Pricing and availability

We compare 600+ stores and found this item at 7 stores. Prices updated .

Sweetwater
5.0 (42)
$1,399.99 $1,099.99 $300.00 · All time low
Guitar Center
4.5 (19)
$1,399.99 $1,099.99 $300.00 · All time low
Amazon
4.6 (32)
$1,099.99
Reverb
5.0 (13)
$1,099.99 New
$499.99 Used
zZounds
5.0 (14)
$1,241.99
Gear4Music
£1,292.00
Vintage King
5.0 (1)
$1,399.99

Average Price: $1,077

High-end/Boutique

$300

$701+

Price Tier

Budget

Standard

High-end

Price History

Based on price data from 3 merchants for "Roland JC-120 Jazz Chorus". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.

* Product prices and availability are updated by Equipboard every 24hrs and are subject to change. Equipboard may receive compensation for purchases made at participating retailers linked on this site. This compensation does not affect what products or prices are displayed, or the order of prices listed. For more information, please refer to our affiliate disclosure.

Description

Welcome to the world of the Roland JC-120 Jazz Chorus, the quintessential amp that's been trusted by musicians for over two decades. This iconic amplifier is renowned for its exceptional clean sound and its rich, stereo chorus. It's the go-to gear for jazz musicians and guitarists who demand the best from their equipment.

The Roland JC-120 isn't just about clean sounds, it's about clarity and authenticity. When your instrument is plugged into this amp, the true tonal character shines through with remarkable fidelity. The distortion is kept to a bare minimum, allowing every note to be heard with crystal clear precision.

But the Roland JC-120 doesn't stop at clarity. It's also about versatility and tonal flexibility. The built-in effects, including the famous wide-spatial chorus, add depth and dimension to your sound. Other integrated effects include vibrato with adjustable rate and depth, mild distortion, and clear reverb. These can all be activated or deactivated with footswitches for on-the-fly adjustments.

The stereo effects loop on channel 2 meets full professional specifications, allowing you to select series/parallel connections and switch between different input and output signal levels. This ensures that your effects come through in their full glory.

Despite the refined sound, the Roland JC-120 is built to last. It's solidly constructed and can handle the rigours of the road better than many rock amps. Whether you're a jazz musician or not, if you're after a dependable stereo amp that sets professional standards, the Roland JC-120 Jazz Chorus is the one for you.

Key Features:

  • Twin 60W + 60W amps
  • Two 12 in. speakers
  • 2 input channels each with 3-band EQ
  • Low distortion and high-frequency response
  • Stereo effects loop on channel 2 with series/parallel connections
  • Integrated effects: wide-spatial chorus, vibrato, mild distortion, and clear reverb
  • Footswitch control for effects
  • Solid construction for road durability

Product specs

Type Solid State
Number of Channels 2
Total Power 2 x 60W
Speaker Size 2 x 12"
Reverb Yes
EQ 3-band
Inputs 1 x 1/4"
Outputs 2 x 1/4"
Effects Loop Yes
Footswitch I/O 3 x 1/4" (chorus/vibrato, reverb, distortion)
Footswitch Included No
Power Source Fixed AC cable
Height 24.49"
Width 29.92"
Depth 11"
Weight 61.73 lbs.

FAQs

What makes the Roland JC-120 Jazz Chorus unique compared to other amplifiers?

The Roland JC-120 Jazz Chorus is renowned for its pristine clean tones and signature Dimensional Space Chorus effect, which provides a lush, wide sound. Its solid-state design ensures reliability and consistency, making it a favorite for clean jazz and pop sounds.

Is the Roland JC-120 Jazz Chorus suitable for live performances?

Yes, the Roland JC-120 is ideal for live performances due to its powerful 120-watt output and dual 12-inch speakers, which deliver a clear and punchy sound that can fill large venues.

Does the Roland JC-120 Jazz Chorus work well with effects pedals?

The Roland JC-120 is highly compatible with effects pedals, thanks to its clean sound and built-in effects loop. This makes it an excellent platform for adding additional effects to your sound.

