Pricing and availability

We compare 600+ stores and found this item at 8 stores. Prices updated .

Sweetwater
5.0 (16)
$8,299.00
Guitar Center
1.0 (1)
$8,299.00
Reverb
5.0 (8)
$4,300.00 New
$4,657.20 Used
Musician's Friend
4.0 (301)
$8,299.00
B&H
$8,299.00
Thomann
5.0 (13)
$7,222.00 $7,199.00 $23.00 · All time low
Gear4Music
£6,429.45
Vintage King
5.0 (9)
$8,299.00

Average Price: $7,206

High-end/Boutique

$100

$401+

Price Tier

Budget

Standard

High-end

Price History

Based on price data from 6 merchants for "Neumann U67". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.

* Product prices and availability are updated by Equipboard every 24hrs and are subject to change. Equipboard may receive compensation for purchases made at participating retailers linked on this site. This compensation does not affect what products or prices are displayed, or the order of prices listed. For more information, please refer to our affiliate disclosure.

Description

Step into the golden era of music with the Neumann U67, a faithful recreation of the iconic tube condenser microphone that defined the sound of the 1960s. Crafted meticulously in Germany, this reissue delivers the same silky smooth character, exceptional versatility, and stellar performance that made the original a studio workhorse for over a decade.

The U67 comes armed with three selectable polar patterns for maximum flexibility. You can easily capture intimate vocals or distant room mics with a simple turn of a dial. The cardioid setting is perfect for focused recording of single instruments or vocals, while the omnidirectional pattern picks up sound evenly from all directions, making it ideal for ambient room mics.

Neumann has painstakingly recreated the U67 using archived documentation and new-old stock components, matching the original's specifications. A redesigned power supply meets modern safety standards while delivering the same sonic performance. Don't let the vintage style of the U67 fool you; it's a thoroughly modern mic ready for any recording challenge with a maximum SPL of 124dB.

From the nickel-plated brass body to the vintage-style suspension mount, every aspect of this microphone exudes premium quality and attention to detail. The Neumann U67 reissue offers an excellent blend of vintage character and modern performance, making it an enviable addition to any home or project studio.

Key Features:

  • A faithful reissue of the iconic Neumann U67 tube condenser microphone
  • Three selectable polar patterns: cardioid, omnidirectional, and figure-8
  • High SPL handling for recording loud instruments
  • Premium components meticulously reproduced to match the original's specifications
  • Redesigned power supply that meets modern safety standards
  • Nickel-plated brass body with vintage-style suspension mount
  • Handcrafted in Germany.

Product specs

Microphone Type Tube Condenser
Mono/Stereo Mono
Polar Pattern Cardioid, Figure-8, Omnidirectional
Frequency Response 20Hz-20kHz
Max SPL 114dB SPL (124dB with pad)
Output Impedance 200 ohms
Sensitivity 24 mV/Pa (cardioid)
Self Noise 17dB (A weighted, cardioid)
Low Cut Filter 100Hz
Pads -10dB
Tube EF86
Power Source External power supply NU 67 V
Connector 7-pin DIN to power supply, XLR out
Dimensions 7.87" x 2.2"
Weight 1.23 lbs.
Included Accessories Shockmount, Multi-pin cable, Carrying Case

FAQs

What are the primary applications for the Neumann U67 microphone?

The Neumann U67 is versatile and commonly used for recording vocals, acoustic instruments, piano, and drum overheads due to its warm and detailed sound signature.

What polar patterns does the Neumann U67 offer?

The Neumann U67 features three selectable polar patterns: cardioid, figure-8, and omnidirectional, making it adaptable for various recording environments and applications.

What is the frequency response range of the Neumann U67?

The Neumann U67 has a frequency response range of 20Hz to 20kHz, providing a full and balanced sound suitable for capturing a wide array of audio sources.

Does the Neumann U67 require an external power source?

Yes, the Neumann U67 requires an external power supply, specifically the NU 67 V, to operate its tube circuitry.

How does the Neumann U67 handle high sound pressure levels?

The Neumann U67 can handle a maximum sound pressure level of 114dB SPL, or 124dB with the -10dB pad engaged, making it suitable for loud sound sources.

