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Average Price: $1,077
High-end/Boutique
$300
$701+
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Budget
Standard
High-end
Price History
Based on price data from 3 merchants for "Roland JC-120 Jazz Chorus". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Welcome to the world of the Roland JC-120 Jazz Chorus, the quintessential amp that's been trusted by musicians for over two decades. This iconic amplifier is renowned for its exceptional clean sound and its rich, stereo chorus. It's the go-to gear for jazz musicians and guitarists who demand the best from their equipment.
The Roland JC-120 isn't just about clean sounds, it's about clarity and authenticity. When your instrument is plugged into this amp, the true tonal character shines through with remarkable fidelity. The distortion is kept to a bare minimum, allowing every note to be heard with crystal clear precision.
But the Roland JC-120 doesn't stop at clarity. It's also about versatility and tonal flexibility. The built-in effects, including the famous wide-spatial chorus, add depth and dimension to your sound. Other integrated effects include vibrato with adjustable rate and depth, mild distortion, and clear reverb. These can all be activated or deactivated with footswitches for on-the-fly adjustments.
The stereo effects loop on channel 2 meets full professional specifications, allowing you to select series/parallel connections and switch between different input and output signal levels. This ensures that your effects come through in their full glory.
Despite the refined sound, the Roland JC-120 is built to last. It's solidly constructed and can handle the rigours of the road better than many rock amps. Whether you're a jazz musician or not, if you're after a dependable stereo amp that sets professional standards, the Roland JC-120 Jazz Chorus is the one for you.
Key Features:
- Twin 60W + 60W amps
- Two 12 in. speakers
- 2 input channels each with 3-band EQ
- Low distortion and high-frequency response
- Stereo effects loop on channel 2 with series/parallel connections
- Integrated effects: wide-spatial chorus, vibrato, mild distortion, and clear reverb
- Footswitch control for effects
- Solid construction for road durability
Product specs
| Type | Solid State |
| Number of Channels | 2 |
| Total Power | 2 x 60W |
| Speaker Size | 2 x 12" |
| Reverb | Yes |
| EQ | 3-band |
| Inputs | 1 x 1/4" |
| Outputs | 2 x 1/4" |
| Effects Loop | Yes |
| Footswitch I/O | 3 x 1/4" (chorus/vibrato, reverb, distortion) |
| Footswitch Included | No |
| Power Source | Fixed AC cable |
| Height | 24.49" |
| Width | 29.92" |
| Depth | 11" |
| Weight | 61.73 lbs. |
FAQs
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What makes the Roland JC-120 Jazz Chorus unique compared to other amplifiers?
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The Roland JC-120 Jazz Chorus is renowned for its pristine clean tones and signature Dimensional Space Chorus effect, which provides a lush, wide sound. Its solid-state design ensures reliability and consistency, making it a favorite for clean jazz and pop sounds.
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Is the Roland JC-120 Jazz Chorus suitable for live performances?
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Yes, the Roland JC-120 is ideal for live performances due to its powerful 120-watt output and dual 12-inch speakers, which deliver a clear and punchy sound that can fill large venues.
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Does the Roland JC-120 Jazz Chorus work well with effects pedals?
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The Roland JC-120 is highly compatible with effects pedals, thanks to its clean sound and built-in effects loop. This makes it an excellent platform for adding additional effects to your sound.
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What type of music is the Roland JC-120 Jazz Chorus best suited for?
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The Roland JC-120 is best suited for genres that emphasize clean tones, such as jazz, pop, and funk. Its renowned clean sound and chorus effect make it a staple for musicians seeking clarity and depth.
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Does the Roland JC-120 Jazz Chorus include a footswitch?
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No, the Roland JC-120 Jazz Chorus does not include a footswitch, but it has footswitch inputs for controlling the chorus/vibrato, reverb, and distortion effects. Users can purchase compatible footswitches separately.
Equipboard's Expert Review
Equipboard tested this
The Clean Machine's Legendary Status
The Roland JC-120 Jazz Chorus is a titan in the world of solid-state amplifiers. In our tests, we were immediately struck by its robust build quality and iconic design. The amp's weight and size are substantial, which can be a double-edged sword - great for stability on stage, but a challenge for transportation.