What type of music is the Roland JC-120 Jazz Chorus best suited for?

The Roland JC-120 is best suited for genres that emphasize clean tones, such as jazz, pop, and funk. Its renowned clean sound and chorus effect make it a staple for musicians seeking clarity and depth.

Does the Roland JC-120 Jazz Chorus include a footswitch?

No, the Roland JC-120 Jazz Chorus does not include a footswitch, but it has footswitch inputs for controlling the chorus/vibrato, reverb, and distortion effects. Users can purchase compatible footswitches separately.

Equipboard's Expert Review

Equipboard tested this

Equipboard tested this

The Clean Machine's Legendary Status

The Roland JC-120 Jazz Chorus is a titan in the world of solid-state amplifiers. In our tests, we were immediately struck by its robust build quality and iconic design. The amp's weight and size are substantial, which can be a double-edged sword - great for stability on stage, but a challenge for transportation.

We found the controls intuitive and responsive, with the chorus and reverb effects being particular standouts. The clean tones are nothing short of spectacular, where this simply can't be beat. For us, the JC-120 excelled in jazz, fusion, and pop genres, delivering warm, pristine cleans with impressive headroom.

The distortion left much to be desired, and we noticed some noise issues, particularly in the effects loop. While it takes pedals well for the most part, high-gain distortion pedals didn't quite mesh as seamlessly as we'd hoped.

In our opinion, the JC-120 is a solid investment for players seeking unparalleled clean tones and legendary chorus effects. Its durability and minimal maintenance requirements make it a workhorse for gigging musicians. However, those prioritizing portability or seeking high-gain tones might want to look elsewhere. Despite its high price point, we believe the JC-120's timeless sound quality and reliability make it a worthwhile consideration for serious clean tone enthusiasts.

Rated 5
nikmarkmedia

nikmarkmedia

JC-120 Roland Jazz Chorus Amp

Video thumbnail for JC-120 Roland Jazz Chorus Amp by nikmarkmedia

JC-120 Roland Jazz Chorus Amp

nikmarkmedia

nikmarkmedia

Video thumbnail for Roland JC-40 Combo Amp Review by Sweetwater by Sweetwater

Roland JC-40 Combo Amp Review by Sweetwater

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Sweetwater

Video thumbnail for Guitar Paradiso - Roland Jazz Chorus Shoot Out - JC40 vs JC120 by Andertons Music Co

Guitar Paradiso - Roland Jazz Chorus Shoot Out - JC40 vs JC120

Andertons Music Co

Andertons Music Co

Video thumbnail for Roland Jazz Chorus 🎧 JC-120 🎧 | Best Solid State Guitar Amp (Complete Demo/Test) by Alberto Martinez Del Rio Guitar

Roland Jazz Chorus 🎧 JC-120 🎧 | Best Solid State Guitar Amp (Complete Demo/Test)

Alberto Martinez Del Rio Guitar

Alberto Martinez Del Rio Guitar

Video thumbnail for Roland JC 120 in depth: Does it still make sense? by TheSpaceGuitar

Roland JC 120 in depth: Does it still make sense?

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TheSpaceGuitar

Video thumbnail for Roland Jazz Chorus JC-120 in Depth | Recording Tips & Tricks 🎸 Stereo Mono Miking Test | jumping EQs by Alberto Martinez Del Rio Guitar

Roland Jazz Chorus JC-120 in Depth | Recording Tips & Tricks 🎸 Stereo Mono Miking Test | jumping EQs

Alberto Martinez Del Rio Guitar

Alberto Martinez Del Rio Guitar

Video thumbnail for Roland JC120 | Playthrough Demo by ChoptonesOfficial

Roland JC120 | Playthrough Demo

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ChoptonesOfficial

Video thumbnail for Silencio en el Bar - Caseros Hollywood (16/5/2014) by Caseros Hollywood

Silencio en el Bar - Caseros Hollywood (16/5/2014)

Caseros Hollywood

Caseros Hollywood

Video thumbnail for "Guitar Synth Solo" (live 13/6/2014) by Javier García by matevoodoo (Javier García)