Georg Neumann GmbH

Georg Neumann GmbH

The Neumann U 67 Set (2018)

Video thumbnail for The Neumann U 67 Set (2018) by Georg Neumann GmbH

The Neumann U 67 Set (2018)

Georg Neumann GmbH

Georg Neumann GmbH

Video thumbnail for Neumann U67 Reissue v.s. Vintage U67 Shootout | Microphone | Vintage King by Vintage King

Neumann U67 Reissue v.s. Vintage U67 Shootout | Microphone | Vintage King

Vintage King

Vintage King

Video thumbnail for Test 14 Neumann U67 Tube Microphone Acoustic Guitar Noah Needleman by Modern Mics

Test 14 Neumann U67 Tube Microphone Acoustic Guitar Noah Needleman

Modern Mics

Modern Mics

Video thumbnail for Mic Shootout #2 - Neumann U67, Neumann U47, AKG C12, Telefunken ELA M 251 by Orange Room

Mic Shootout #2 - Neumann U67, Neumann U47, AKG C12, Telefunken ELA M 251

Orange Room

Orange Room

Video thumbnail for 1.000 Euro gegen 6.000 Euro - Röhrenmikrofon Oktava MKL 5000 vs Neumann U67 (Test/Review/Vergleich) by The Soundphile

1.000 Euro gegen 6.000 Euro - Röhrenmikrofon Oktava MKL 5000 vs Neumann U67 (Test/Review/Vergleich)

The Soundphile

The Soundphile

Video thumbnail for Slate ML-1 (Blackbird) vs Neumann U67 | The Sierra Sessions by Records On Top

Slate ML-1 (Blackbird) vs Neumann U67 | The Sierra Sessions

Records On Top

Records On Top

Video thumbnail for Neumann U67 im Test - The Soundphile (1/3) - Vorstellung by The Soundphile

Neumann U67 im Test - The Soundphile (1/3) - Vorstellung

The Soundphile

The Soundphile

Video thumbnail for mic comparison: Neumann U67 reissue vs. U89 on vocals, acoustic guitars and mandolin by Robert Hasleder

mic comparison: Neumann U67 reissue vs. U89 on vocals, acoustic guitars and mandolin

Robert Hasleder

Robert Hasleder

Video thumbnail for Neumann U67 Unboxing & Hands On | Gear Time by TheStonehengeStudio

Neumann U67 Unboxing & Hands On | Gear Time

TheStonehengeStudio

TheStonehengeStudio

Video thumbnail for Neumann U67 im Test - The Soundphile (3/3) - Fazit by The Soundphile

Neumann U67 im Test - The Soundphile (3/3) - Fazit

The Soundphile

The Soundphile

Reviews

PROS

  • Warm, fat sound quality enhances recordings

  • Functions well with any pre-amp

  • Realistic sound reproduction; brings recordings to life

  • Captures body and tonality without sibilance

  • Smooth "round" top end, comfortable for bright boosts

  • Versatile; excellent for vocals, overheads, and instruments

  • Open, 3-dimensional sound for female vocals

  • Iconic, with a rich history in pop music

  • High sound reproduction and quality craftsmanship

  • Smooth and alive sound across various applications

CONS

  • High price point may be prohibitive

  • Some reviews suggest the reissue may need modifications to match the original's character

  • Quality of modern capsules and tubes in reissue considered inferior by some

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Neumann U67.

Comparisons

  • The Lewitt LCT 1040 in "Dark Tube" mode shares qualities with the U67, despite being derived from the C12 lineage.

    Source
  • The Beyerdynamic M160 and Lauten Atlantis are noted for their lush sound quality, overlapping with the U67's sonic territory.

    Source
  • Mojave mics are recommended for those seeking a sound closer to the U67's bass response, offering a more even tone at potentially lower cost.

    Source
  • Building a U67 clone is feasible due to availability of parts, unlike U47s where VF14 tubes are rare and expensive.

    Source

Use cases and applications

  • The Sennheiser MD441 offers richness and smoothness similar to the U67 despite its different design.

