Pricing and availability
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Price
Average Price: $29
Budget/Beginner
$100
$251+
Price Tier
Budget
Standard
High-end
Price History
Based on price data from 6 merchants for "Behringer VD400 Vintage Delay". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Behringer VD400 Vintage Delay is an analog delay pedal that offers a delightful blend of old-school echo and modern design. This pedal delivers the warm, natural sound of classic bucket-brigade devices, yet is packed with up-to-date features for the modern musician.
With its simple three-knob layout of Echo, Intensity, and Repeat Rate, the VD400 makes it easy to dial in your desired delay effect. The pedal provides up to 300 milliseconds of echo, ideal for everything from a rockabilly slap-back to a Pink Floyd-esque infinite sustain. The split outputs allow you to route your echo and direct sounds separately, giving you even more flexibility in crafting your tone.
The VD400 is built to last, with a rugged chassis ready to withstand the rigors of gigging and touring. Whether you're a bedroom guitarist or a touring musician, the Behringer VD400 Vintage Delay is a versatile and affordable addition to your pedalboard.
Key Features:
- Classic analog delay pedal
- Up to 300 milliseconds of echo
- Echo, Intensity, and Repeat Rate controls for easy sound shaping
- Split outputs for flexible signal routing
- Durable construction for long-lasting performance
- Powered by a 9V battery or DC power supply (not included)
Product specs
| Available since | January 2008 |
| Analogico | Yes |
| tap feature | No |
| Battery Operation | Yes |
| PSU included | No |
FAQs
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What type of delay does the Behringer VD400 Vintage Delay produce?
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The Behringer VD400 Vintage Delay is an analog delay pedal, known for producing warm, natural-sounding echoes that degrade slightly with each repeat, adding character to your sound.
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What are the main controls on the Behringer VD400 Vintage Delay?
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The Behringer VD400 features three main controls: REPEAT RATE for adjusting the delay time, ECHO for setting the effect output level, and INTENSITY for controlling the number of repetitions.
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Can the Behringer VD400 Vintage Delay be powered by a battery?
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Yes, the Behringer VD400 can operate on a 9V battery, offering flexibility for musicians who need a portable power option.
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Does the Behringer VD400 Vintage Delay include a tap tempo feature?
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No, the Behringer VD400 does not have a tap tempo feature, which means delay times must be set manually using the REPEAT RATE control.
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Is the Behringer VD400 Vintage Delay pedal suitable for use with bass guitars?
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Yes, the Behringer VD400 can be used with bass guitars, providing rich, analog delay effects that complement the lower frequencies well.
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Reviews
PROS
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Great value for the price
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Warm, analog-like delay tones
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Versatile with modifiable delay time
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Durable metal base plate construction
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Easy-to-use interface with responsive controls
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Compatible with 9V battery or AC adapter
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Can produce nice rhythmic effects
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Works well with a variety of instruments
CONS
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Limited delay time range without modification
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Plastic enclosure feels cheap
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Battery compartment and mechanism are fragile
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Footswitch may require repair over time
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Generates digital noise in some setups
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Repeat rate has limited minimum setting
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Behringer VD400 Vintage Delay.
Build quality
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The pedal's plastic case is durable if handled with care; avoid rough treatment like dropping or striking with heavy objects.
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Features and functionality
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The VD400 offers a maximum delay time of 300ms, which some users find limiting for longer delay needs.
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The pedal effectively integrates with other effects, enhancing its versatility in a multi-pedal setup.
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The VD400 is confirmed as a true analog delay, similar to the Echobrain's circuit.
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User experience
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Users note that Behringer pedals, including the VD400, may require multiple stomps to engage the switch effectively.
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Owners note its impressive sound quality at a price point around $30, despite some limitations in speed settings.
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Owners report that the VD400 excels in shorter delay settings, like slapback or "shower room" sounds.
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Comparisons
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The VD400 is often compared to Boss clones and other brand clones, praised for its accurate analog delay sound replication.
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For those seeking a metal casing, the TC Echobrain is suggested as an alternative.
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The Echobrain offers a slightly brighter repeat quality and can achieve more ambient sounds due to its dial sensitivity.
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The Echobrain features true bypass, which might be important for those managing buffers in their signal chain.
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Value and pricing
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Behringer's large-scale operations allow them to sell the VD400 at a lower price, making it appealing for budget-conscious buyers.
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Critic Reviews
4.0 out of 5
Based on 11 Reviews and 51 Ratings
83
Is it worth it? Yeah, probably.
I bought this pedal for $30. While I'm reminded of that fact every time I look at it, or move a knob, or turn it on, I don't care too much. I, personally, use this pedal as a wacko noise machine, as I already have a really nice analog delay on my board that I love. While it's a total piece of techno-junk destined to be e-waste, and a total ripoff of someone else's creative work, it does its job at being my wacko noise machine.
It has quite a large range of self-oscillation, and none of it being all that subtle, but if you can dial it into the sweet spot of "this pedal is really trying to self oscillate but as long as there's signal from my guitar it cant" it gets really fun. It becomes vocal, and has a bit of a temperament. When I have it dialed like that, it feels like I'm arguing with my guitar. I've recorded some pieces where that's been a useful creative element, but its so specific that I don't find myself needing this pedal too often.
After all of my experimentation, I'm only 90% confident on what the knobs do, so bear with me. I believe "Intensity" to be the mix knob, i.e, how much of your dry signal stays unadulterated by the delay. The "Echo" knob controls how many repeats happen, and the "Repeat Rate" knob determines how quickly those repeats happen. Playing around with the "Echo" knob is the key to self-oscillation, and messing with the "Repeat Rate" is how to get really weird textures with it. You could also back off the "Intensity" and have a changing droning texture under your instrumental, adding who knows what qualities.