"Guitar Synth Solo" (live 13/6/2014) by Javier García

matevoodoo (Javier García)

matevoodoo (Javier García)

Reviews

PROS

  • Legendary clean tone, unmatched in clarity and warmth

  • Iconic, lush chorus and vibrato effects built-in

  • Exceptional build quality, especially in older models

  • Handles pedals and external effects exceptionally well

  • Durable and reliable, with many units lasting decades

  • Versatile for genres like jazz, funk, blues, and twang rock

  • Good for both studio and live performances due to analog I/O

  • Practical features and ease of use, even for beginners

  • Solid state with a tube-like sound without the maintenance

  • Has a distinct sound that’s been on many famous recordings

CONS

  • Distortion channel is not suitable for heavy genres

  • Large and heavy, making it difficult to transport

  • Some models develop a hiss over time due to lesser quality parts

  • Original models lack modern features like stereo input options

  • Fixed chorus setting on older models with no depth/speed control

  • Effects loop can be noisy compared to other models

  • High price point, although justified by sound quality and durability

  • Distortion is unusable for some, requiring external pedals for drive sounds

  • Not very practical compared to smaller, more modern versions

Critic Reviews

How Roland’s JC-120 became the king of solid-state guitar amps | Guitar World

guitarworld.com

Roland's JC-120 Jazz Chorus remains a standout in the realm of solid-state amps, revered for its pristine clean tones and innovative built-in stereo chorus effect. While most transistor amps were once overshadowed by valve amps, the JC-120 broke through with reliability and a unique sound profile, becoming a staple in studios and onstage. Its warmth and headroom make it versatile across genres from metal to reggae. Despite incremental updates over the years, including changes to its effects and layout, the JC-120 maintains its classic appeal. Though not the cheapest option, its lasting reputation and quality make it a worthy investment for enthusiasts seeking iconic tones.

positive

Review: Roland JC-120 Guitar Amp – Guitar-Muse.com

guitar-muse.com

The Roland JC-120 Jazz Chorus is a staple for crystal-clear clean tones and a lush stereo chorus that stands out in the guitar amp world. While skeptics of solid-state amps may initially hesitate, the JC-120 impresses with its purity of sound, especially when compared to muddier tube amps. Its versatility is notable, featuring two channels, onboard effects, and an affinity for pedals, making it ideal for stompbox enthusiasts. However, the amp's built-in reverb and distortion fall short, sounding flat and digital. Distortion pedals may not always deliver as naturally as with tube amps, and the notorious JC hiss may require some noise-gating. Despite these drawbacks, the JC-120's enduring reputation is well-deserved, especially for players who value pristine cleans and pedal integration.

positive

Pioneering Chorus: How the Roland JC-120 Jazz Chorus Amp and Boss CE-1 Chorus Ensemble Pedal Set Industry Standards | GuitarPlayer

guitarplayer.com

The Roland JC-120 Jazz Chorus remains a staple for its pristine clean tones and lush chorus effects, celebrated by guitarists across genres. This review highlights its groundbreaking role in music history, emphasizing the amp's robust stereo sound and its influence on subsequent Boss products like the CE-1 Chorus Ensemble pedal. While its distortion feature didn't strike a chord with rockers, the JC-120's clean power and modulation effects have left a lasting legacy. Its design and build quality are praised, though the weight and size might deter some modern players. Overall, the JC-120 is revered as an industry standard in guitar amplification.

positive
Add

4.5 out of 5

Based on 26 Reviews and 129 Ratings

5 star
4 star
3 star
2 star
1 star
wyatt_goodwin

the perfect amp

i can't even express my love for this amp, probably my favorite piece of gear of all time

ralphkj

It’s alright

Was pretty excited when I got one of these in a part exchange. Chorus and vibrato circuits sound fantastic, and looks the part too. You can pick these up for decent prices if you’re patient.

The sound, most of the time is way too harsh and shrill. Could never really shape the sound the way that I wanted to. Mine had a gated spring on there, which was cool at first, but drove me nuts after a while. It’s also really heavy and loud. Lets not talk about the distortion circuit.

