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Pricing and availability
We compare 600+ stores and found this item at 8 stores. Prices updated .
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Price
Average Price: $3,629
High-end/Boutique
$100
$401+
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Budget
Standard
High-end
Price History
Based on price data from 6 merchants for "Neumann U87". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
The Neumann U87 Ai is the pinnacle of professional recording technology, adored by musicians and producers for its unparalleled sound quality and versatility. This large-diaphragm condenser microphone is renowned for its ability to capture any instrument or vocal with astounding realism. With its three directional patterns - omni, cardioid, and figure-8 - the U87 Ai can adapt to any recording situation, from intimate vocals to ensemble recordings.
A key feature of the U87 Ai is its flat frequency response and natural midrange, providing pristine sound recordings that truly shine. The mic’s articulate highs, rich lows, and open midrange bring warmth and character to any recording, making it a favorite in professional studios worldwide.
Built to last, the U87 Ai’s premium components and meticulous quality control ensure it will deliver consistent, high-quality recordings for years to come. The U87 Ai is not just a microphone, it's a legacy, a testament to over 90 years of Neumann's tradition of excellence in the world of audio technology.
Key Features:
- Large-diaphragm condenser microphone
- Three directional patterns: omni, cardioid, figure-8
- Flat frequency response and natural midrange
- Articulate highs, rich lows, and open midrange
- Switchable 10 dB pad and low-cut filter
- Extended 20 Hz to 20 kHz frequency response
- Pressure-gradient transducer with double-membrane capsule
- Requires +48-volt phantom power
- Handcrafted in Germany with meticulous quality control
Product specs
| Microphone Type | Condenser |
| Polar Pattern | Cardioid, Omni, Figure-8 |
| Diaphragm Size | 1" (25.4mm) |
| Frequency Response | 20Hz-20kHz |
| Max SPL | 117dB (Cardioid), 127dB w/10dB Preattenuation |
| Output Impedance | 200 ohms |
| Signal to Noise Ratio | 82dB (Cardioid), 79dB (Omni), 80dB (Figure-8) |
| Self Noise | 12dB (Cardioid), 15dB (Omni), 14dB (Figure-8) |
| Low Cut Filter | Yes |
| Pads | -10dB |
| Connector | XLR |
| Weight | 1.1 lbs. |
| Included Accessories | Wooden Box |
FAQs
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What polar patterns does the Neumann U 87 Ai offer?
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The Neumann U 87 Ai features three selectable polar patterns: cardioid, omni, and figure-8, providing versatility for different recording scenarios.
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Is the Neumann U 87 Ai suitable for vocal recording?
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Yes, the Neumann U 87 Ai is highly regarded for vocal recording due to its warm sound and ability to add positive color, making it a favorite in professional studios.
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Does the Neumann U 87 Ai require phantom power?
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Yes, the Neumann U 87 Ai requires phantom power to operate, as it is a condenser microphone.
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What is the frequency response of the Neumann U 87 Ai?
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The Neumann U 87 Ai has a frequency response of 20Hz to 20kHz, capturing a wide range of audio frequencies with clarity.
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Can the Neumann U 87 Ai handle high sound pressure levels?
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Yes, the Neumann U 87 Ai can handle a maximum SPL of 117dB in cardioid mode and up to 127dB with the 10dB preattenuation pad engaged, suitable for loud sources.