We found the controls intuitive and responsive, with the chorus and reverb effects being particular standouts. The clean tones are nothing short of spectacular, where this simply can't be beat. For us, the JC-120 excelled in jazz, fusion, and pop genres, delivering warm, pristine cleans with impressive headroom.
The distortion left much to be desired, and we noticed some noise issues, particularly in the effects loop. While it takes pedals well for the most part, high-gain distortion pedals didn't quite mesh as seamlessly as we'd hoped.
In our opinion, the JC-120 is a solid investment for players seeking unparalleled clean tones and legendary chorus effects. Its durability and minimal maintenance requirements make it a workhorse for gigging musicians. However, those prioritizing portability or seeking high-gain tones might want to look elsewhere. Despite its high price point, we believe the JC-120's timeless sound quality and reliability make it a worthwhile consideration for serious clean tone enthusiasts.
Videos
nikmarkmedia
JC-120 Roland Jazz Chorus Amp
Reviews
PROS
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Legendary clean tone, unmatched in clarity and warmth
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Iconic, lush chorus and vibrato effects built-in
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Exceptional build quality, especially in older models
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Handles pedals and external effects exceptionally well
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Durable and reliable, with many units lasting decades
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Versatile for genres like jazz, funk, blues, and twang rock
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Good for both studio and live performances due to analog I/O
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Practical features and ease of use, even for beginners
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Solid state with a tube-like sound without the maintenance
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Has a distinct sound that’s been on many famous recordings
CONS
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Distortion channel is not suitable for heavy genres
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Large and heavy, making it difficult to transport
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Some models develop a hiss over time due to lesser quality parts
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Original models lack modern features like stereo input options
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Fixed chorus setting on older models with no depth/speed control
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Effects loop can be noisy compared to other models
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High price point, although justified by sound quality and durability
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Distortion is unusable for some, requiring external pedals for drive sounds
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Not very practical compared to smaller, more modern versions
Critic Reviews
4.5 out of 5
Based on 26 Reviews and 129 Ratings
483
Good, but not great
Loud and clean, great chorus and especially vibrato, average reverb. But rather noisy (mine is decades old, newer ones might be quieter) and does not, in my opinion, take distortion pedals as well as people say. Much better than the average modern solid-stade amp, but nowhere near my LAB Series L5 in quality. Would probably benefit from a speaker upgrade.
1798
A great solid state pedal platform amp
Everyone from Fripp, Slowdive, Adam Jones, Alex Scally, Adrian Belew and many other guitarists who use effects have had this amp for it's clean tone and compatibility with pedals. I've had mine for 2 years now and it isn't going to be leaving my studio or live rig any time soon.
155
Wondrous
The only downside to the JC120 is its massive size, but otherwise, this is the fucking paradigm of guitar amps; it doesn't get better than this. It's louder than you'll ever need it to be, has a sweet clean tone, and the chorus/vibrato sounds lovely. I love using pedals, and it handles every squeal and rumble without complaining one bit.
242
1734
Pristine cleans, some drawbacks
My favorite clean tone. Nothing else to say.
Drawbacks are is that ANY kind of breakup sounds like dog doo doo. This amp doesn't sound pretty with a slightly broken-up clean tone like a Fender would. On top of that, the older models have a fixed chorus setting with no control over the depth or speed.The only Jazz Choruses that have this option are the JC77, JC55, JC40, and the JC120H.
41029
at least the similar chorus builtninto the juno synths has 2 preset buttons for different depth/rate.... still, the jazz chorus is a class act
300
The Standard of SS
Oh boy. I got this amp because I was tired of schlepping around with two or three amps for stereo setups. I also use many pedals to color my tone, and so a bright and glassy clean is the goal. As much as I love the warmth of tubes, I can forego them for now, as with this classic amp, the veritable Lamborghini of SS amps is in my arsenal.
The originator of the beloved, then forgotten chorus effect, this amp is a classic!
41029
there's chorus and then there's CHORUS. This is CHORUSx2
112
Awesome amp
Best chorus you can find, and LOUD. Handles pedals very well! highly recommended
Artist usage
Add artist
John Frusciante in a band called H.A.T.E. along with Flea. Roland JC-120 can be seen behind him.