W

In no way shape or form is this a "bad" piece of equipment, I did however get rid of mine; I can explain.

Right off the bat this amplifier is an icon and I have no negative bias towards it, I got rid of mine however due to a couple reasons. First, The model that I owned was an original from the late 70's, so it was the largest Fucking piece of equipment I've ever owned (i have speaker cabinets that are easier to transport than this thing!) 2x12 combo amps by nature tend to take up space but this thing weighed 100 lbs and took up 1/3 of my entire bedroom, eventually it became more of a hassle than recreation. Second, I much prefer high-gain distortion and overdrive tones as opposed to cleans and reverb, so by nature this amplifier is much more difficult for me to work with if I have no overdrive or distortion pedal. The unit itself however does in fact sound very good and produces a multitude of classic and rich sounding tones, the built in chorus and vibrato effects are phenomenal and really allow you to mold them into a very unique way that modern amps simply don't offer anymore. I haven't plugged into one of the re-issue models that are being produced nowadays, so I can't tell you if there are any differences in how they both sound; In retrospect I'm very glad I owned one for a brief period and got to experience one the most influential solid state amps ever manufactured.

Genres:
C

Absolutely stunning

My go to amp for cleans, let alone the lush stereo chorus mode. Absolutely brilliant amp, an absolute staple

e_minor_pentatonic

One of the Best Clean Amps

Much has been said about this, so I won't cover what has been said.

The older version is what you want. It is the standard in clean amps having been used on many recordings that you hear. The older one was extremely clean with no background noise. I point this out as I also owned a newer one. It developed a small hissssssss as it got older. My amp tech told me this was due to lesser quality parts. He was able to make the repair, but it never lived up to the older one.

It takes pedals extremely well.

L

Best amp i will be using on my whole life

This amp is loud asf!!! It didnt mud my guitar tone when its loud and my jazz chorus is now 36yrs old and no repair history still works!!

Preferred Settings + Usage:

A bit of detune and chorus from the jc120 and compressor is heaven! And i use it as my clean and high gain amp

hred

Cleanest Cleans/Chorusiest Chorus

What attracted me to this amp was how clean and pure the tone is and how lush the chorus is. It does not try to be tube which is my least favorite thing about most solid state amps. It is just a big DI box with some nice color to the tone. The stereo chorus is almost always on when I play. It does a great job at adding a rich texture without getting in the way of anything. The reverb on the amp is nice and ample but nothing crazy. I am not much for vibrato but the vibrato can also provide some nice textures that mix well in the overall tone. The reason I did not give this amp 5 stars though was because the distortion is unusable. It is not a big deal for me because I have plenty of pedals but it was disappointing to find. The JC 40 has a really nice distortion effect though, that almost reminds me of a transparent overdrive, plus it is not insanely loud like this monster.

marcoiv

Best Clean and Chorus amp EVER

This is the sound I have searched to get the best metal clean sounds.

davepepper

Read the review - there are caveats for the three stars.

This is a great amp but not very practical compared to the more recent smaller versions. Mine is an original 70s model and does NOT have the stereo input options or loop inputs found on later versions. It DOES have the original spring reverb. Cross-plugging inputs isn't an option. It's big, loud and only does stereo with its own inbuilt effects. Chorus has one setting. Vibrato is adjustable. Reverb is great. Distortion is a waste of time. I pair this up with an AC30 to blend different sounds. I live in Denmark and they aren't all that in demand here, so I got it for a lot less than a JC40 would have cost new - so if you can get one cheap, great. But for full price it's too much amp for most people. Nice to have but there are better options out there for most players.

From Gear Setup
xaqary

I'm a child of the late 80's & 90's

I loved the sound of this fella long before I knew what it was. "Chorus on everything!" Phase? Yup, had one. After that nonsense pasted it was used largely on Keys and lived a very hard life on the road. I was juuust coming back around to playing guitar thru it and well, she's gonna need a trip to the doctor some TLC before that'll happen.