Videos
Podcastage
Neumann U87 Ai Mic Review / Test (Compared to NW700, AT2020, NT1, SM7b, KSM44a, C414 XLII)
Neumann U87 Ai Mic Review / Test (Compared to NW700, AT2020, NT1, SM7b, KSM44a, C414 XLII)
Podcastage
Get Real, Get the Original | The Neumann U 87 Ai
Georg Neumann GmbH
Neumann TLM103 vs Neumann U87 Ai Comparison (Versus Series)
Podcastage
Neumann U 87 Ai: The Industry Standard for World-class Sound
Sweetwater
Neumann U87 AI Demo On Acoustic Guitar
Vintage King
Reviews
PROS
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Exceptional sound quality with perfect EQ spectrum
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Built-in noise gate-like quality minimizes background noise
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Accurate reproduction of source sound, setting studio standards
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Versatile, ideal for a range of vocals and instruments
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High-quality build and materials ensure durability
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Multipattern capability with high pass and attenuator adds flexibility
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Vintage models praised for deeper, natural sound
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Complements well with high-end preamps for superior sound
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Recognized as a classic, practical tool in professional studios
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Company provides excellent customer support
CONS
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Significantly more expensive than other high-quality options
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Newer U87Ai models considered to have less depth than vintage
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Requires regular maintenance, especially vintage models
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Some users find the price not fully justified by the performance
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Neumann U87.
Build quality
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The U87 Ai is often counterfeited; due diligence is required to verify authenticity, especially at unusually low prices.
Source
Use cases and applications
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The U87 Ai excels in capturing detailed sound, making room acoustics crucial; untreated spaces can severely impact the recording quality.
Source -
The U87 Ai is more suited for controlled environments; users warn that it will capture every detail, including unwanted room acoustics.
Source -
For loud vocals, raising the U87 and tilting it down can prevent harshness, offering a simple positional adjustment for better results.
Source
Setup and maintenance
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Heavy base boom mic stands are recommended to safeguard the investment of a U87 Ai.
Source
Mods and upgrades
Comparisons
Features and functionality
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The U87's built-in high-pass filter is considered too severe by some, leading to a thin sound; using a preamp HPF or plugin is recommended instead.
Source
User experience
Critic Reviews
5.0 out of 5
Based on 9 Reviews and 90 Ratings
156
Originál U87 je totální klasika
A bavím se samozřejmě o originálu, který používám Neumann U87 ne o verzi Ai. Velmi rád používám tento vintage mikrofon, je to takový univerzál, který sice není vhodný pro každý hlas, ale rozhodně to můžete zkusit a z tohoto bodu se odrážet dále k hledání jiného mikrofonu pro daný úkol. Tento nástroj mám v mém nahrávacím studiu Sunteem records.
129
Fantastic
This is a workhorse mic and I really love how it sounds on acoustic guitars, female vocals, and drum overheads. I combine this with a UA-610 mic pre and it has a silkyness to it that is reminiscent of Frank Sinatra.
41029
similar capsule to the recordings of Frank with a U47 and U67... not the same as the Tele ELAM251 they put in front of him and way different than his earliest work when all that was available n the USA were ribbon mics, usualy RCAs... but you can't go wrong with any Neumann's, they come in different flavors but are al tasty
129
Amen to that!
275
Wonderful Mic
Used in conjuction with four other microphones to record an Orange OR120 for my band's debut album Also used to record vocals on the same record
236
A Classic
People love it so much for a reason. If you can I'd recommend tracking down a vintage model over a newer AI.
134
Best Microphone
Ever since I heard about the Neumann U87, I didn't believe that this would make my vocals sound so amazing.
Artist usage
Add artist
Sean primarly uses the Neumann U87 for his vocals. Here it was being used to record a transition vocal for How Bout Now. It was used heavily on the Wonder Years Album https://open.spotify.com/album/6yXhApKY7zlqkm9A4d7BPZ
Visible in this March 28, 1974 photo of Stratos recording John Cage's "Sixty-Two Mesostics Re Merce Cunningham (Frammento)". According to Paolo Griguolo of Picchio dal Pozzo, the U87 is also the microphone Stratos used to record "Le sirene" and the tapes that would be interpolated into Pic_nic@Valdapozzo.