    Source

Mods and upgrades

  • The Beesneez BU67-269 includes an internal dip switch for a M269-style broadcast filter, altering its sonic signature.

    Source
  • "Max Mod 67" alters TLM67 to enhance sound, specifically targeting bass response, but may impact resale value substantially.

    Source
  • A specific cable modification is rumored to enhance the U67 reissue's sound by restoring bass, but detailed information is scarce.

    Source

User experience

  • Owners find the Audio Technica AT4050 harsh and artificial-sounding compared to the U67, which handles EQ adjustments better.

    Source

Critic Reviews

Neumann: U 67 Tube Microphone Reissue | Tape Op Magazine | Longform candid interviews with music producers and audio engineers covering mixing, mastering, recording and music production.

tapeop.com

The Neumann U67 reissue impresses with its authentic vintage charm, delivering a rich, warm, and balanced sound that's perfect for vocals and versatile in various recording scenarios. It stands out against other high-end microphones in blind tests, maintaining its reputation as a preferred choice for many singers. Despite its hefty price tag and some underwhelming accessories like the shock mount and cable, the U67 reissue justifies its cost with exceptional sound quality and potential value retention. For those who can afford it, this microphone is a worthwhile investment, embodying the celebrated sound of its iconic predecessor.

positive

5.0 out of 5

Based on 0 Reviews and 5 Ratings

5 star
4 star
3 star
2 star
1 star

Artist usage

Add artist
See how Jessie J uses Neumann U67

Jessie J

Singer

...
Verified via YouTube

Jessie J was recording her vocals on the Neumann U67 (Ryan Tedder's Mic) for the song "I Want Love."

At: 0:30

See how Buck Owens uses Neumann U67

Buck Owens

Singer

Buck Owens and His Buckaroos

...
Verified via Mixonline

Mentioned by sound engineer Bob Norberg in Mix Online article about Merle Haggard's "Mama Tried".

"We always cut Merle's vocal with a U67. Buck Owens, too."

See how Alan Gogoll uses Neumann U67

Alan Gogoll

Guitarist, Composer

...
Verified via YouTube

In this video producer Michael Watts shows and says that they used this mic in the Hansa session. 2:45 mark

See how Tina Turner uses Neumann U67

Tina Turner

Singer

Ike & Tina Turner

...
Verified via Soundonsound

"That's what I did with Tina, close-miking her with a valve Neumann U67 while the distant mic, an AKG C12A, was there to pick up the loud parts."

See how Justin Furstenfeld uses Neumann U67

Justin Furstenfeld

Singer, Guitarist

Blue October

...
Verified via Photo

My very first Neumann U/67. For anyone who knows what this is this is a huge deal for me as a vocalist. I’ve saved and saved and finally bought this beautiful microphone . I’m so honored and proud to be a part of this band and journey with all of you.

See how Terry Date uses Neumann U67

Terry Date

Music Producer, Audio Engineer

...
Verified via YouTube

Used as Overhead mics on his signature drum sample pack. (See markings on tape at 3:34)

See how Natalie Cole uses Neumann U67

Natalie Cole

Singer

...
Verified via Soundonsound

Recording engineer Al Schmitt mentions using a U67 to record Cole's cover of her father's "Unforgettable".

"At one point, instead of being in a vocal booth, she came out and stood right there with the orchestra, à la Frank Sinatra. She was amazing. I used a Neumann U67 on her voice, along with just 2dB of a Summit limiter and a Neve 1073 preamp. I like the 67 a lot, it seems to work well on vocals, and with her it worked really well. When her father recorded 'Unforgettable', he used a 47, and the 67 matched up pretty well with that."

See how John Porter uses Neumann U67

John Porter

Guitarist, Music Producer

...
Verified via Soundonsound

John Porter's favourite mic for guitar cabs is a Shure SM57, positioned right up to the grille at the edge of the voice coil. "That's as good as it gets, for me. If you'd like a little more room, a Neumann U67 is a great mic to put a few feet away, but there's all kinds of mics you can use.