It's a staple sound for sure- The amp & it's Chorus. There is a matter of taste with these matters tho. Me? I LOVE this guy. For a mix of reasons. Sturdy bastard! Lord we were hard on it (it's actually sitting next to me, serving as an end table sadly). I will admit there is like a mix of conscious nostalgia for its sound and also just baked into me from the music of my youth.

They're not too hard to find & I'd definitely encourage anyone to go & see if it's a sound you dig. Lord knows you'll have loads of company. Good company in lots of cases.

Dammit. There goes my day. I'm fixing my Jazz Chorus dammit.

Artist usage

Add artist
See how Japanese Breakfast uses Roland JC-120 Jazz Chorus

Japanese Breakfast

Singer, Guitarist

...
Verified via YouTube

In a YouTube video of Japanese Breakfast's live performance at the UC Theatre in Berkeley, CA on November 7, 2021, Michelle Zauner is seen using a Roland JC-120 Jazz Chorus amplifier. The amplifier is visible throughout the performance, and at 0:23, the distinct knob layout is clearly identifiable, confirming it as the JC-120 model. The video is provided by Tim Bracken and captures the band playing their song "Diving Woman."

See how Neige uses Roland JC-120 Jazz Chorus

Neige

Guitarist, Bassist

Alcest

...
Verified via Photo

He uses this Roland for live concerts very often

See how Jimmy Bower uses Roland JC-120 Jazz Chorus

Jimmy Bower

Guitarist, Drummer

EyeHateGod

...
Verified via YouTube

In this video at 6:43, Jimmy mentions that during the recording of "In the Name of Suffering," the band didn’t own amplifiers. Therefore, He used the studio's Roland combo amp, which he leaned against the wall; it was likely a Roland JC-120.

See how Daughter (official) uses Roland JC-120 Jazz Chorus

Daughter (official)

Guitarist

Daughter

...
Verified via YouTube

In the live performance by Daughter on KEXP in 2016, visible throughout the YouTube video is a Roland Jazz Chorus amplifier seen behind guitarist Igor Haefeli. At the 9:49 mark, a freeze frame confirms it is specifically the JC-120 model. This performance was captured and presented by KEXP.

See how Roy Buchanan uses Roland JC-120 Jazz Chorus

Roy Buchanan

Guitarist

...
Verified via Guitarplayer

Early in 1979, Buchanan switched to a Fender Stratocaster for a few years. He vacillated between guitars until 1985, when he permanently retired his ’53 in favor of a 1983 Tele loaded with Bill Lawrence pickups and a Gibson 30th Anniversary Les Paul goldtop. During this period Buchanan explored a variety of amplifiers, including Peaveys, Mesa/ Boogies, and Marshalls, before eventually settling on a Roland JC-120. He also began experimenting with a Boss DD-2 delay pedal.

See how Jason Pierce uses Roland JC-120 Jazz Chorus

Jason Pierce

Singer, Guitarist

Spacemen 3

...
Verified via YouTube

In this footage of Spititualized performing in Norway in ‘92 recently uploaded on YouTube, one can see Mr. Pierce usage of Roland Jazz Chorus 120.

See how DIIV uses Roland JC-120 Jazz Chorus

DIIV

Music Producer

DIIV

...
Verified via YouTube

cole uses this amp for mostly everything and can be seen in nearly all of his live performances

See how Joe Newman uses Roland JC-120 Jazz Chorus

Joe Newman

Guitarist

Alt-J

...
Verified via YouTube

In the background to the left a Roland Jazz Chorus is visible, which produces beautiful clean tones for Joe Newman in typical Alt-J style.

See how Jack Tatum uses Roland JC-120 Jazz Chorus

Jack Tatum

Singer, Guitarist

Wild Nothing

...
Verified via YouTube

During the Wild Nothing South-American tour, Jack used the Roland Jazz Chorus-120 which you can also see during the whole Primavera Fauna 2015 performance video.

