Pricing and availability
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Average Price: $1,654
High-end/Boutique
$300
$701+
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Standard
High-end
Price History
Based on price data from 6 merchants for "Fender '65 Deluxe Reverb Reissue 1x12 Combo Amplifier". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Experience the unmatched sound quality of the Fender '65 Deluxe Reverb combo amp. This 22W all-tube amp is a faithful recreation of the mid-1960s Fender model, offering an authentic vintage tone that shaped the sound of rock, blues and country. Packed with two channels—normal and vibrato—it provides snappy tones that resonate beautifully through its 12" Jensen C-12K speaker.
The all-tube circuitry recreates the warm, organic distortion and touch-sensitive dynamics of the 1960s Fender amps. It boasts 12AX7 preamp tubes, 12AT7 tubes, 6V6 Groove Tubes output tubes and a 5AR4 rectifier tube. From bright cleans to saturated overdrive, the '65 Deluxe Reverb delivers the definitive "Blackface" sound that has graced countless recordings.
The amp's tube-driven reverb and vibrato effects provide ambient space and shimmering pitch modulation to suit any style. The reverb levels range from subtle enhancement to crashing surf, while the vibrato offers a pulsing throb. The two-button footswitch lets you activate and deactivate the reverb and vibrato remotely for ease of use during live performances.
Key Features:
- All-tube amp
- 22 watts into 8 ohms
- Two channels (normal and vibrato)
- 12" Jensen C-12K speaker with ceramic magnet
- Tube-driven spring reverb and vibrato
- Two-button footswitch
- Baltic birch plywood cabinet
- Black textured vinyl covering with silver grille cloth
- Includes 4 x 12AX7 preamp tubes, 2 x 12AT7 tubes, 2 x 6V6 Groove Tubes output tubes, and 1 x 5AR4 rectifier tube
Product specs
| Type | Tube |
| Number of Channels | 2 |
| Total Power | 22W |
| Speaker Size | 1 x 12" |
| Preamp Tubes | 4 x 12AX7, 2 x 12AT7 |
| Power Tubes | 2 x 6V6, 1 x 5AR4 (Rectifier) |
| Reverb | Yes |
| Effects | Vibrato |
| EQ | 2 x 2-band |
| Inputs | 2 x 1/4" (Normal), 2 x 1/4" (Vibrato) |
| Outputs | 2 x 1/4" (8 ohms speaker) |
| Footswitch I/O | 1 x 1/4" (reverb, vibrato) |
| Footswitch Included | Yes, 2-button footswitch |
| Bias Type | Adjustable Fixed |
| Construction Material | Birch Plywood with Black Tolex |
| Power Source | Standard IEC AC cable |
| Height | 17.5" |
| Width | 24.5" |
| Depth | 9.5" |
| Weight | 42 lbs. |
FAQs
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What are the tonal characteristics of the Fender '65 Deluxe Reverb Reissue?
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The Fender '65 Deluxe Reverb Reissue is renowned for its bright, clean tones and smooth breakup. It delivers classic Fender reverb and vibrato effects, making it ideal for genres like blues, rock, and country.
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Is the Fender '65 Deluxe Reverb Reissue suitable for gigging?
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Yes, with its 22-watt power and 1x12" speaker, the Fender '65 Deluxe Reverb Reissue is powerful enough for small to medium-sized gigs, while still being manageable for studio use.
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What type of tubes does the Fender '65 Deluxe Reverb Reissue use?
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This amplifier uses 4 x 12AX7 and 2 x 12AT7 preamp tubes, along with 2 x 6V6 power tubes and a 5AR4 rectifier tube, contributing to its warm and dynamic sound.
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Does the Fender '65 Deluxe Reverb Reissue include a footswitch?
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Yes, the Fender '65 Deluxe Reverb Reissue comes with a 2-button footswitch for easy control of the reverb and vibrato effects.
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Can the Fender '65 Deluxe Reverb Reissue handle pedal effects well?
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The Fender '65 Deluxe Reverb Reissue is known for taking pedals exceptionally well, allowing for versatile sound shaping and enhancement with external effects.
Videos
Guitarist
Fender '65 Deluxe Reverb & '65 Princeton Reverb
Reviews
PROS
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Iconic classic tone, great for country/rock/blues
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Works well at both high and low volumes
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Excellent clean sounds and pedal-friendly
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Vibrato and reverb effects highly praised
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Manageable size and weight for gigging
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Reissue models capture vintage Fender sound faithfully
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Can be easily modified for personal tone preferences
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Durable and reliable for long-term use
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Offers enough volume for small to medium venues
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Spring reverb and tremolo effects add depth to sound
CONS
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Bright cap may require modification for some users
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No built-in overdrive channel, relies on volume control for distortion
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Some users report harshness with overdrive/distortion pedals
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Vibrato channel may introduce noise or "clickiness"
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Reverb can be overwhelming at high settings
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May need an attenuator for bedroom-level playing
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Heavy for its size, making transport challenging for some
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Lacks modern features like an effects loop or master volume control
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Tremolo effect quality varies due to regional component differences
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Fender '65 Deluxe Reverb Reissue 1x12 Combo Amplifier.
