Avril performed a couple of songs at a home concert in 2020 with the Telefunken U47 microphone.

Lady Gaga can be seen using this microphone throughout this performance.

In Fake Love Comeback show you can see a Telefunken U47 hanging from the book arm on Jungkook’s table

Zappa added "a new Telefunken | USA U47" to Utility Muffin Research Kitchen, as mentioned in this July 2007 Telefunken article.

Dweezil also took possession of a new Telefunken | USA U47. He added, “It’s amazing how same-model microphones have very distinct characteristics, because of the subtleties of the capsules and the choice and condition of the tubes. The new U47 is a very finely crafted mic which fits beautifully into the collection that Frank put together.”

Producer Brandon Lowry states in this Sound On Sound article: "She has a great voice in general, but it is at its most unique in the alto range, so we wanted her voice to be in that range, and the Telefunken U47 AE worked great for that."

Between 0:25-0:26, you can see the back of a Telefunken U47 microphone. You can visibly see the serial number plate. It could also be a vintage Neumann U47, on which the Telefunken is based on.

The Telefunken M251 and U-47 can be seen in the making of "A Different World".

He says at 1:20 : "This is the microphone that I do it all in front of right here. The Telefunken." It is a U47 not a TF51 because it has the little window on the front that displays the selected pickup pattern.

And to solidify that this is in fact a Telefunken U47, Dom's producer Julian Cruz shows off the vocal chain for Acaí Bowl.

"I like the Sennheiser 409 on amps. For a different sound I like a ribbon mic. Acoustic guitar recordings are tough. If you can have a nice big mic further back from the instrument that's usually the best. Further back means no booming. Lately I've enjoyed a U47 or C37A with a 1066 preamp."

"At the same time, Crow's acoustic guitar parts were recorded either with a U47, an AKG C12 or a Sennheiser 421, while electric guitars largely made use of a Fender Tweed amp." -via Sound on Sound

In the interview, Janus say "I record a lot of vocals, so the lovely U47 clone made by my friend is always in use."

Used for vocals (starting with Strange Days), as stated by engineer Bruce Botnick across Doors-related literature.

• December 2003 - "Classic Tracks: The Doors 'Strange Days'", Sound on Sound

  While Telefunken U47s were employed to record both Robby Krieger's guitar and Ray Manzarek's electric organ, the piano-bass was DI'd. Tried and trusted, this was Bruce Botnick's miking technique for assorted setups with a wide variety of artists. (...) Jim Morrison's vocals were captured with a U47, and although Botnick didn't use a pop shield during the Strange Days sessions — "I still don't like using them," he says, "I can hear them" — this would become a necessity a few years later when a drunken Morrison risked getting moisture on the capsule. At that point, Botnick would resort to making filters out of ladies' stockings glued over wire frames, "and when they were fresh Jim would get stoned off of the glue!

  "Still, he was great, and for the most part he was one of the easiest people I've ever had to record. He had a big, full sound — his idol was Frank Sinatra, and he always had those legendary crooners in his soul, even though he could go from crooning to screaming in a flash. He was like [Peruvian singer] Yma Sumac, with a four-octave range. I could set up his mic and just brush him lightly with compression in order to grab it when he screamed, but otherwise he was right there. He gave full value to every note. He was a controlled singer, like Sinatra and like Elvis. He loved Elvis, and he was a good student."

• 2006 - Perception liner notes for Strange Days (transcribed in The Doors FAQ: All That's Left to Know About the Kings of Acid Rock by Rich Weidman (2011))

  In the liner notes for Strange Days in the Perception Box Set, Doors engineer Bruce Botnik related the story of how he chose a Telefunken U47 microphone for Morrison: "The significance of the U47 wasn't lost on him, since he was a big fan of Frank Sinatra and Elvis Presley. The first time Jim stepped up in front of the microphone, he immediately recognized it from Sinatra's Swingin' Session album cover and was flattered to be sonically linked to one of his idols!

• October 9, 2007 - "Opening the Doors", Electronic Musician

  What did you use for Jim Morrison’s vocals?

  A Neumann U47 — which has pretty much always been my favorite vocal mic. And yes, for Strange Days, we didn’t use any pop filters. I hate them, because I can hear them. Jim was very controlled, so a light compression when he screamed into the mic was all it took to keep him sounding even. In those days, it was very common to have technical recording information on the back of the albums. They would list, “Trumpets: U47” and the like. So I would listen to the records, hear those sounds, and, then when I got back to the studio, I’d try out the mics. I’d say to myself, “Wow, it does have that sound character. That’s cool. I’m going to use it!”