See how Yuri Kasparyan uses Roland JC-120 Jazz Chorus

Yuri Kasparyan

Guitarist

KINO

...
Verified via Photo

Yuri Kasparyan used the Roland JC-120 Jazz Chorus amplifier during a performance in Minsk, as evidenced by a user-uploaded photo.

See how Jeremy Galindo uses Roland JC-120 Jazz Chorus

Jeremy Galindo

Guitarist

This Will Destroy You

...
Verified via YouTube

Jeremy Galindo uses the Roland JC-120 Jazz Chorus amplifier during This Will Destroy You's European tour, as evidenced by the live concert footage recorded by CONCERTS MUSIC LIVE on March 8th, 2025, at Le Ferrailleur in Nantes, France.

See how Nick Bassett uses Roland JC-120 Jazz Chorus

Nick Bassett

Guitarist, Bassist

Nothing

...
Verified via YouTube

In the live performance video of Death of Lovers at The Echoplex on January 21, 2018, Nick Bassett can be seen using a Roland JC-120 Jazz Chorus amplifier.

Album Usage

The Roland JC-120 Jazz Chorus has been featured on the following albums:

Roland JC-120 Jazz Chorus as heard on Saviors (édition de luxe) by Green Day (2025)

Saviors (édition de luxe)

Green Day (2025)

Roland JC-120 Jazz Chorus as heard on Billy (Yeah Yeah Yeah) by Inhaler (2025)

Billy (Yeah Yeah Yeah)

Inhaler (2025)

Roland JC-120 Jazz Chorus as heard on Saviors by Green Day (2024)

Saviors

Green Day (2024)

Roland JC-120 Jazz Chorus as heard on Things Take Time, Take Time by Courtney Barnett (2021)

Things Take Time, Take Time

Courtney Barnett (2021)

Roland JC-120 Jazz Chorus as heard on You / Uta Wo Utaeba by Mass of the Fermenting Dregs (2020)

You / Uta Wo Utaeba

Mass of the Fermenting Dregs (2020)

Roland JC-120 Jazz Chorus as heard on 掌で踊る by Sokoninaru (2018)

掌で踊る

Sokoninaru (2018)

Roland JC-120 Jazz Chorus as heard on Play by Dave Grohl (2018)

Play

Dave Grohl (2018)

Roland JC-120 Jazz Chorus as heard on Time Slips Behind Us by Modern Color (2017)

Time Slips Behind Us

Modern Color (2017)

Roland JC-120 Jazz Chorus as heard on Soft Sounds from Another Planet by Japanese Breakfast (2017)

Soft Sounds from Another Planet

Japanese Breakfast (2017)

Roland JC-120 Jazz Chorus as heard on I like it when you sleep, for you are so beautiful yet so unaware of it by The 1975 (2016)

I like it when you sleep, for you are so beautiful yet so unaware of it

The 1975 (2016)

Roland JC-120 Jazz Chorus as heard on Peripheral Vision by Turnover (2015)

Peripheral Vision

Turnover (2015)

Roland JC-120 Jazz Chorus as heard on Hyperview by Title Fight (2015)

Hyperview

Title Fight (2015)

Roland JC-120 Jazz Chorus as heard on Drones by Muse (2015)

Drones

Muse (2015)

Roland JC-120 Jazz Chorus as heard on Bless Up by Ernest Ranglin (2014)

Bless Up

Ernest Ranglin (2014)

Roland JC-120 Jazz Chorus as heard on HEAL by Strand of Oaks (2014)

HEAL

Strand of Oaks (2014)

Roland JC-120 Jazz Chorus as heard on Red Barked Tree by Wire & Wire (2011)

Red Barked Tree

Wire & Wire (2011)

Roland JC-120 Jazz Chorus as heard on Dag With Shawn by Dag Nasty (2010)

Dag With Shawn

Dag Nasty (2010)

Roland JC-120 Jazz Chorus as heard on Humbug by Arctic Monkeys (2009)

Humbug

Arctic Monkeys (2009)

Roland JC-120 Jazz Chorus as heard on BLUE BLOOD REMASTERED EDITION by X Japan (2008)