See how Thomas Dybdahl uses Neumann U67

Thomas Dybdahl

Singer, Guitarist

...
Verified via Musicmaker

In this MusicMaker article, Thomas says he uses either Neumann U47, U67 or U87 microphones for his vocals. On his 2019 album ´Fever´ he mostly used the U67.

See how Michael Beinhorn uses Neumann U67

Michael Beinhorn

Keyboardist, Music Producer

Red Hot Chili Peppers

...
Verified via YouTube

At 8:41 in the YouTube video "Black Hole Sun: Inside the Song with Michael Beinhorn - Warren Huart: Produce Like A Pro," Michael Beinhorn mentions using a pair of Neumann U67 microphones on the cymbals during the recording of "Black Hole Sun."

See how Ricky Warwick uses Neumann U67

Ricky Warwick

Guitarist, Singer

Thin Lizzy

...
Verified via Twitter

"In the studio: can't beat a Neumann U67. This is an old....and good one. All is going well, recording the new album."

See how Matt Hyde uses Neumann U67

Matt Hyde

Singer

Beastwars

...
Verified via Emusician

"We make sure to listen in different places in the room and then place the mics based on that. For room mics I used RCA 44- BX ribbon mics about six to eight feet out and to the left and right, they happened to sound great. The RCA ribbon mics mostly picked up snare and kick. So I moved them more to the middle and they became these center mono ribbon mics. Deeper out in the room, we used a pair of Coles facing down at the floor, low to the floor; I don’t want to pick up a lot of cymbals. That’s one way to get smooth room sound without a lot of cymbals. Then we added some condenser mics: Neumann U47s and U67s, far out in the room…"

Album Usage

The Neumann U67 has been featured on the following albums:

Neumann U67 as heard on Lioness Lullabies by Alan Gogoll (2025)

Lioness Lullabies

Alan Gogoll (2025)

Neumann U67 as heard on Automatic Yes (feat. John Mayer) by John Mayer & Zedd (2024)

Automatic Yes (feat. John Mayer)

John Mayer & Zedd (2024)

Neumann U67 as heard on Get Behind The Mule (Spiritual) by Tom Waits (2024)

Get Behind The Mule (Spiritual)

Tom Waits (2024)

Neumann U67 as heard on Desiderium by Somnuri (2023)

Desiderium

Somnuri (2023)

Neumann U67 as heard on Hackney Diamonds by The Rolling Stones (2023)

Hackney Diamonds

The Rolling Stones (2023)

Neumann U67 as heard on Deceivers by Arch Enemy (2022)

Deceivers

Arch Enemy (2022)

Neumann U67 as heard on Right Where I Belong (Single from "Brian Wilson: Long Promised Road Soundtrack") by Jim James & Brian Wilson (2021)

Right Where I Belong (Single from "Brian Wilson: Long Promised Road Soundtrack")

Jim James & Brian Wilson (2021)

Neumann U67 as heard on Superwolves by Bonnie 'Prince' Billy & Matt Sweeney (2021)

Superwolves

Bonnie 'Prince' Billy & Matt Sweeney (2021)

Neumann U67 as heard on FEVER by Thomas Dybdahl (2020)

FEVER

Thomas Dybdahl (2020)

Neumann U67 as heard on Play Wooden Child by Nodding God (2019)

Play Wooden Child

Nodding God (2019)

Neumann U67 as heard on Anthem Of The Peaceful Army by Greta Van Fleet (2018)

Anthem Of The Peaceful Army

Greta Van Fleet (2018)

Neumann U67 as heard on Dictator by Scars on Broadway (2018)

Dictator

Scars on Broadway (2018)

Neumann U67 as heard on Electric Ladyland - 50th Anniversary Deluxe Edition by Jimi Hendrix (2018)

Electric Ladyland - 50th Anniversary Deluxe Edition

Jimi Hendrix (2018)

Neumann U67 as heard on The Beatles by The Beatles (2018)

The Beatles

The Beatles (2018)

Neumann U67 as heard on Eternity by Benjamin Clementine (2018)

Eternity

Benjamin Clementine (2018)

Neumann U67 as heard on Bohemian Rhapsody (The Original Soundtrack) by Queen (2018)

