In this photo, which shows Wilkenfeld's pedalboard on 2010 Umbria Jazz festival, one of the pedals that can be seen is the Eventide TimeFactor.

"Hamilton runs all of his pedals in front of the amp and controls the rig with a Custom Audio Electronics RS-5 MIDI Foot Controller designed by Bob Bradshaw. The signal starts with a Hello Kitty-modified Fryette Valvulator before going into an MXR Custom Audio Electronics Boost/Overdrive. From there the signal hits a Real McCoy Custom wah, Eventide TimeFactor…" states this rig rundown.

In an Instagram post by Jesse Rutherford, Zach Abels is shown using the Eventide TimeFactor Twin Delay on his pedalboard during live performances.

Zinner uses his vast array of effects to achieve the band’s recorded sounds through samples and looping, as well as compensate for the lack of a full-time bass player with a broader tonal spectrum. His main board (far right) is home to a DigiTech JamMan, Line 6 MM4, ProCo DeuceTone RAT (his primary fuzz tones), Boss DD-7, HBE Power Screamer, and Electro-Harmonix Graphic Fuzz. To the left of that, his second board has a DigiTech Whammy, another DigiTech Jam Man, a Line 6 DL4, Electro-Harmonix POG, and TC Electronic Flashback Delay. His third board contains a second Line 6 DL4, and three Eventide pedals: TimeFactor, PitchFactor, and Space. Finally, by his amps, is a fourth board with two more sample-loaded DigiTech JamMan pedals. Before his signal goes into his amps, it hits a TC Electronic Classic Booster + Distortion.

In a Reddit AMA, Bicep confirmed that they use the Eventide TimeFactor Twin Delay in their live setup.

Found next to Greg Edwards' Jam Man looper and underneath his Fuzz Factory, we can see his use of an Eventide TimeFactor delay pedal. Originally brought into his rig after the release of Future Perfect as a replacement for his Line 6 Echo Pro rackmounted delay unit.

In the bottom left corner of Brian Aubert's pedalboard, his Eventide TimeFactor Twin Delay pedal can be seen.

According to an article on Guitarthai, in addition to his own signature ESP Eclipse lineup, Sugizo also used an ESP Horizon, Fender Jaguars, Fender Stratocasters, Fender Telecasters, Gibson ES175, a Gibson Les Paul Custom, a Richenbacker 330, and electric violins made by Kranz.

He also used Diezel VH4 head, a Mesa Boogie Dual Rectifier head, a Mesa Boogie 4x12 cabinet, a TC Electronic TC 2290 Rackmount Dynamic Digital Delay, Decimator ProRack G power conditioner, a script Phase 90, a Boss CE-2 Chorus pedal, a Boss OD-1 pedal, a Providence Final Booster, a Digitech Whammy II, an Eventide Pitchfactor, an Eventide TimeFactor, an Eventide ModFactor, a TC Electronic G System, a Boss PS-5 Super Shifter, a Blackstar HT-DIST Distortion pedal, and a Providence Stampede Overdrive.

A Eventide TimeFactor can be seen on Brad Whitford's pedalboard at 14:14 in this rig rundown.

Minilogue's studio is surrounded by serene nature outside of Malmö, Sweden. It's here that Sebastian Mullaert and Markus Henriksson compose their lush, evolving techno suites with a variety of hardware and software - with Live at the center of each musician's setup. In the video below, Sebastian gives us an overview of Minilogue's technology.

He uses 2 EVENTIDE/TIME FACTOR’s to create various sounds. The footswitch at the right front is used to control the TIME FACTOR’s. The center box is a selector to switch between the two TIME FACTOR’s.

Simon Posford of Shpongle uses the Eventide TimeFactor Twin Delay in his live setup, as shown in a photo shared on Shpongle's official Instagram.