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Average Price: $1,077
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$300
$701+
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Based on price data from 3 merchants for "Roland JC-120 Jazz Chorus". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Welcome to the world of the Roland JC-120 Jazz Chorus, the quintessential amp that's been trusted by musicians for over two decades. This iconic amplifier is renowned for its exceptional clean sound and its rich, stereo chorus. It's the go-to gear for jazz musicians and guitarists who demand the best from their equipment.
The Roland JC-120 isn't just about clean sounds, it's about clarity and authenticity. When your instrument is plugged into this amp, the true tonal character shines through with remarkable fidelity. The distortion is kept to a bare minimum, allowing every note to be heard with crystal clear precision.
But the Roland JC-120 doesn't stop at clarity. It's also about versatility and tonal flexibility. The built-in effects, including the famous wide-spatial chorus, add depth and dimension to your sound. Other integrated effects include vibrato with adjustable rate and depth, mild distortion, and clear reverb. These can all be activated or deactivated with footswitches for on-the-fly adjustments.
The stereo effects loop on channel 2 meets full professional specifications, allowing you to select series/parallel connections and switch between different input and output signal levels. This ensures that your effects come through in their full glory.
Despite the refined sound, the Roland JC-120 is built to last. It's solidly constructed and can handle the rigours of the road better than many rock amps. Whether you're a jazz musician or not, if you're after a dependable stereo amp that sets professional standards, the Roland JC-120 Jazz Chorus is the one for you.
Key Features:
- Twin 60W + 60W amps
- Two 12 in. speakers
- 2 input channels each with 3-band EQ
- Low distortion and high-frequency response
- Stereo effects loop on channel 2 with series/parallel connections
- Integrated effects: wide-spatial chorus, vibrato, mild distortion, and clear reverb
- Footswitch control for effects
- Solid construction for road durability
Product specs
| Type | Solid State |
| Number of Channels | 2 |
| Total Power | 2 x 60W |
| Speaker Size | 2 x 12" |
| Reverb | Yes |
| EQ | 3-band |
| Inputs | 1 x 1/4" |
| Outputs | 2 x 1/4" |
| Effects Loop | Yes |
| Footswitch I/O | 3 x 1/4" (chorus/vibrato, reverb, distortion) |
| Footswitch Included | No |
| Power Source | Fixed AC cable |
| Height | 24.49" |
| Width | 29.92" |
| Depth | 11" |
| Weight | 61.73 lbs. |
FAQs
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What makes the Roland JC-120 Jazz Chorus unique compared to other amplifiers?
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The Roland JC-120 Jazz Chorus is renowned for its pristine clean tones and signature Dimensional Space Chorus effect, which provides a lush, wide sound. Its solid-state design ensures reliability and consistency, making it a favorite for clean jazz and pop sounds.
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Is the Roland JC-120 Jazz Chorus suitable for live performances?
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Yes, the Roland JC-120 is ideal for live performances due to its powerful 120-watt output and dual 12-inch speakers, which deliver a clear and punchy sound that can fill large venues.
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Does the Roland JC-120 Jazz Chorus work well with effects pedals?
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The Roland JC-120 is highly compatible with effects pedals, thanks to its clean sound and built-in effects loop. This makes it an excellent platform for adding additional effects to your sound.
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What type of music is the Roland JC-120 Jazz Chorus best suited for?
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The Roland JC-120 is best suited for genres that emphasize clean tones, such as jazz, pop, and funk. Its renowned clean sound and chorus effect make it a staple for musicians seeking clarity and depth.
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Does the Roland JC-120 Jazz Chorus include a footswitch?
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No, the Roland JC-120 Jazz Chorus does not include a footswitch, but it has footswitch inputs for controlling the chorus/vibrato, reverb, and distortion effects. Users can purchase compatible footswitches separately.
Equipboard's Expert Review
Equipboard tested this
The Clean Machine's Legendary Status
The Roland JC-120 Jazz Chorus is a titan in the world of solid-state amplifiers. In our tests, we were immediately struck by its robust build quality and iconic design. The amp's weight and size are substantial, which can be a double-edged sword - great for stability on stage, but a challenge for transportation.