Bohemian Rhapsody (The Original Soundtrack)

Queen (2018)

Neumann U67 as heard on The Switch by Body/Head (2018)

The Switch

Body/Head (2018)

Neumann U67 as heard on I Tell A Fly by Benjamin Clementine (2017)

I Tell A Fly

Benjamin Clementine (2017)

Neumann U67 as heard on Turn Out the Lights by Julien Baker (2017)

Turn Out the Lights

Julien Baker (2017)

Neumann U67 as heard on Sobrestar by Jorge Stojan (2017)

Sobrestar

Jorge Stojan (2017)

Neumann U67 as heard on Changes by Charles Bradley (2016)

Changes

Charles Bradley (2016)

Neumann U67 as heard on Coconut Rock by Ocote Soul Sounds (2016)

Coconut Rock

Ocote Soul Sounds (2016)

Neumann U67 as heard on To Pimp A Butterfly by Kendrick Lamar (2015)

To Pimp A Butterfly

Kendrick Lamar (2015)

Neumann U67 as heard on Another Country by Rod Stewart (2015)

Another Country

Rod Stewart (2015)

Neumann U67 as heard on The Waterfall by My Morning Jacket (2015)

The Waterfall

My Morning Jacket (2015)

Neumann U67 as heard on b'lieve i'm goin down... by Kurt Vile (2015)

b'lieve i'm goin down...

Kurt Vile (2015)

Neumann U67 as heard on Drones by Muse (2015)

Drones

Muse (2015)

Neumann U67 as heard on In The Lonely Hour by Sam Smith (2014)

In The Lonely Hour

Sam Smith (2014)

Neumann U67 as heard on Would You Fight For My Love? by Jack White & Jack White (2014)

Would You Fight For My Love?

Jack White & Jack White (2014)

Neumann U67 as heard on Random Access Memories by Daft Punk & Daft Punk (2013)

Random Access Memories

Daft Punk & Daft Punk (2013)

Neumann U67 as heard on The 1975 by The 1975 (2013)

The 1975

The 1975 (2013)

Neumann U67 as heard on Blunderbuss by Jack White & Jack White (2012)

Blunderbuss

Jack White & Jack White (2012)

Neumann U67 as heard on I'm Shakin' by Jack White & Jack White (2012)

I'm Shakin'

Jack White & Jack White (2012)

Neumann U67 as heard on Helplessness Blues by Fleet Foxes (2011)

Helplessness Blues

Fleet Foxes (2011)

Neumann U67 as heard on The Fall by Norah Jones (2009)

The Fall

Norah Jones (2009)

Neumann U67 as heard on Sex On Fire by Kings of Leon (2009)

Sex On Fire

Kings of Leon (2009)

Neumann U67 as heard on Only By The Night by Kings of Leon (2008)

Only By The Night

Kings of Leon (2008)

Neumann U67 as heard on The Reminder (Deluxe Version) by Feist (2008)

The Reminder (Deluxe Version)

Feist (2008)

Neumann U67 as heard on Because Of The Times by Kings of Leon (2007)

Because Of The Times

Kings of Leon (2007)

Neumann U67 as heard on Venus Doom (Deluxe Version) by HIM (2007)

Venus Doom (Deluxe Version)

HIM (2007)

Neumann U67 as heard on Icky Thump by The White Stripes & Jack White & Jack White (2007)

Icky Thump

The White Stripes & Jack White & Jack White (2007)

Neumann U67 as heard on Mama Tried/ Pride In What I Am by Merle Haggard (2006)

Mama Tried/ Pride In What I Am

Merle Haggard (2006)

Neumann U67 as heard on Continuum by John Mayer (2006)

Continuum

John Mayer (2006)

Neumann U67 as heard on I Bet You Look Good On The Dancefloor by Arctic Monkeys (2005)

I Bet You Look Good On The Dancefloor

Arctic Monkeys (2005)

Neumann U67 as heard on Jagged Little Pill (Acoustic) by Alanis Morissette (2005)

Jagged Little Pill (Acoustic)

Alanis Morissette (2005)