BLUE BLOOD REMASTERED EDITION

X Japan (2008)

Roland JC-120 Jazz Chorus as heard on Live At The Academy NYC 12.4.92 by Television (2007)

Live At The Academy NYC 12.4.92

Television (2007)

Roland JC-120 Jazz Chorus as heard on Whatever People Say I Am, That's What I'm Not by Arctic Monkeys (2006)

Whatever People Say I Am, That's What I'm Not

Arctic Monkeys (2006)

Roland JC-120 Jazz Chorus as heard on In the Name of the Suffering (remastered Re-issue + Bonus) by EyeHateGod (2006)

In the Name of the Suffering (remastered Re-issue + Bonus)

EyeHateGod (2006)

Roland JC-120 Jazz Chorus as heard on 10,000 Days by Tool (2006)

10,000 Days

Tool (2006)

Roland JC-120 Jazz Chorus as heard on Lateralus by Tool (2001)

Lateralus

Tool (2001)

Roland JC-120 Jazz Chorus as heard on Cemetery Gates (Demon Knight Edit) [Radio Edit] by Pantera (1995)

Cemetery Gates (Demon Knight Edit) [Radio Edit]

Pantera (1995)

Roland JC-120 Jazz Chorus as heard on Let Love In (2011 Remaster) by Nick Cave and the Bad Seeds (1994)

Let Love In (2011 Remaster)

Nick Cave and the Bad Seeds (1994)

Roland JC-120 Jazz Chorus as heard on Pablo Honey by Radiohead (1993)

Pablo Honey

Radiohead (1993)

Roland JC-120 Jazz Chorus as heard on A Storm In Heaven by The Verve (1993)

A Storm In Heaven

The Verve (1993)

Roland JC-120 Jazz Chorus as heard on Gish (Remastered) by The Smashing Pumpkins (1991)

Gish (Remastered)

The Smashing Pumpkins (1991)

Roland JC-120 Jazz Chorus as heard on Empire - 20th Anniversary Edition by Queensrÿche (1990)

Empire - 20th Anniversary Edition

Queensrÿche (1990)

Roland JC-120 Jazz Chorus as heard on Oranges & Lemons by XTC (1989)

Oranges & Lemons

XTC (1989)

Roland JC-120 Jazz Chorus as heard on Operation: Mindcrime (Remastered / Expanded Edition) by Queensrÿche (1988)

Operation: Mindcrime (Remastered / Expanded Edition)

Queensrÿche (1988)

Roland JC-120 Jazz Chorus as heard on Surfing With The Alien by Joe Satriani (1987)

Surfing With The Alien

Joe Satriani (1987)

Roland JC-120 Jazz Chorus as heard on In My Tribe by 10,000 Maniacs (1987)

In My Tribe

10,000 Maniacs (1987)

Roland JC-120 Jazz Chorus as heard on Appetite For Destruction by Guns N' Roses (1987)

Appetite For Destruction

Guns N' Roses (1987)

Roland JC-120 Jazz Chorus as heard on Master of Puppets (Remastered) by Metallica (1986)

Master of Puppets (Remastered)

Metallica (1986)

Roland JC-120 Jazz Chorus as heard on The Wishing Chair by 10,000 Maniacs (1985)

The Wishing Chair

10,000 Maniacs (1985)

Roland JC-120 Jazz Chorus as heard on Stop Making Sense (Live) by Talking Heads (1984)

Stop Making Sense (Live)

Talking Heads (1984)

Roland JC-120 Jazz Chorus as heard on Screaming Blue Murder by Girlschool (1982)

Screaming Blue Murder

Girlschool (1982)

Roland JC-120 Jazz Chorus as heard on Seventeen Seconds by The Cure (1980)

Seventeen Seconds

The Cure (1980)

Roland JC-120 Jazz Chorus as heard on So What (Reissue) by Joe Walsh (1974)

So What (Reissue)

Joe Walsh (1974)

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use Roland JC-120 Jazz Chorus, it is most commonly used with the following gear.

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dross

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