We found the controls intuitive and responsive, with the chorus and reverb effects being particular standouts. The clean tones are nothing short of spectacular, where this simply can't be beat. For us, the JC-120 excelled in jazz, fusion, and pop genres, delivering warm, pristine cleans with impressive headroom.
The distortion left much to be desired, and we noticed some noise issues, particularly in the effects loop. While it takes pedals well for the most part, high-gain distortion pedals didn't quite mesh as seamlessly as we'd hoped.
In our opinion, the JC-120 is a solid investment for players seeking unparalleled clean tones and legendary chorus effects. Its durability and minimal maintenance requirements make it a workhorse for gigging musicians. However, those prioritizing portability or seeking high-gain tones might want to look elsewhere. Despite its high price point, we believe the JC-120's timeless sound quality and reliability make it a worthwhile consideration for serious clean tone enthusiasts.
Videos
nikmarkmedia
JC-120 Roland Jazz Chorus Amp
Reviews
PROS
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Legendary clean tone, unmatched in clarity and warmth
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Iconic, lush chorus and vibrato effects built-in
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Exceptional build quality, especially in older models
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Handles pedals and external effects exceptionally well
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Durable and reliable, with many units lasting decades
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Versatile for genres like jazz, funk, blues, and twang rock
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Good for both studio and live performances due to analog I/O
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Practical features and ease of use, even for beginners
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Solid state with a tube-like sound without the maintenance
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Has a distinct sound that’s been on many famous recordings
CONS
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Distortion channel is not suitable for heavy genres
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Large and heavy, making it difficult to transport
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Some models develop a hiss over time due to lesser quality parts
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Original models lack modern features like stereo input options
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Fixed chorus setting on older models with no depth/speed control
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Effects loop can be noisy compared to other models
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High price point, although justified by sound quality and durability
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Distortion is unusable for some, requiring external pedals for drive sounds
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Not very practical compared to smaller, more modern versions
Critic Reviews
4.5 out of 5
Based on 26 Reviews and 129 Ratings
208
the perfect amp
i can't even express my love for this amp, probably my favorite piece of gear of all time
344
It’s alright
Was pretty excited when I got one of these in a part exchange. Chorus and vibrato circuits sound fantastic, and looks the part too. You can pick these up for decent prices if you’re patient.
The sound, most of the time is way too harsh and shrill. Could never really shape the sound the way that I wanted to. Mine had a gated spring on there, which was cool at first, but drove me nuts after a while. It’s also really heavy and loud. Lets not talk about the distortion circuit.
329
In no way shape or form is this a "bad" piece of equipment, I did however get rid of mine; I can explain.
Right off the bat this amplifier is an icon and I have no negative bias towards it, I got rid of mine however due to a couple reasons. First, The model that I owned was an original from the late 70's, so it was the largest Fucking piece of equipment I've ever owned (i have speaker cabinets that are easier to transport than this thing!) 2x12 combo amps by nature tend to take up space but this thing weighed 100 lbs and took up 1/3 of my entire bedroom, eventually it became more of a hassle than recreation. Second, I much prefer high-gain distortion and overdrive tones as opposed to cleans and reverb, so by nature this amplifier is much more difficult for me to work with if I have no overdrive or distortion pedal. The unit itself however does in fact sound very good and produces a multitude of classic and rich sounding tones, the built in chorus and vibrato effects are phenomenal and really allow you to mold them into a very unique way that modern amps simply don't offer anymore. I haven't plugged into one of the re-issue models that are being produced nowadays, so I can't tell you if there are any differences in how they both sound; In retrospect I'm very glad I owned one for a brief period and got to experience one the most influential solid state amps ever manufactured.
103
Absolutely stunning
My go to amp for cleans, let alone the lush stereo chorus mode. Absolutely brilliant amp, an absolute staple
One of the Best Clean Amps
Much has been said about this, so I won't cover what has been said.
