/Head (2018)
I Tell A Fly
Benjamin Clementine (2017)
Turn Out the Lights
Julien Baker (2017)
Sobrestar
Jorge Stojan (2017)
Changes
Charles Bradley (2016)
Coconut Rock
Ocote Soul Sounds (2016)
To Pimp A Butterfly
Kendrick Lamar (2015)
Another Country
Rod Stewart (2015)
The Waterfall
My Morning Jacket (2015)
b'lieve i'm goin down...
Kurt Vile (2015)
Drones
Muse (2015)
In The Lonely Hour
Sam Smith (2014)
Would You Fight For My Love?
Jack White & Jack White (2014)
Random Access Memories
Daft Punk & Daft Punk (2013)
The 1975
The 1975 (2013)
Blunderbuss
Jack White & Jack White (2012)
I'm Shakin'
Jack White & Jack White (2012)
Helplessness Blues
Fleet Foxes (2011)
The Fall
Norah Jones (2009)
Sex On Fire
Kings of Leon (2009)
Only By The Night
Kings of Leon (2008)
The Reminder (Deluxe Version)
Feist (2008)
Because Of The Times
Kings of Leon (2007)
Venus Doom (Deluxe Version)
HIM (2007)
Icky Thump
The White Stripes & Jack White & Jack White (2007)
Mama Tried/ Pride In What I Am
Merle Haggard (2006)
Continuum
John Mayer (2006)
I Bet You Look Good On The Dancefloor
Arctic Monkeys (2005)
Jagged Little Pill (Acoustic)
Alanis Morissette (2005)
Daughters
John Mayer (2004)
A Thousand Kisses Deep
Chris Botti (2003)
Mama's Gun
Erykah Badu (2000)
Two Against Nature
Steely Dan (2000)
Livefields
Toto (1999)
...Baby One More Time (Digital Deluxe Version)
Britney Spears (1999)
The Colour And The Shape
Foo Fighters (1997)
Jagged Little Pill
Alanis Morissette (1995)
None
Meshuggah (1994)
What's Love Got to Do with It?
Tina Turner (1993)
Bone Machine (2023 Remaster)
Tom Waits (1992)
Nevermind
Nirvana (1991)
Prison Bound
Social Distortion (1988)
Graceland
Paul Simon (1986)
Southern Cross / Into the Darkness
Crosby, Stills & Nash (1982)
Thriller
Michael Jackson (1982)
Back In Black
AC/DC (1980)
Ol' Blue Eyes Is Back
Frank Sinatra (1973)
Exile On Main Street (Deluxe Version)
The Rolling Stones (1972)
Let It Be (Remastered)
The Beatles (1970)
Suite: Judy Blue Eyes / Long Time Gone
Crosby, Stills & Nash (1969)
Abbey Road (Remastered)
The Beatles (1969)
Electric Ladyland
Jimi Hendrix (1968)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Neumann U67, it is most commonly used with the following gear.
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