Use cases and applications
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Natural tube breakup is praised for its heavenly sound, but it's noted as too loud for home use and possibly too quiet for stadiums.
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Some users modify the Normal channel's tone stack to mimic a Super Reverb, adding reverb and tremolo for increased tonal versatility.
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It excels in clean and blues rock tones, but requires pedals for metal, as it doesn't natively support high gain.
Source
Setup and maintenance
Comparisons
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The '64 Custom Deluxe Reverb can sound harsher with treble-heavy guitars like a Telecaster, while the '65 Reissue is perceived as more balanced by some users.
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It's noted that the DRRI can achieve different amp tones (Vox, Marshall) using style-specific pedals, offering a flexible sound palette.
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The Deluxe Reverb Reissue is frequently compared with the Marshall DSL40cr; the former excels with pedals, while the latter is favored for direct play.
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Value and pricing
Features and functionality
Mods and upgrades
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Upgrading the speaker plug to a metal Switchcraft and increasing B+ dropping resistors from 1W to 2W enhances durability for under $10 if done DIY.
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Gutting and handwiring the circuit to original '65 specs can significantly boost the amp's value, costing $400-$500.
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Some suggest updating filter caps and securing volume pots to enhance performance and reliability.
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Owners recommend swapping the stock speaker for a Celestion A-Type for better overdrive compatibility.
Source
Critic Reviews
5.0 out of 5
Based on 21 Reviews and 148 Ratings
344
Look no further
Its my desert island amp, loud enough to fill rooms and outdoor spaces, small enough to be transported without too much hastle. Can take guitars, basses and keyboards really well. Very nice drippy spring reverb. Takes pedals well.
141
Great amp
Amazing sounding amp. Pairs great with most guitars. Is very heavy so mostly used as a stationary amp, not for busking or gigging.
Preferred Settings + Usage:
Volume: 4 Treble: 6 Bass: 5 Reverb: 8 Speed: 6 Intensity: 4
922
81
fantastic
bought this used w/ a cannabis rex installed for about $730. weighs about 45 lbs, which can be quite the pain in the ass but a Vox AC15 weighs the same if not more, so it's not unheard of. clean sound is everything you've heard about & more - sparkly, clear, very cooperative with twangy, single-coil-type guitar tones (and probably humbuckers too). haven't heard what this sounds like at tube saturation/OD and expect I will not any time soon. most definitely my sound and worth even the ~$1000 new sticker price, but be aware that it's heavy, VERY loud for bedroom use -- i'm used to sitting directly in front of a practice amp and am having to either change that habit, keep the volume on this thing at the functional minimum forever and ever, or give myself actual tinnitus -- and very low-gain (not prone to break-up/distortion at reasonable volumes). can't go wrong with this guy for cleans and pedal support.
207
The gold standard
She's a heavy beast, but she is the beginning and end of the conversation when it comes to a clean tone and glorious spring reverb. Well worth the investment, and nothing makes my Les Paul sound better. If it had a master volume control it would be perfection. The only way to get the tubes to break up is to get it up to 9 and deafen the block. However, if you really need to do that in a small space, you probably want a high gain amp anyway. I can always add an OD pedal. I can't get the sweet cleans anywhere else.
41029
one cannot go wrong with a deluxe reverb... if I am using backline and the venue can't provide a decent ac30 or 15 I will settle for one of these any day, though I really prefer the old ones, even SF, the RIs don't sound as bad as all the cork sniffers claim, its more than okay
984
A delight to the ears
One of the best amps I've owned and most beautiful spring reverb I've heard. Beautiful singing cleans, let's your guitar's pickups and effects pedals really shine. Note that if you use dirt pedals on channel 2 make sure to put the volume above 3 or 4 to bypass the bright cap and avoid ice picky high frequencies, those can sound nasty.
623
Great when you can crank it up
I like amps on the edge of breakup, then adding drive pedals to go up from there, this amp is great when I get it up around 6 or so, but a little harsh at lower volumes, I think I’m gonna change the speaker to see if that helps, but love the amp 👍
77
a Classic Fender amp - not too loud, great biting point - takes pedals well!