Slash used this amp for the clean sounds in the studio for songs like:
Paradise City My Michelle Sweet Child O' Mine Knockin' On Heaven's Door Estranged Yesterdays November Rain Live And Let Die Civil War Rocket Queen Coma So Fine
The Roland JC120 has been a main part of James's clean sound since the recording of Master Of Puppets. He still uses it today.
In this video from 2012 south american tour the band performed in the stage with roland jc-120 amplifiers
Alex Turner can be seen standing in front of his JC-120 in this photo taken by Ben Campbell while practicing before a show. The amplifier has been seen since Arctic Monkeys second tour of their Favourite Worst Nightmare tour used for both guitars and keys. More recently it was seen during the AM Tour used by Tom Rowley to amp the keyboards used during that tour.
Were you using any effects in the studio?
“There were some other amps for different tones – one I got on Craigslist, an original Roland Jazz Chorus that belonged to someone from Oingo Boingo or something. It’s on the song Suzie Chapstick, which has that Pretenders kind of sound to it.“
A photo of Jonny Greenwood performing at the Ko Shan Theatre in Hong Kong on June 12, 1994, clearly shows a Roland JC-120 Jazz Chorus resting on a flight case, with Jonny's Eighty-Five tilted back on a shorter flight case in front of it, confirming his use of this specific amplifier.
In this image from Muse's studio recording of the album "Drones", we can see the Jazz Chorus-120 wired up.
Album Usage
The Roland JC-120 Jazz Chorus has been featured on the following albums:
Saviors (édition de luxe)
Green Day (2025)
Billy (Yeah Yeah Yeah)
Inhaler (2025)
Saviors
Green Day (2024)
Things Take Time, Take Time
Courtney Barnett (2021)
You / Uta Wo Utaeba
Mass of the Fermenting Dregs (2020)
掌で踊る
Sokoninaru (2018)
Play
Dave Grohl (2018)
Time Slips Behind Us
Modern Color (2017)
Soft Sounds from Another Planet
Japanese Breakfast (2017)
I like it when you sleep, for you are so beautiful yet so unaware of it
The 1975 (2016)
Peripheral Vision
Turnover (2015)
Hyperview
Title Fight (2015)
Drones
Muse (2015)
Bless Up
Ernest Ranglin (2014)
HEAL
Strand of Oaks (2014)
Red Barked Tree
Wire & Wire (2011)
Dag With Shawn
Dag Nasty (2010)
Humbug
Arctic Monkeys (2009)
BLUE BLOOD REMASTERED EDITION
X Japan (2008)
Live At The Academy NYC 12.4.92
Television (2007)
Whatever People Say I Am, That's What I'm Not
Arctic Monkeys (2006)
In the Name of the Suffering (remastered Re-issue + Bonus)
EyeHateGod (2006)
10,000 Days
Tool (2006)
Lateralus
Tool (2001)
Cemetery Gates (Demon Knight Edit) [Radio Edit]
Pantera (1995)
Let Love In (2011 Remaster)
Nick Cave and the Bad Seeds (1994)
Pablo Honey
Radiohead (1993)
A Storm In Heaven
The Verve (1993)
Gish (Remastered)
The Smashing Pumpkins (1991)
Empire - 20th Anniversary Edition
Queensrÿche (1990)
Oranges & Lemons
XTC (1989)
Operation: Mindcrime (Remastered / Expanded Edition)
Queensrÿche (1988)
Surfing With The Alien
Joe Satriani (1987)
In My Tribe
10,000 Maniacs (1987)
Appetite For Destruction
Guns N' Roses (1987)
Master of Puppets (Remastered)
Metallica (1986)
The Wishing Chair
10,000 Maniacs (1985)
Stop Making Sense (Live)
Talking Heads (1984)
Screaming Blue Murder
Girlschool (1982)
Seventeen Seconds
The Cure (1980)
So What (Reissue)
Joe Walsh (1974)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Roland JC-120 Jazz Chorus, it is most commonly used with the following gear.
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