Area was an other reference band for PdP. They were forerunner for music contamination, electronic experimentation (Griguolo had contacts with Paolo Tofani, the guitar player). Top of the top the way of 'singing the voice' of Demetrio Stratos; when he left the band seemed an epoch was finished. In fact he was starting a new one, unforgettable, unfortunately too short for him
PdP managed a stage of Demetrio in Genoa at IPPAI Theatre (Institute for Youth's Protection and Assistence) low costs for the Cultural Devolution Board. In change he came in our 'popular music school' in Adriatico square performing for free.
«We maneged [sic] two days of performances: one a day. Claudio Moretti, the only friend we had who lived alone, hosted him for the night. Immediately we noticed his helpfulness: humble, gentle, nearly striking his imposing shape. A real Gentle Giant. Instead of asking about the coming events, he wanted to know about us: what we were doing, our projects, if we had material to listen to. The first day he found himself in front of twenty persons: some students, some other simply curious. He didn't explain much about the technics [sic] he was studing, he simply made them understandable to evrybody musically. His charisma, his sign language, his liturgic behaviour -he made some exercises facing a corner to exploit the natural resonance of the room- made the event also theatrically interesting. Everybody seemed to understand. I would say more: everybody seemed to incorage [sic] him to this way. The next day, for the second performancce, he needed a mic and a multitrack recorder. We brougt [sic] the best we had: a Neumann U87 and a TEAC A-3340 4-tracks ; he needed that stuff for ''Sirene'': in this performance he used to 'overrecord' his voice more times. At the end Demetrio was very satisfied. He confessed it had been the first time that he showed live his researches and that we could keep the tapes. These are the tapes we found twenty years later and are the material we worked on for Pic_nic@Valdapozzo. In these 48 hours we found the time as well to run to the Studio G and prepare a cassette (chrome for big events!) of our tunes. We gave it to him and crossed the fingers. Some days after Demetrio called and invited us by him in Milan: evedently [sic] the chrome had worked fine! He'll be our most authoritative fan for ever».
Used for "The Jump Off", as stated anecdotally by engineer Jimmy Douglass in this transscribed March 2005 interview about Justin Timberlake's "Cry Me a River".
JUSTIN TIMBERLAKE
"Cry Me a River"
Producer: Timbaland
Engineer: Jimmy Douglass
"Justin came to me with his microphone in his case, and didn't actually take it out because he decided to see what I could do first," says Jimmy of the first session. "He was very happy, so he didn't get into that. I guess he has his mic with him just in case he runs into trouble. He works with a lot of different engineers and everybody has their secrets about their great mics. The thing about the [Neumann] U 87 - I used it because it's really kind of a neutral mic. All the other microphones have characteristics to them that don't work on everybody's voice. The U 87 seems to work on everybody."
"I look for Jimmy to tweak my vocals and make them crisp," adds Timbaland. "That's what I look for - that tone. With Justin, his vocal tone just came. Justin does his own thing."
Signal Path: Tracking
Jimmy explains: "The U 87 went to the Neve VR channel strip in mic position - I used the preamp on the board, and then inserted the [Universal Audio] 1176 across that particular path and then I sent it out to all my individual buses. I tracked Justin's vocals to Pro Tools. That's it. I've found that this is the chain of least resistance; it doesn't effect the vocal as much, and you can always do more creative things later in the mix. It's the most natural signal path I can find. I use the 1176 because it's a very fast limiter and it works well as a limiting tool as well as compressor.
"The reason I don't do anything coming in on the EQ side," he continues, "is because you can always EQ it later, but you can't take away EQ you've messed with on the way in. That gets recorded and you can never take it away."
Missy Elliott received the exact same signal treatment for her Timbaland-produced hit "Get Ur Freak On", as did Aaliyah on "Try Again," Jay-Z "Big Pimpin'," Snoop Dogg "Last Meal," Lil' Kim "The Jump Off," and Bubba Sparxxx "Deliverance," among others.
Jerry Galeries uses the Neumann U87 microphone, as shown in "The Studio" section of his website, particularly during the "Living Room" sessions.