This pedal will break at some point, and I've accepted it. I will likely not buy another one, and instead upgrade to a device that is better at making wacko noise.
984
Best cheap analog delay out there
I ordered a pack of Behringer pedals to put them head to head with it's Boss counterparts. They sound is amazing for their price, it's a fact. Only con is the plastic shell and footswitch that don't inspire much confidence, I would happily pay extra for a proper metallic casing. But tone-wise they are awesome.
I compared it side to side with an original 1984 DM3. They are very similar indeed. The DM3 costed me 300€ and the VD400 30€, and it features and identical CoolAudio MN3205 Bucket brigade... This chip alone costs around 6-9€, of course Behringer has the upper hand since it owns Coolaudio.
So, comparing both here's my thoughts:
Obviously DM3 is built like a tank, VD400 feels like a cheap toy.
DM3 has a less noise and a softer/rounder character, which makes it more musical.
VD400 will oscilate like crazy at any delay time setting, DM3 is much more controlable and only oscilates above 3 o'clock
DM3 has more pad-like repeats that sustain in a more controllable manner, VD400 has dirtier repeats with more top end clock noise.
VD400 has way more volume available, the max echo setting on the DM3 is about 50/50 (dry/wet) equivalent to 12 o'clock on the VD400, so the Behringer can even boost the repeats making them louder than your dry signal.
Overall DM3 is MUCH easier to dial and more polite, VD400 requires finer and more regular tweaking.
Make no doubt the DM3 is a superior pedal, but for 90% less €€€ the VD400 is a good alternative if you want to spend the least possible. If 300ms are enough for you anyway (I wouldn't mess with the trimpots to make it longer, it will just sound like trash).
175
a very great and simple delay :)
this was actually a gift from my parents (along with a behringer super fuzz) for my birthday and continued to spark my love for gear and what not, the delay was my favorite even if it is a cheap clone of a boss delay, again, i love behringer for that, they are pretty good for the money and i recommend them to anyone who is starting off :)
however, what really depresses me is that mine broke somehow unfortunately, however i've been looking into what has occurred since apparently i may or may not be the only one facing the same problem/issue, however when i do get it fix, i will be willing to use it again and again.
Preferred Settings + Usage:
i like keeping it simple, not to 'echo-y' however, my recommendation? go absolutely fucking crazy!
1778
Terrific analog delay at a bargain
This thing sounds incredible—it's circuit is a clone of the Boss DM-2 which is an iconic analog delay. The fact that this pedal does true bucket-brigade analog delay and only costs $25 is insane and makes it a must-buy for anyone who hasn't tried this flavor of delay pedal.
Why only 4 stars? I have doubts about the durability of those Behringer plastic enclosures. They certainly seem too flimsy for gigging or touring, but you could always re-house them in a metal enclosure.
263
cheap and powerful
When I started to get into pedals, I'd buy loads for Behringer effects thinking that they'd be the same as a Boss or a MXR etc...
Some of these lived up to my expectation, the VD-400 was one of them! For a cheap version of a Boss DM-3 it does the job amazingly! It has a really cool echo response and fiddling with the intensity is a lot of fun.
It's not staying on my board, but for now it does the job perfectly.
548
yup, it's an analog delay.
Super cheap, and sounds pretty good. Not really much to say about it, it's an analog delay doing an analog delay's job. My only real gripe is that the repeat rate doesn't quite go as low as I'd like, but it's not a huge issue. Also, the build quality is pretty crap, it's made of plastic, but as long as you don't stomp on it with your Doc Martens, it'll be fine.
Decent analog delay
It does what you would expect from an analog delay. The repeats go darker but in a subtle mellow way. You can get it to oscillate. It's a clone of the Boss DM-2, I never played one of these, because I don't know why I should spend 200+€ when I can get the Behringer-clone for a tenth of the price. Definetly does the trick.
Preferred Settings + Usage:
I usually use it in a short slapback-echo setting with only a few fast repeats. Does this very well imho.
Artist usage
Add artist
John Dwyer has used this Behringer vd400 vintage delay on the far right next to the fuzz war
The Japanese House uses the Behringer VD400 Vintage Delay pedal, as shown in a Twitter photo shared by Zander Leissle.
Nick Kivlen of Sunflower Bean uses the Behringer VD400 Vintage Delay pedal, as seen in a photo posted by jcollius on Instagram, captioned with "Bart and Milhouse."
In the video, you can see his pedalboard clearly. The Grey stompbox looks very much like the Behringer VD400.
During a performance by Life at The Undercroft in Baltimore, Damián Antón Ojeda is visibly using the Behringer VD400 on their pedal board, distinguishable by it's housing and knob layout. This is confirmed by a screenshot from @3tttyyy's Instagram recording of the song "Traveling Waters."
In the YouTube video titled "Gwenno - Sisial Y Môr (Green Man Festival | Sessions)," Gwenno is seen using the Behringer VD400 Vintage Delay pedal.
Lilli Macieira, the bassist for Lambrini Girls, uses the Behringer VD-400 Vintage Delay as part of their pedalboard. This is confirmed with my photograph taken on May 2, 2025, after their set at Arts at the Armory in Somerville, MA.
Full pedal list: BOSS TU-3 Tuner, “F**k You Then” - Unknown pedal, MXR Bass Preamp, MXR Poly Blue Octave, JHS Haunting Mids, Gamechanger Audio Third Man Records Plasma Coil, Fairfield Circuitry Randy’s Revenge Ring Modulator, ARTEC CPB-12 Power Brick, JHS Octave Reverb, Behringer VD-400 Vintage Delay
Correct name spelling: “Lilli” https://www.washingtonpost.com/dc-md-va/2024/07/17/lambrini-girls-dc9-punk-feminists/
Genre Usage
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