22 watts - manageable and won't break your back, a classic Fender amp, you can do pretty much anything with this and the right pedals. wind the amp up to half way and it really opens up - clean, but dynamic. Reverb is lush and the classic Fender Spring - Vibrato is always fun. I wouldn't be without a Deluxe Reverb....ever
458
125
Good reason if it’s a reissue. The current ones aren’t so good on build. Rattle off a lot! And not just taking the 65 one. The entire current line up does. Best to get an old used one instead. That’s why so many 2019 and up models are $800 all day long. But if they already got a newer reissue fixed up with a tech, may be worthwhile at the price. New reissues rattle way too hard for me to even record. May have better luck with a drummer on full blast to drown it.
41029
the reissue is not so great turned up for some reason, but originals are much better cranked, although they're speaker dependent like all blackface fenders, if you have an original with a stock Jensen or with the shitty stock Utah or Oxford swapped for a decent celestion you can get a pretty good crunch... you should look at the brownface amps, no reverb, but much better when cranked and to ym ear they have fenders best clean tone.
385
I think the one I have is a reissue. No wonder it sounds like a wasp in a jar.
125
I returned a few reissues. They all rattled like glass no matter what. This one, the 68 and the new 68 Custom Pro Reverb. Took some to a Fender tech and he sighted the cheap sockets on the 6v6, and rattling chases. It’s best to get an old used one….or in my case I grabbed a Tone King Imperial. I had no intention of going that high with money. But all the reissues were like one person put it..”sounded like a wasp”. Didn’t want to track down used, and spend time into a tech either. Just frustrated after a month of reissue returns, and seeing Fender Techs. At least they were honest!
Artist usage
Add artist
John Mayer show his "custom" Fender Deluxe Reverb amp in this periscope video. (min 1:15)
In a user-uploaded photo, Kevin Parker is seen using a Fender '65 Deluxe Reverb amplifier. The distinctive size and three-knob configuration of channel one are visible in the image. Additional visual confirmation can be found in a video and a photo, despite the latter's low quality.
50:32 is clearly a Fender combo amp, & you can tell by the number of knobs, knob placement & panel color that it's a '65 Deluxe Reverb. Billie Joe Armstrong used this amp for the recording of the American Idiot album.
At around 57:13 you can see the deluxe reverb behind him(This is Bonnaroo btw). I've seen him using Deluxe Reverb on his most recent tour probably because you can crank a deluxe, and twin you can't because it is just so loud.
In the Fender video "Soul of Tone," Johnny Marr expresses his fondness for the Fender '65 Deluxe Reverb, stating, "I have to say I've never plugged in a Deluxe and didn't like it unless it was broken." This highlights his appreciation and regular use of this amplifier.
While it is a modeler, Tom’s tech mentions part of his clean sound uses a Fender Deluxe. 24:07.
An image of Thurston's Deluxe Reverb reissue can be seen on the Sonic Youth Gear Guide. It appears he used a similar setup to that of his Twin Reverb in previous years.
It can be seen beside his Peavey/Marshall stack in this live show.
Ed O'Brien is confirmed to use a Fender Vintage Reissue 65 Deluxe Reverb 1x1 Tube Combo Guitar Amplifier, as evidenced by an image of his Deluxe Reverb head taken in Tel Aviv on July 19, 2017.
In a Guitar World interview, a Fender '65 Deluxe Reverb Reissue is visible behind FINNEAS, confirming its use by the artist.
In this "Guitar Moves" video featuring St. Vincent, she can be seen playing her 1967 Harmony Bobkat guitar through a Fender '65 Deluxe Reverb Vintage Reissue Guitar Combo Amp. Around 5:27 into the video you can get a good look at the amp.
Album Usage
The Fender '65 Deluxe Reverb Reissue 1x12 Combo Amplifier has been featured on the following albums:
Billy (Yeah Yeah Yeah)
Inhaler (2025)
Getting Killed
Geese (2025)
San Fernando Rose
LA LOM (2024)
Перевоплотиться
Zoloto (2024)
Part I – When Everything Was Lost
Palace (2023)
gaps
Miloe (2022)
Chris King Robinson
Chris King Robinson (2021)
A Hero's Death
Fontaines D.C. (2020)
25th L'Anniversary LIVE
L'Arc-en-Ciel (2018)
Put My Head In The Ground
Equal Idiots (2017)
Untethered Moon
Built to Spill (2015)
Mind Over Matter
Young the Giant (2014)
Move Like This
The Cars (2011)
The Time Of Our Lives
Miley Cyrus (2009)
Orphans: Brawlers, Bawlers & Bastards (Remastered)
Tom Waits (2006)
American Idiot (Deluxe)
Green Day (2004)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Fender '65 Deluxe Reverb Reissue 1x12 Combo Amplifier, it is most commonly used with the following gear.
Community setups
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