In the official video for "Sreca" by Oliver Dragojević and Gibonni, Oliver Dragojević can be seen using a Neumann U87 microphone.
Presley River used this Mic while recording his EP
The signal chain for Bobby's vocals was a Neumann U87 Ai mic, into an Avalon VT-737SP mic pre, and then a Universal Audio 1176 limiter & went straight into the UAD Apollo 8 Quad. I like using the Neve 1073 mic pre sometimes too. On the picture above you can see that he is using the Neumann U87 for recording vocals. The microphone can be seen 0:26 into this video.
At 5:43 Crook is in the studio laying down a verse on the U-87.
In this video about 5 seconds in Dizzy is rapping on the U-87.
Used for his feature on Pete Rock's "Tru Master", as is visible in Soul Survivor's documentary at 15:49.
Used for "Therapy", as is visible throughout the music video starting at 0:21.
Album Usage
The Neumann U87 has been featured on the following albums:
Gloria: In Excelsis Deo (RCA Demo)
Patti Smith (2025)
Thank You New York Knicks
Busta Rhymes & Rakim & Styles P (2025)
Now Is The Time
Rakim (2025)
BK Harlem
Masta Killa (2025)
Please Don't Break My Heart
Method Man (2025)
Why You Claim It
Teena Marie (2025)
Automatic Yes (feat. John Mayer)
John Mayer & Zedd (2024)
Short n' Sweet
Sabrina Carpenter (2024)
![Neumann U87 as heard on Something In The Way (From "The Batman") [Piano Version] by Kurt Cobain (2023)](https://images.equipboard.com/uploads/album/image/260283/something-in-the-way-from-the-batman-piano-version.jpg)
Something In The Way (From "The Batman") [Piano Version]
Kurt Cobain (2023)
Every Breath You Take
Stewart Copeland & Stewart Copeland (2023)
Hackney Diamonds
The Rolling Stones (2023)
From The Start
Laufey (2023)
Keep Going Up
Justin Timberlake & Timbaland & Nelly Furtado (2023)
Ribbons
Ryan Beatty (2023)
Buffalo Stance
Mapei & Robyn & Neneh Cherry (2022)
Meth Lab Season 3 : The Rehab
Method Man (2022)
10:35
Tiësto & Tate McRae (2022)
Non dovevo farlo
gIANMARIA (2022)
![Neumann U87 as heard on Bang a Gong (Get It On) [Outtake] by T. Rex (2021)](https://images.equipboard.com/uploads/album/image/28842/bang-a-gong-get-it-on-outtake.jpg)
Bang a Gong (Get It On) [Outtake]
T. Rex (2021)
NEVER LEFT
Lil Tecca (2021)
![Neumann U87 as heard on Something in the Way (Teaser Trailer From "The Batman") [Medieval Style] by Kurt Cobain & Celestial Aeon Project (2020)](https://images.equipboard.com/uploads/album/image/260284/something-in-the-way-teaser-trailer-from-the-batman-medieval-style.jpg)
Something in the Way (Teaser Trailer From "The Batman") [Medieval Style]
Kurt Cobain & Celestial Aeon Project (2020)
Extinction Level Event 2: The Wrath of God (Reloaded)
Busta Rhymes (2020)
Extinction Level Event 2: The Wrath of God
Busta Rhymes (2020)
Parasite Eve
Bring Me The Horizon (2020)
Virgo World
Lil Tecca (2020)
Between Da Protests
KRS-One (2020)
THE GOAT
Polo G (2020)
Someone You Loved (Sped Up)
Lewis Capaldi (2019)
Five Feet Apart (Original Motion Picture Soundtrack)
Brian Tyler & Breton Vivian (2019)
Firepower
Judas Priest (2018)
?