Neumann U67 as heard on Daughters by John Mayer (2004)

Daughters

John Mayer (2004)

Neumann U67 as heard on A Thousand Kisses Deep by Chris Botti (2003)

A Thousand Kisses Deep

Chris Botti (2003)

Neumann U67 as heard on Mama's Gun by Erykah Badu (2000)

Mama's Gun

Erykah Badu (2000)

Neumann U67 as heard on Two Against Nature by Steely Dan (2000)

Two Against Nature

Steely Dan (2000)

Neumann U67 as heard on Livefields by Toto (1999)

Livefields

Toto (1999)

Neumann U67 as heard on ...Baby One More Time (Digital Deluxe Version) by Britney Spears (1999)

...Baby One More Time (Digital Deluxe Version)

Britney Spears (1999)

Neumann U67 as heard on The Colour And The Shape by Foo Fighters (1997)

The Colour And The Shape

Foo Fighters (1997)

Neumann U67 as heard on Jagged Little Pill by Alanis Morissette (1995)

Jagged Little Pill

Alanis Morissette (1995)

Neumann U67 as heard on None by Meshuggah (1994)

None

Meshuggah (1994)

Neumann U67 as heard on What's Love Got to Do with It? by Tina Turner (1993)

What's Love Got to Do with It?

Tina Turner (1993)

Neumann U67 as heard on Bone Machine (2023 Remaster) by Tom Waits (1992)

Bone Machine (2023 Remaster)

Tom Waits (1992)

Neumann U67 as heard on Nevermind by Nirvana (1991)

Nevermind

Nirvana (1991)

Neumann U67 as heard on Prison Bound by Social Distortion (1988)

Prison Bound

Social Distortion (1988)

Neumann U67 as heard on Graceland by Paul Simon (1986)

Graceland

Paul Simon (1986)

Neumann U67 as heard on Southern Cross / Into the Darkness by Crosby, Stills & Nash (1982)

Southern Cross / Into the Darkness

Crosby, Stills & Nash (1982)

Neumann U67 as heard on Thriller by Michael Jackson (1982)

Thriller

Michael Jackson (1982)

Neumann U67 as heard on Back In Black by AC/DC (1980)

Back In Black

AC/DC (1980)

Neumann U67 as heard on Ol' Blue Eyes Is Back by Frank Sinatra (1973)

Ol' Blue Eyes Is Back

Frank Sinatra (1973)

Neumann U67 as heard on Exile On Main Street (Deluxe Version) by The Rolling Stones (1972)

Exile On Main Street (Deluxe Version)

The Rolling Stones (1972)

Neumann U67 as heard on Let It Be (Remastered) by The Beatles (1970)

Let It Be (Remastered)

The Beatles (1970)

Neumann U67 as heard on Suite: Judy Blue Eyes / Long Time Gone by Crosby, Stills & Nash (1969)

Suite: Judy Blue Eyes / Long Time Gone

Crosby, Stills & Nash (1969)

Neumann U67 as heard on Abbey Road (Remastered) by The Beatles (1969)

Abbey Road (Remastered)

The Beatles (1969)

Neumann U67 as heard on Electric Ladyland by Jimi Hendrix (1968)

Electric Ladyland

Jimi Hendrix (1968)

Used With

Based on how musicians on Equipboard use Neumann U67, it is most commonly used with the following gear.

Shure SM57
Shure SM57 Dynamic Microphones
24
Neumann U87
Neumann U87 Condenser Microphones
12
AMS Neve 1073
AMS Neve 1073 Preamps & Channel Strips
12
Neumann U47
Neumann U47 Condenser Microphones
9
Avid Pro Tools
Avid Pro Tools DAW Software
8
Coles Electroacoustics 4038
7
Neumann U47 FET
Neumann U47 FET Condenser Microphones
7
Sennheiser MD 421-II
Sennheiser MD 421-II Dynamic Microphones
6
Shure SM7
Shure SM7 Dynamic Microphones
6

Community setups

Show yours
mati_lustman

mati_lustman

Gear IQ 226

More Neumann Condenser Microphones

Accessories & Related Items

Similar

Gear Guides