The older version is what you want. It is the standard in clean amps having been used on many recordings that you hear. The older one was extremely clean with no background noise. I point this out as I also owned a newer one. It developed a small hissssssss as it got older. My amp tech told me this was due to lesser quality parts. He was able to make the repair, but it never lived up to the older one.
It takes pedals extremely well.
Best amp i will be using on my whole life
This amp is loud asf!!! It didnt mud my guitar tone when its loud and my jazz chorus is now 36yrs old and no repair history still works!!
Preferred Settings + Usage:
A bit of detune and chorus from the jc120 and compressor is heaven! And i use it as my clean and high gain amp
41
Cleanest Cleans/Chorusiest Chorus
What attracted me to this amp was how clean and pure the tone is and how lush the chorus is. It does not try to be tube which is my least favorite thing about most solid state amps. It is just a big DI box with some nice color to the tone. The stereo chorus is almost always on when I play. It does a great job at adding a rich texture without getting in the way of anything. The reverb on the amp is nice and ample but nothing crazy. I am not much for vibrato but the vibrato can also provide some nice textures that mix well in the overall tone. The reason I did not give this amp 5 stars though was because the distortion is unusable. It is not a big deal for me because I have plenty of pedals but it was disappointing to find. The JC 40 has a really nice distortion effect though, that almost reminds me of a transparent overdrive, plus it is not insanely loud like this monster.
640
Read the review - there are caveats for the three stars.
This is a great amp but not very practical compared to the more recent smaller versions. Mine is an original 70s model and does NOT have the stereo input options or loop inputs found on later versions. It DOES have the original spring reverb. Cross-plugging inputs isn't an option. It's big, loud and only does stereo with its own inbuilt effects. Chorus has one setting. Vibrato is adjustable. Reverb is great. Distortion is a waste of time. I pair this up with an AC30 to blend different sounds. I live in Denmark and they aren't all that in demand here, so I got it for a lot less than a JC40 would have cost new - so if you can get one cheap, great. But for full price it's too much amp for most people. Nice to have but there are better options out there for most players.
5455
I'm a child of the late 80's & 90's
I loved the sound of this fella long before I knew what it was. "Chorus on everything!" Phase? Yup, had one. After that nonsense pasted it was used largely on Keys and lived a very hard life on the road. I was juuust coming back around to playing guitar thru it and well, she's gonna need a trip to the doctor some TLC before that'll happen.
It's a staple sound for sure- The amp & it's Chorus. There is a matter of taste with these matters tho. Me? I LOVE this guy. For a mix of reasons. Sturdy bastard! Lord we were hard on it (it's actually sitting next to me, serving as an end table sadly). I will admit there is like a mix of conscious nostalgia for its sound and also just baked into me from the music of my youth.
They're not too hard to find & I'd definitely encourage anyone to go & see if it's a sound you dig. Lord knows you'll have loads of company. Good company in lots of cases.
Dammit. There goes my day. I'm fixing my Jazz Chorus dammit.
Artist usage
Add artist
Khn de Poitrine uses the Roland JC-120 Jazz Chorus, as evidenced by its inclusion in his stack of amps from a recent gig, visible in the provided image.
On this live rendition of "Jinx" Lila can be seen using a Roland Jazz Chorus-120 (around the 2 minute mark)
In early days of The Byrds, I used an Epiphone with two 10. speakers. We went direct in the studio. Later on, we used Fender Dual Showman amps for live work, which we liked a lot. John Sebastian turned me on to the Roland JC-120, and that was my amp of choice for years. Although it’s a great-sounding amp, I go direct onstage. I use an in-ear monitor and AM wireless. In fact, I start my show offstage, so you can hear me, but not see me. I plug into a Sennheiser wireless, into the Janglebox and then a direct box.
in this video Roman can be seen playing an amplifier that look be a Roland JC-120
"A fine amplifier in its time. We don't use it for recording any more, and nobody wants to use it for rehearsals or gigs. I suppose it's a spare. I suppose I should mend it."