XXXTENTACION (2018)
Anthem Of The Peaceful Army
Greta Van Fleet (2018)
Meth Lab Season 2: The Lithium
Method Man (2018)
Wonder Years
Sean David Grant (2017)
Huncho Jack, Jack Huncho
HUNCHO JACK & Quavo & Travis Scott (2017)
Luv Is Rage 2
Lil Uzi Vert (2017)
Paper
David Banner (2017)
Rewrite The Stars
Zendaya (2017)
SVIIB
School Of Seven Bells (2016)
Song for the Life
Jerry Jeff Walker (2016)
Do What Thou Wilt.
Ab-Soul (2016)
Plotting
Dizzy Wright (2016)
Sweatshirt
Jacob Sartorius (2016)
You Want It Darker
Leonard Cohen (2016)
Birds In The Trap Sing McKnight
Travis Scott (2016)
Drones
Muse (2015)
Repentless
Slayer (2015)
Oz
Missy Higgins (2014)
Random Access Memories
Daft Punk & Daft Punk (2013)
Le Milleuna
Demetrio Stratos (2013)
Take Me to Church EP
Hozier (2013)
States
The Paper Kites (2013)
Ghostory (Deluxe Version)
School Of Seven Bells (2012)
Sneak Peek: Finally Rich
Chief Keef (2012)
Boys & Girls
Alabama Shakes (2012)
True
Solange (2012)
Audio, Video, Disco.
Justice (2011)
Live in Paris: I Just Wanna Rock
Joe Satriani (2010)
Pássaro De Fogo
Paula Fernandes (2009)
Sex On Fire
Kings of Leon (2009)
Congo Square
Teena Marie (2009)
Only By The Night
Kings of Leon (2008)
Mood Muzik 3 (The Album)
Joe Budden (2008)
Professor Satchafunkilus and the Musterion of Rock
Joe Satriani (2008)
Funplex
The B-52's (2008)
Because Of The Times
Kings of Leon (2007)
Icky Thump
The White Stripes & Jack White & Jack White (2007)
Curtis
50 Cent (2007)
Kickin' Out The Footlights... Again: Jones Sings Haggard, Haggard Sings Jones
Merle Haggard & George Jones (2006)
Continuum
John Mayer (2006)
Back To Black (Deluxe Edition)
Amy Winehouse (2006)
I Bet You Look Good On The Dancefloor
Arctic Monkeys (2005)
Lullabies To Paralyze
Queens of the Stone Age (2005)
Occasion: Connick on Piano 2
Harry Connick, Jr. (2005)
Late Registration
Kanye West (2005)
Deliverance
Bubba Sparxxx (2003)
Tha Last Meal
Snoop Dogg (2000)
Pop
U2 (1997)
The Colour And The Shape
Foo Fighters (1997)
Dreaming Of You
Selena (1995)
Sueño Stereo (Remastered)
Soda Stereo (1995)
Superunknown (Super Deluxe)
Soundgarden (1994)
Second Coming
The Stone Roses (1994)
Linger
The Cranberries (1993)
Everybody Else Is Doing It, So Why Can't We?
The Cranberries (1993)
Infamous Angel
Iris DeMent (1992)
Into The Great Wide Open
Tom Petty and the Heartbreakers (1991)
Nevermind
Nirvana (1991)
Mosquitos
Stan Ridgway (1989)
Cosmic Thing
The B-52's (1989)
She Blinded Me With Science
Thomas Dolby (1987)
Seven and the Ragged Tiger
Duran Duran (1983)
Ark
The Animals (1983)
Alturas de Macchu Picchu
Los Jaivas (1981)
Back In Black
AC/DC (1980)
Women and Children First (Remastered)
Van Halen (1980)
Van Halen II (Remastered)
Van Halen (1979)
Who Are You
The Who (1978)
Metrodora
Demetrio Stratos (1976)
Rocks
Aerosmith (1976)
The Dark Side of the Moon
Pink Floyd (1973)
Let's Get It On
Marvin Gaye (1973)
What's Going On
Marvin Gaye (1971)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Neumann U87, it is most commonly used with the following gear.
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