I get an amp with a completely neutral, uninteresting sound - like a Roland JC-120 - then plug the SansAmp in. I started using it for Let Love In [in 1994], and it was brilliant - Guitar Player interview, 1996
What amplifiers have you used over the years? Keep in mind, there’s a difference between my relationships with all of these realities than most guitar players. In my case whatever comes up from social opportunity is useful. I adapt to it. If a Roland JC-120 is available to me, it’s because Tom Glenn from Roland Corporation, a good friend and former student, had one shipped to me as a gift. And therefore that’s what I used. Finally, the more active I became and have become, the more difficult it became to depend on personal items. For years I relied on riders to make instruments available on the road. I came to find out that in most cases Fender amplifiers and Roland JC-120s were the most available and I specified a second amp in case the first one was damaged. When this proved unreliable I was open to change for practical purposes.
In 1982, Paul Reynolds used two Roland JC-120 Jazz Chorus amplifiers, as documented in the source from Quoracdn.
Valerie can be heard saying this quote at 45:16 into the video. >"And then amplifiers, I loved the JC-120 because it's so clean and wet sounding, and yeah, that's one of my favorite speakers." This quote can also be found at the end of page 10 of this google drive link which is a transcription of the video: https://drive.google.com/file/d/1aot_vlUiR8rOHCH-YnaR1IhLpbshs7NM/view
Album Usage
The Roland JC-120 Jazz Chorus has been featured on the following albums:
Saviors (édition de luxe)
Green Day (2025)
Billy (Yeah Yeah Yeah)
Inhaler (2025)
Saviors
Green Day (2024)
Things Take Time, Take Time
Courtney Barnett (2021)
You / Uta Wo Utaeba
Mass of the Fermenting Dregs (2020)
掌で踊る
Sokoninaru (2018)
Play
Dave Grohl (2018)
Time Slips Behind Us
Modern Color (2017)
Soft Sounds from Another Planet
Japanese Breakfast (2017)
I like it when you sleep, for you are so beautiful yet so unaware of it
The 1975 (2016)
Peripheral Vision
Turnover (2015)
Hyperview
Title Fight (2015)
Drones
Muse (2015)
Bless Up
Ernest Ranglin (2014)
HEAL
Strand of Oaks (2014)
Red Barked Tree
Wire & Wire (2011)
Dag With Shawn
Dag Nasty (2010)
Humbug
Arctic Monkeys (2009)
BLUE BLOOD REMASTERED EDITION
X Japan (2008)
Live At The Academy NYC 12.4.92
Television (2007)
Whatever People Say I Am, That's What I'm Not
Arctic Monkeys (2006)
In the Name of the Suffering (remastered Re-issue + Bonus)
EyeHateGod (2006)
10,000 Days
Tool (2006)
Lateralus
Tool (2001)
Cemetery Gates (Demon Knight Edit) [Radio Edit]
Pantera (1995)
Let Love In (2011 Remaster)
Nick Cave and the Bad Seeds (1994)
Pablo Honey
Radiohead (1993)
A Storm In Heaven
The Verve (1993)
Gish (Remastered)
The Smashing Pumpkins (1991)
Empire - 20th Anniversary Edition
Queensrÿche (1990)
Oranges & Lemons
XTC (1989)
Operation: Mindcrime (Remastered / Expanded Edition)
Queensrÿche (1988)
Surfing With The Alien
Joe Satriani (1987)
In My Tribe
10,000 Maniacs (1987)
Appetite For Destruction
Guns N' Roses (1987)
Master of Puppets (Remastered)
Metallica (1986)
The Wishing Chair
10,000 Maniacs (1985)
Stop Making Sense (Live)
Talking Heads (1984)
Screaming Blue Murder
Girlschool (1982)
Seventeen Seconds
The Cure (1980)
So What (Reissue)
Joe Walsh (1974)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Roland JC-120 Jazz Chorus, it is most commonly used with the following gear.
Community setups
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